Collection Getting Swettenham Gillion Etc Japanese Colour Prints PDF Download

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Catalogue of Japanese Colour Prints, Surimono, Books, Drawings, Etc. : Japanese Colour Prints..., the Property of W. Getting,... the Property of Sir Frank Swettenham, and Others, the Property of Miss Gillion...

Catalogue of Japanese Colour Prints, Surimono, Books, Drawings, Etc. : Japanese Colour Prints..., the Property of W. Getting,... the Property of Sir Frank Swettenham, and Others, the Property of Miss Gillion...
Author: W. Getting
Publisher:
Total Pages: 55
Release: 1920
Genre:
ISBN:

Download Catalogue of Japanese Colour Prints, Surimono, Books, Drawings, Etc. : Japanese Colour Prints..., the Property of W. Getting,... the Property of Sir Frank Swettenham, and Others, the Property of Miss Gillion... Book in PDF, ePub and Kindle


Japanese Woodblock Prints

Japanese Woodblock Prints
Author: William Green
Publisher: Brill Hotei
Total Pages: 304
Release: 1993
Genre: Art
ISBN:

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The ultimate research tool for the study of Japanese prints, this publication represents eight years of research by the author William Green. It lists over 6000 publications dating from 1822 to 1993, concentrating on those in English. In addition, the inclusion of newspaper and periodical reviews of the most important books and catalogs enables the academic debate concerning Japanese prints to be followed. This book is divided along thematic lines into 15 chapters and also contains three indexes, making it an easy-to-use reference work for students, scholars and collectors alike.


On Collecting Japanese Colour-Prints

On Collecting Japanese Colour-Prints
Author: Basil Stewart
Publisher: Taylor & Francis
Total Pages: 122
Release: 2023-07-14
Genre: Art
ISBN: 1000890910

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First published in 1917, On Collecting Japanese-Prints is meant to assist the amateur who has started a collection for the first time, or the person who, while not actually a collector, is sufficiently interested to read about the subject, yet finds the more exhaustive and advanced works thereon somewhat beyond them. How to distinguish forgeries and imitations; what prices should be given; what examples can still be obtained, are some of the questions which the writer has attempted to answer. The following chapters being primarily written for the beginner, artists whose work is very rare, or whose prints they are unlikely to come across in their search for examples, are not mentioned, unless where necessary from a historical or artistic point of view.