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Classification and Arrangement of the Exhibits of an Anthropological Museum (Classic Reprint)

Classification and Arrangement of the Exhibits of an Anthropological Museum (Classic Reprint)
Author: William Henry Holmes
Publisher: Forgotten Books
Total Pages: 36
Release: 2018-10-07
Genre: Social Science
ISBN: 9781396676017

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Excerpt from Classification and Arrangement of the Exhibits of an Anthropological Museum Classification. Of culture materials. - But what shall we attemp. To Show in the culture division of our anthropological museum, and how shall we classify and place our collections? Classification is the first essential. If we look at the world and its inhabitants from a suffi ciently distant point of view, a few of the greater groups of facts attract the eye. First, we observe that men are of several distinct races and varieties; but a closer look demonstrates that these are not separated one from another, but are intermingled in such ways as to afford no basis save the most general for a grouping of their culture products. Second, we observe that nearly all peoples are separated into social and political groups - into clans, tribes, and nations - cecu pying distinct areas of the habitable globe. Looking closer at these, one sees that they are not all alike; that the widest possible differences in condition and culture status exist. Some of the groups are savages almost without art and without any evidences of higher culture; some are more advanced, occupying the barbarian grade, while still others are highly cultured and surrounded by a thousand evidences of enlight enment and luxury. Shall we then classify and display our museum exhibits on the basis of this grouping of the peoples into tribes and nations? Let us see what would be the result. The British Empire is possessed of commanding power and boundless territory, but its cul ture materials would comprise every variety of product under the sun, from the lowest to the highest, and from every known region of the globe. The same is true of nearly all of the civilized nations. It is evident, therefore, that units of this class are too large and too com plex to be of use in classification. Besides, civilized nations may well be expected each to have and maintain its own national museum. Let us take another illustration. Suppose that we decide to arrange our collections by the inferior social or political units - as by states or tribes. Investigation shows that these units are too small; that we should have thousands of exhibition units - too many entirely for practical purposes.of grouping and installation. Besides, some are artificial divisions, and some are natural divisions, and the classification would be mixed and wholly unsatisfactory. What is wanted is a simple, natural grouping of the very diversified ethnic phenomena. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


Next of Kin

Next of Kin
Author: Lowell Dingus
Publisher: Rizzoli International Publications
Total Pages: 168
Release: 1996
Genre: American Museum of Natural History
ISBN:

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In an incisive, behind-the scenes text, paleontologist Lowell Dingus discusses the earliest specimens: fish, amphibians, and primitive reptiles that represent evolutionary starting points for major groups; the popular saurischian dinosaurs, including the seventeen-ton Apatosaurus skeleton; and ornithischian dinosaurs such as the horned triceratops.


Destination Culture

Destination Culture
Author: Barbara Kirshenblatt-Gimblett
Publisher: Univ of California Press
Total Pages: 352
Release: 1998-09-05
Genre: Art
ISBN: 9780520209664

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With the question, "What does it mean to show?", the author explores the agency of display in museums and tourist attractions. She looks at how objects are made to perform their meaning by being collected and how techniques of display, not just the things shown, convey a powerful message.


K'axob

K'axob
Author: Patricia Ann McAnany
Publisher: Cotsen Institute of Archaeology
Total Pages: 486
Release: 2004
Genre: History
ISBN:

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"Accompanying interactive CD-ROM provides complementary materials on a scale never before achieved and includes comprehensive data sets, over one thousand images." -- jacket.


Salish Blankets

Salish Blankets
Author: Leslie Heyman Tepper
Publisher: U of Nebraska Press
Total Pages: 178
Release: 2017
Genre: Art
ISBN: 1496201477

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Salish Blankets presents a new perspective on Salish weaving through technical and anthropological lenses. Worn as ceremonial robes, the blankets are complex objects said to preexist in the supernatural realm and made manifest in the natural world through ancestral guidance. The blankets are protective garments that at times of great life changes--birth, marriage, death--offer emotional strength and mental focus. A blanket can help establish the owner's standing in the community and demonstrate a weaver's technical expertise and artistic vision. The object, the maker, the wearer, and the community are bound and transformed through the creation and use of the blanket. Drawing on first-person accounts of Salish community members, object analysis, and earlier ethnographic sources, the authors offer a wide-ranging material culture study of Coast Salish lifeways. Salish Blankets explores the design, color/pigmentation, meaning, materials, and process of weaving and examines its historical and cultural contexts.


Discovering Dinosaurs in the American Museum of Natural History

Discovering Dinosaurs in the American Museum of Natural History
Author: Mark Norell
Publisher: Alfred A. Knopf
Total Pages: 234
Release: 1995
Genre: Nature
ISBN:

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Curators of the re-installation of the Hall of Dinosaurs at the American Museum of Natural History, the authors document the collection of dinosaur skeletons and recount the experiences of the paleontologists who have scoured remote lands in search of evidence of these animals. Contains 167 illustrations, charts and maps in color and b&w. National author media.


Res

Res
Author: Francesco Pellizzi
Publisher: Harvard University Press
Total Pages: 253
Release: 2008-02-15
Genre: Art
ISBN: 087365790X

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Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, among others.


The Optic of the State

The Optic of the State
Author: Jens Andermann
Publisher: University of Pittsburgh Pre
Total Pages: 273
Release: 2007-09-02
Genre: History
ISBN: 0822973308

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The Optic of the State traces the production of nationalist imaginaries through the public visual representation of modern state formation in Brazil and Argentina. As Jens Andermann reveals, the foundational visions of national heritage, territory, and social and ethnic composition were conceived and implemented, but also disputed and contested, in a complex interplay between government, cultural, and scientific institutions and actors, as a means of propagating political agendas and power throughout the emerging states.The purpose of these imaginaries was to vindicate the political upheavals of the recent past and secure the viability of the newly independent states through a sense of historic destiny and inevitable evolution. The careful presentation of artifacts and spectacles was also aimed abroad in order to win the favor of European imperial powers and thereby acquire a competitive place in the nascent global economy of the late nineteenth century.The Optic of the State offers a fascinating critique of the visual aspects of national mythology. It exposes how scientific and cultural institutions inscribed the state-form in time and space, thus presenting historical processes as natural "givens."