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Coleridge on Imagination

Coleridge on Imagination
Author: Ivor Armstrong Richards
Publisher:
Total Pages: 266
Release: 1955
Genre: Imagination
ISBN:

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Imagination in Coleridge

Imagination in Coleridge
Author: Samuel Taylor Coleridge
Publisher:
Total Pages: 260
Release: 1978
Genre: Literary Criticism
ISBN:

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Biographia Literaria

Biographia Literaria
Author: Samuel Taylor Coleridge
Publisher:
Total Pages: 844
Release: 1881
Genre: Aesthetics
ISBN:

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Coleridge and the Daemonic Imagination

Coleridge and the Daemonic Imagination
Author: G. Leadbetter
Publisher: Palgrave Macmillan
Total Pages: 0
Release: 2011-03-29
Genre: Literary Criticism
ISBN: 9780230103214

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Through politics, religion and his relationship with Wordsworth, the book builds to a new interpretation of the poems where Coleridge's daemonic imagination produces its myths: The Ancient Mariner, Kubla Khan and Christabel . Re-reading the origins of Romanticism, Leadbetter reveals a Coleridge at once more familiar and more strange.


Coleridge on Imagination

Coleridge on Imagination
Author: Ivor Armstrong Richards
Publisher:
Total Pages: 187
Release: 2001
Genre: Literary Criticism
ISBN: 9780415217378

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First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.


The Symbolic Imagination

The Symbolic Imagination
Author: J. Robert Barth
Publisher: Princeton University Press
Total Pages: 172
Release: 2015-03-08
Genre: Literary Criticism
ISBN: 1400867193

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Studying the nature of symbol in Coleridge's work, Father Barth shows that it is central to Coleridge's intellectual endeavor in poetry and criticism as well as in philosophy and theology. He finds symbol to be an essentially religious reality for Coleridge, one that partakes of the nature of a sacrament, especially sacrament as an encounter between material and spiritual reality. Father Barth notes that eighteenth-century poetry was by and large a poetry of metaphor rather than of symbol, a poetry of reference rather than of encounter. In close readings of the poetry of Wordsworth and Coleridge, he shows how they practiced and developed the poetry of symbol. Finally, analyzing the symbolic imagination, the author concludes that it is a phenomenon profoundly linked with the experience of Romanticism itself and with a fundamental change in religious sensibility. Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


Shapes of Imagination

Shapes of Imagination
Author: George Stiny
Publisher: MIT Press
Total Pages: 249
Release: 2022-11-15
Genre: Design
ISBN: 026254413X

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Visual calculating in shape grammars aligns with art and design, bridging the gap between seeing (Coleridge's “imagination”) and combinatoric play (Coleridge's “fancy”). In Shapes of Imagination, George Stiny runs visual calculating in shape grammars through art and design—incorporating Samuel Taylor Coleridge's poetic imagination and Oscar Wilde's corollary to see things as they aren't. Many assume that calculating limits art and design to suit computers, but shape grammars rely on seeing to prove otherwise. Rules that change what they see extend calculating to overtake what computers can do, in logic and with data and learning. Shape grammars bridge the divide between seeing (Coleridge's “imagination, or esemplastic power”) and combinatoric play (Coleridge's “fancy”). Stiny shows that calculating without seeing excludes art and design. Seeing is key for calculating to augment creative activity with aesthetic insight and value. Shape grammars go by appearances, in a full-fledged aesthetic enterprise for the inconstant eye; they answer the question of what calculating would be like if Turing and von Neumann were artists instead of logicians. Art and design are calculating in all their splendid detail.


Coleridge on Dreaming

Coleridge on Dreaming
Author: Jennifer Ford
Publisher: Cambridge University Press
Total Pages: 274
Release: 1998
Genre: Literary Criticism
ISBN: 0521583160

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This book is the first in-depth investigation of Coleridge's responses to his dreams and to contemporary debates on the nature of dreaming, a subject of perennial interest to poets, philosophers and scientists throughout the Romantic period. Coleridge wrote and read extensively on the subject, but his richly diverse and original ideas have hitherto received little attention, scattered as they are throughout his notebooks, letters and marginalia. Jennifer Ford's emphasis is on analysing the ways in which dreaming processes were construed, by Coleridge in his dream readings, and by his contemporaries in a range of poetic and medical works. This historical exploration of dreams and dreaming allows Ford to explore previously neglected contemporary debates on 'the medical imagination'. By avoiding purely biographical or psychoanalytic approaches, she reveals instead a rich historical context for the ways in which the most mysterious workings of the Romantic imagination were explored and understood.


Fancy & Imagination

Fancy & Imagination
Author: R. L. Brett
Publisher: Taylor & Francis
Total Pages: 95
Release: 2017-07-06
Genre: Literary Criticism
ISBN: 1351631144

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Cover -- Half Title Page -- Title Page -- Copyright Page -- Original Title Page -- Original Copyright Page -- Contents -- General Editor's Preface -- 1 Imagination and the Association of Ideas -- 2 Coleridge's Distinction between Fancy and Imagination -- 3 Symbol and Concept -- Bibliography -- Index