Columbia Workshop Plays PDF Download

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"Seems Radio is Here to Stay"

Author: Norman Corwin
Publisher:
Total Pages: 58
Release: 1939
Genre: Radio broadcasting
ISBN:

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Public Domain

Public Domain
Author: Eustis Wyatt
Publisher:
Total Pages: 64
Release: 1937
Genre: Radio scripts
ISBN:

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I've Got the Tune

I've Got the Tune
Author: Marc Blitzstein
Publisher:
Total Pages: 76
Release: 1937*
Genre: Radio scripts
ISBN:

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Nine Armenians

Nine Armenians
Author: Leslie Ayvazian
Publisher: Dramatists Play Service, Inc.
Total Pages: 92
Release: 1998
Genre: Armenian American families
ISBN: 9780822216025

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THE STORY: Three generations of an Armenian-American family yell, dance, carry food around, play tambourines, rollerblade, cry, scream, laugh and support each other. When daughter, Ani, 21, travels to Armenia, she learns more of her history and tro


Radio Drama in Action

Radio Drama in Action
Author: Erik Barnouw
Publisher: Wildside Press LLC
Total Pages: 412
Release: 2010-06-01
Genre: Drama
ISBN: 1434421198

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Erik Barnouw (1908-2001) was a historian of radio and television broadcasting. He became a professor at New York's Columbia University, and then chief of the Library of Congress's Motion Picture, Broadcasting and Recorded Sound Division.


Meridian 7-1212

Meridian 7-1212
Author: Irving Reis
Publisher:
Total Pages: 84
Release: 193?
Genre: Radio scripts
ISBN:

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Columbia's Calender for ...

Columbia's Calender for ...
Author: Columbia Broadcasting System, inc
Publisher:
Total Pages: 496
Release: 1938-12-31
Genre:
ISBN:

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Theater of the Mind

Theater of the Mind
Author: Neil Verma
Publisher: University of Chicago Press
Total Pages: 305
Release: 2012-06-29
Genre: Performing Arts
ISBN: 0226853527

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For generations, fans and critics have characterized classic American radio drama as a “theater of the mind.” This book unpacks that characterization by recasting the radio play as an aesthetic object within its unique historical context. In Theater of the Mind, Neil Verma applies an array of critical methods to more than six thousand recordings to produce a vivid new account of radio drama from the Depression to the Cold War. In this sweeping exploration of dramatic conventions, Verma investigates legendary dramas by the likes of Norman Corwin, Lucille Fletcher, and Wyllis Cooper on key programs ranging from The Columbia Workshop, The Mercury Theater on the Air, and Cavalcade of America to Lights Out!, Suspense, and Dragnet to reveal how these programs promoted and evolved a series of models of the imagination. With close readings of individual sound effects and charts of broad trends among formats, Verma not only gives us a new account of the most flourishing form of genre fiction in the mid-twentieth century but also presents a powerful case for the central place of the aesthetics of sound in the history of modern experience.