Coleridge's Theory of Imagination Today
| Author | : Christine Gallant |
| Publisher | : |
| Total Pages | : 332 |
| Release | : 1989 |
| Genre | : Literary Collections |
| ISBN | : |
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Imagination in Coleridge
| Author | : Samuel Taylor Coleridge |
| Publisher | : |
| Total Pages | : 260 |
| Release | : 1978 |
| Genre | : Literary Criticism |
| ISBN | : |
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Fancy & Imagination
| Author | : R. L. Brett |
| Publisher | : Taylor & Francis |
| Total Pages | : 95 |
| Release | : 2017-07-06 |
| Genre | : Literary Criticism |
| ISBN | : 1351631144 |
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Cover -- Half Title Page -- Title Page -- Copyright Page -- Original Title Page -- Original Copyright Page -- Contents -- General Editor's Preface -- 1 Imagination and the Association of Ideas -- 2 Coleridge's Distinction between Fancy and Imagination -- 3 Symbol and Concept -- Bibliography -- Index
Biographia Literaria
| Author | : Samuel Taylor Coleridge |
| Publisher | : |
| Total Pages | : 844 |
| Release | : 1881 |
| Genre | : Aesthetics |
| ISBN | : |
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Coleridge On Imagination V 6
| Author | : John Constable |
| Publisher | : Routledge |
| Total Pages | : 264 |
| Release | : 2014-01-09 |
| Genre | : Literary Criticism |
| ISBN | : 1136351167 |
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In the sixth volume of his Selected Works, I. A. Richards focuses on the writings of Samuel Taylor Coleridge.
The Creative Mind in Coleridge's Poetry
| Author | : Kathleen M. Wheeler |
| Publisher | : Harvard University Press |
| Total Pages | : 206 |
| Release | : 1981 |
| Genre | : Literary Criticism |
| ISBN | : 9780674175730 |
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Five of Coleridge's major poems are given fresh scrutiny in this arresting study. One of its unusual features is the attention given the Preface to "Kubla Khan," the Gloss to The Ancient Mariner, and other prose accompaniments to the poems usually dismissed as extraneous. Devices such as these, the author argues, are strategically employed by Coleridge in an effort to engage the reader in a fully imaginative response. Kathleen Wheeler elucidates the texts in terms of aesthetic experience and also in terms of the philosophical principles that inform them, showing how Coleridge's theories of mind and imagination function within the poems and shape their design. A subtle and gifted reader of poetry, she enriches our understanding of poems we thought we knew well, and provides insights along the way into the creative process.
Coleridge's Imaginative Conception of the Imagination
| Author | : Margaret Pollock Sherwood |
| Publisher | : |
| Total Pages | : 62 |
| Release | : 1973 |
| Genre | : Literary Criticism |
| ISBN | : |
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Method and Imagination in Coleridge's Criticism
| Author | : J.R. de J. Jackson |
| Publisher | : Routledge |
| Total Pages | : 224 |
| Release | : 2016-06-17 |
| Genre | : Literary Criticism |
| ISBN | : 1317208897 |
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First published in 1969, this book places Coleridge’s literary criticism against the background of his philosophical thinking, examining his theories about criticism and the nature of poetry. Particular attention is paid to the structure of Biographia Literaria, Coleridge’s distinction between Imagination and Fancy, his definitions of the poetic characters of Shakespeare and Wordsworth, his analysis of the mental state of audiences in theatres, and his interpretations of Paradise Lost, Hamlet and Aeschylus’ Prometheus. The emphasis throughout is on how Coleridge thought rather than what he thought and the process rather than the conclusions of his criticism.
Coleridge on Imagination
| Author | : Ivor Armstrong Richards |
| Publisher | : London, Routledge |
| Total Pages | : 274 |
| Release | : 1960 |
| Genre | : Imagination |
| ISBN | : |
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Clarification of the author's first interpretation, offering additional insights into Coleridge's application of Plato's thought, in answer to the Greek philosopher's challenge to poetry. For other editions, see Author Catalog.
Coleridge's Imagination
| Author | : Pete Laver |
| Publisher | : Cambridge University Press |
| Total Pages | : 0 |
| Release | : 1985 |
| Genre | : Literary Criticism |
| ISBN | : 0521033993 |
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This volume, dedicated to the memory of Peter Laver, explores the tension in Coleridge's theory and practice between the Imagination and the Natural.
