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Celluloid Classicism

Celluloid Classicism
Author: Hari Krishnan
Publisher: Wesleyan University Press
Total Pages: 337
Release: 2019-09-10
Genre: Performing Arts
ISBN: 0819578886

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Winner of De La Torre Bueno First Book Special Citation, given by DSA, 2021 Celluloid Classicism provides a rich and detailed history of two important modern South Indian cultural forms: Tamil Cinema and Bharatanatyam dance. It addresses representations of dance in the cinema from an interdisciplinary, critical-historical perspective. The intertwined and symbiotic histories of these forms have never received serious scholarly attention. For the most part, historians of South Indian cinema have noted the presence of song and dance sequences in films, but have not historicized them with reference to the simultaneous revival of dance culture among the middle-class in this region. In a parallel manner, historians of dance have excluded deliberations on the influence of cinema in the making of the "classical" forms of modern India. Although the book primarily focuses on the period between the late 1920s and 1950s, it also addresses the persistence of these mid-twentieth century cultural developments into the present. The book rethinks the history of Bharatanatyam in the twentieth century from an interdisciplinary, transmedia standpoint and features 130 archival images.


The Ideology of Classicism

The Ideology of Classicism
Author: Nicolas Wiater
Publisher: Walter de Gruyter
Total Pages: 409
Release: 2011-05-26
Genre: Literary Criticism
ISBN: 3110259117

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So far, the critical writings of Dionysius of Halicarnassus have mainly attracted interest from historians of ancient linguistics. The Ideology of Classicism proposes a novel approach to Dionysius’ œuvre as a whole by providing the first systematic study of Greek classicism from the perspective of cultural identity. Drawing on cultural anthropology and Social Identity Theory, Wiater explores the world-view bound up with classicist criticism. Only from within this ideological framework can we understand why Greek and Roman intellectuals in Augustan Rome strove to speak and write like Demosthenes, Lysias, and Isocrates. Topics addressed by this study include Dionysius’ view of the classical past; mimesis and the aesthetics of reading; language and identity; Dionysius’ view of the Romans, their power and the role of Greek culture within it; Greek classicism and the contemporary controversy about Roman identity among Roman intellectuals; the self-image as Greek intellectuals in the Roman empire of Dionysius and his addressees; the dialogic design of Dionysius’ essays and how it implements a sense of elitism and distinction; Dionysius’ attitudes towards communities competing with him for leadership in rhetorical education and criticism, such as the Peripatetics and Stoics.


Radical Classicism

Radical Classicism
Author: David Watkin
Publisher: Rizzoli International Publications
Total Pages: 262
Release: 2006
Genre: Architecture
ISBN:

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"Quinlan Terry is at home in every traditional style, from Classical Greek to Roman, Gothic to Renaissance, and Baroque to Neoclassical. And yet, though linked with a long tradition, his work is, for its innovation and invention, inescapably modern. In contradistinction to the "signature buildings" by which leading Modernist architects come to be known - buildings frequently to be marked for their structural weaknesses and impractibility, for their immediate glamour and subsequent physical deterioration - Terry's work stands as an elegant and powerful argument for an architecutre built to last centuries."--BOOK JACKET.


The Culture of Classicism

The Culture of Classicism
Author: Caroline Winterer
Publisher: JHU Press
Total Pages: 268
Release: 2004-04-09
Genre: Education
ISBN: 9780801878893

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Winner of the New Scholars Book Award from the American Educational Research Association Debates continue to rage over whether American university students should be required to master a common core of knowledge. In The Culture of Classicism: Ancient Greece and Rome in American Intellectual Life, 1780–1910, Caroline Winterer traces the emergence of the classical model that became standard in the American curriculum in the nineteenth century and now lies at the core of contemporary controversies. By closely examining university curricula and the writings of classical scholars, Winterer demonstrates how classics was transformed from a narrow, language-based subject to a broader study of civilization, persuasively arguing that we cannot understand both the rise of the American university and modern notions of selfhood and knowledge without an appreciation for the role of classicism in their creation.


Classicism of the Twenties

Classicism of the Twenties
Author: Theodore Ziolkowski
Publisher: University of Chicago Press
Total Pages: 254
Release: 2015-01-08
Genre: Art
ISBN: 022618398X

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This title defines the theory and practice of 'classicism' as practised in the 1920s by a number of composers, writers, and artists, setting it off against other movements of the period that are customarily grouped together under the general heading of 'modernism'. It argues that classicism is a more precise term than neo-classicism during this period, since every classicism from antiquity to the present shares certain common qualities as well as characteristics of its own time.


Chaos & Classicism

Chaos & Classicism
Author: Kenneth E. Silver
Publisher:
Total Pages: 0
Release: 2010
Genre: Art and society
ISBN: 9780892074051

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This catalogue examines the interwar period in its key artistic manifestations. It encompasses painting, photography, film, sculpture, architecture, fashion and decorative arts. The book examines classicism between the wars in Europe.


Classicism of the Twenties

Classicism of the Twenties
Author: Theodore Ziolkowski
Publisher: University of Chicago Press
Total Pages: 254
Release: 2015-01-08
Genre: Art
ISBN: 022618403X

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The triumph of avant-gardes in the 1920s tends to dominate our discussions of the music, art, and literature of the period. But the broader current of modernism encompassed many movements, and one of the most distinct and influential was a turn to classicism. In Classicism of the Twenties, Theodore Ziolkowski offers a compelling account of that movement. Giving equal attention to music, art, and literature, and focusing in particular on the works of Stravinsky, Picasso, and T. S. Eliot, he shows how the turn to classicism manifested itself. In reaction both to the excesses of neoromanticism and early modernism and to the horrors of World War I—and with respectful detachment—artists, writers, and composers adapted themes and forms from the past and tried to imbue their own works with the values of simplicity and order that epitomized earlier classicisms. By identifying elements common to all three arts, and carefully situating classicism within the broader sweep of modernist movements, Ziolkowski presents a refreshingly original view of the cultural life of the 1920s.


Guardians of the Humanist Legacy: The Classicism of T.S. Eliot's Criterion Network and Its Relevance to Our Postmodern World

Guardians of the Humanist Legacy: The Classicism of T.S. Eliot's Criterion Network and Its Relevance to Our Postmodern World
Author: Jeroen Vanheste
Publisher: BRILL
Total Pages: 563
Release: 2007-05-11
Genre: Philosophy
ISBN: 9004161600

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The T.S. Eliot of the 1920s was a European humanist who was part of an international network of like-minded intellectuals. Their ideas about literature, education and European culture in general remain highly relevant to the cultural debates of our day.


The Literature of Weimar Classicism

The Literature of Weimar Classicism
Author: Simon Richter
Publisher: Boydell & Brewer
Total Pages: 421
Release: 2005
Genre: Literary Criticism
ISBN: 157113249X

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New essays providing an account of the shaping beliefs, preoccupations, motifs, and values of Weimar Classicism.


Classicism & Romanticism

Classicism & Romanticism
Author: Frederick Antal
Publisher: Taylor & Francis
Total Pages: 306
Release: 2022-11-30
Genre: Art
ISBN: 1000738825

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First published in 1966, Classicism and Romanticism is a collection of important articles originally published in the author's famous book, Florentine Painting and its Social Background. Dr. Antal, a Hungarian by birth, was a man of the wildest culture. He studied art history in the universities of Budapest, Berlin, Paris and Vienna; thereafter, he travelled extensively in Italy, where he devoted himself to pioneering research in the history of mannerist painting. His exceptional sensitivity to the visual arts is apparent in such brilliant stylistic analyses as the essays on Netherlandish mannerism and on Girolamo da Carpi. He is known especially, however, for his application to art history of the sociological method. By returning art to its place in the general history of ideas and relating it to its economic, social, and political environment, he sought to give to the history of art a wider significance ad deeper meaning. This book will be of interest to students of art, history, literature, art history and European studies.