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Colonial Desire

Colonial Desire
Author: Robert J. C. Young
Publisher: Routledge
Total Pages: 260
Release: 2005-08-05
Genre: Art
ISBN: 113493887X

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The language of contemporary cultural theory shows remarkable similarities with the patterns of thought which characterised Victorian racial theory. Far from being marked by a separation from the racialised thinking of the past, Colonial Desire shows we are operating in complicity with historical ways of viewing 'the other', both sexually and racially. Colonial Desire is a controversial and bracing study of the history of Englishness and 'culture'. Robert Young argues that the theories advanced today about post-colonialism and ethnicity are disturbingly close to the colonial discourse of the nineteenth century. 'Englishness', Young argues, has been less fixed and stable than uncertain, fissured with difference and a desire for otherness.


Hybrid Modernities

Hybrid Modernities
Author: P. A. Morton
Publisher: MIT Press
Total Pages: 398
Release: 2000
Genre: Architecture
ISBN: 9780262632713

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A look at how the 1931 International Colonial Exposition in Paris created hybrids of French and colonial culture.


Hybridity

Hybridity
Author: Anjali Prabhu
Publisher: State University of New York Press
Total Pages: 206
Release: 2012-02-01
Genre: Literary Criticism
ISBN: 0791480356

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This critical engagement with some of the most prominent contemporary theorists of postcolonial studies reevaluates recent theories of hybridity and agency. Challenging the claim that hybridity provides a site of resistance to hegemonic and homogenizing forces in an increasingly globalized world, Anjali Prabhu pursues the ways in which hybridity plays out in the Creole, postcolonial societies of Mauritius and La Réunion, two small islands in the Indian Ocean, and offers an introduction to the literature and culture of this lesser-known region of Francophonie. She also reconsiders two major theorists from the Francophone context, Edouard Glissant and Frantz Fanon, through a provocatively Marxian framing that reveals these two writers shared more in common about agency and society than has previously been recognized.


Reconstructing Hybridity

Reconstructing Hybridity
Author: Joel Kuortti
Publisher: Rodopi
Total Pages: 342
Release: 2007
Genre: History
ISBN: 9042021411

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This interdisciplinary collection of critical articles seeks to reassess the concept of hybridity and its relevance to post-colonial theory and literature. The challenging articles written by internationally acclaimed scholars discuss the usefulness of the term in relation to such questions as citizenship, whiteness studies and transnational identity politics. In addition to developing theories of hybridity, the articles in this volume deal with the role of hybridity in a variety of literary and cultural phenomena in geographical settings ranging from the Pacific to native North America. The collection pays particular attention to questions of hybridity, migrancy and diaspora.


Performing Hybridity in Colonial-Modern China

Performing Hybridity in Colonial-Modern China
Author: S. Liu
Publisher: Springer
Total Pages: 392
Release: 2013-03-20
Genre: Social Science
ISBN: 1137306114

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In Shanghai in the early twentieth century, a hybrid theatrical form, wenmingxi, emerged that was based on Western spoken theatre, classical Chinese theatre, and a Japanese hybrid form known as shinpa. This book places it in the context of its hybridized literary and performance elements, giving it a definitive place in modern Chinese theatre.


The Archaeology of Hybrid Material Culture

The Archaeology of Hybrid Material Culture
Author: Jeb J. Card
Publisher: SIU Press
Total Pages: 495
Release: 2013-10-22
Genre: Social Science
ISBN: 0809333163

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In recent years, archaeologists have used the terms hybrid and hybridity with increasing frequency to describe and interpret forms of material culture. Hybridity is a way of viewing culture and human action that addresses the issue of power differentials between peoples and cultures. This approach suggests that cultures are not discrete pure entities but rather are continuously transforming and recombining. The Archaeology of Hybrid Material Culture discusses this concept and its relationship to archaeological classification and the emergence of new ethnic group identities. This collection of essays provides readers with theoretical and concrete tools for investigating objects and architecture with discernible multiple influences. The twenty-one essays are organized into four parts: ceramic change in colonial Latin America and the Caribbean; ethnicity and material culture in pre-Hispanic and colonial Latin America; culture contact and transformation in technological style; and materiality and identity. The media examined include ceramics, stone and glass implements, textiles, bone, architecture, and mortuary and bioarchaeological artifacts from North, South, and Central America, Hawai‘i, the Caribbean, Europe, and Mesopotamia. Case studies include Bronze Age Britain, Iron Age and Roman Europe, Uruk-era Turkey, African diasporic communities in the Caribbean, pre-Spanish and Pueblo revolt era Southwest, Spanish colonial impacts in the American Southeast, Central America, and the Andes, ethnographic Amazonia, historic-era New England and the Plains, the Classic Maya, nineteenth-century Hawai‘i, and Upper Paleolithic Europe. The volume is carefully detailed with more than forty maps and figures and over twenty tables. The work presented in The Archaeology of Hybrid Material Culture comes from researchers whose questions and investigations recognized the role of multiple influences on the people and material they study. Case studies include experiments in bone working in middle Missouri; images and social relationships in prehistoric and Roman Europe; technological and material hybridity in colonial Peruvian textiles; ceramic change in colonial Latin America and the Caribbean; and flaked glass tools from the leprosarium at Kalawao, Moloka‘i. The essays provide examples and approaches that may serve as a guide for other researchers dealing with similar issues.


Questioning Hybridity, Postcolonialism and Globalization

Questioning Hybridity, Postcolonialism and Globalization
Author: A. Acheraïou
Publisher: Springer
Total Pages: 223
Release: 2011-05-17
Genre: Literary Criticism
ISBN: 0230305245

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AcheraIou analyzes hybridity using a theoretical, empirical approach that reorients debates on métissage and the 'Third Space', arguing for the decolonization of postcolonialism. Hybridity is examined in the light of globalization, indicating how postcolonial discourse could become a counter-hegemonic ethics of resistance to global neoliberal doxa.


Colonial Hybridity

Colonial Hybridity
Author: Edward Denison
Publisher:
Total Pages: 74
Release: 2002
Genre: Architecture
ISBN:

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The Location of Culture

The Location of Culture
Author: Homi K. Bhabha
Publisher: Routledge
Total Pages: 440
Release: 2012-10-12
Genre: Art
ISBN: 1136751041

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36,000 copies sold New preface by the author influenced all major scholarship in post-colonial studies since publication One of the bestselling Routledge titles of the last decade Will form part of the Literary Studies list's Post-Colonial promotion this Autumn


Space, Place and Hybridity in the National Imagination

Space, Place and Hybridity in the National Imagination
Author: Christine Vandamme
Publisher: Cambridge Scholars Publishing
Total Pages: 386
Release: 2021-10-26
Genre: Literary Criticism
ISBN: 1527576620

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This volume explores space, place and hybridity in today’s multicultural societies with a strong emphasis on the role of art and spatial representations, in order to map out the complexity of modern nations and celebrate the creative powers of their highly dynamic communities and cultures. It considers how the very idea of the nation has evolved since the emergence and development of the idea of the nation-state at the end of the eighteenth century, and how art can reinvigorate representations of nation-states worldwide without relegating their minorities to the margin. Instead of merely focusing on the role of place and land in national representations, the book adopts a wider and more critical approach to space in the arts by investigating the notions of both hybridity and Bhabha’s “Third Space” in the fields of aesthetics, film studies and literature, with a particular emphasis on postcolonial literature.