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| Author | : James Zborowski |
| Publisher | : Manchester University Press |
| Total Pages | : 182 |
| Release | : 2015-12-01 |
| Genre | : Performing Arts |
| ISBN | : 1784996157 |
A focused and well-written study of classic Hollywood films which zeroes in on close analysis.
| Author | : Eleftheria Thanouli |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 289 |
| Release | : 2023-11-16 |
| Genre | : Performing Arts |
| ISBN | : 1501393081 |
In A Guide to Post-classical Narration, Eleftheria Thanouli expands and substantially develops the innovative theoretical work of her previous publication, Post-classical Cinema: an International Poetics of Film Narration (2009). A Guide to Post-classical Narration: The Future of Film Storytelling presents a concise and comprehensive overview of the creative norms of the post-classical mode of narration. With dozens of cases studies and hundreds of color stills from films across the globe, this book provides the definitive account of post-classical storytelling and its techniques. After surfacing in auteur films in varied production milieus in the 1990s, the post-classical options continued to gain ground throughout the 2000s and 2010s, gradually fertilizing several mainstream productions in Hollywood. From Lars von Trier's Europa (1991) to Zack Snyder's Army of the Dead (2021) and Baz Luhrmann's Elvis (2022), the post-classical narration has shown not only impressive resilience but also tremendous creativity in transforming its key formal principles, such as fragmented and multi-thread plotlines, hypermediated realism, parody, graphic frame construction, complex chronology, and intense self-consciousness. Through the meticulous textual analysis of the post-classical works, Eleftheria Thanouli addresses head-on a series of methodological questions in narrative research and brings the tradition of historical poetics back into the limelight. By reinforcing her previous work with numerous new films as well as more nuanced narrative terms and concepts, she not only strengthens her position on post-classical cinema but also establishes the relevance of formalist analysis in the study of film today.
| Author | : Gregory Buhler |
| Publisher | : |
| Total Pages | : 264 |
| Release | : 2021-05-19 |
| Genre | : |
| ISBN | : |
The time from the 1930s to 1950s may be a thing of the distant past, but thanks to an enthralling, good old invention called Film, it will never be really gone. Whenever you feel like traveling back in time to relive the glamours of the decade, all you have to do is to watch one (or more) of its movies. But which ones should you watch? Well, if that's the very question lurking in your mind right now, then you came to the right place. This book is just about to present 100 of the greatest cinematic gems of the 1930s, 1940s, and 1950s. It is partial to certain genres of films, in particular, the following: - Westerns - Film noir - Monster movies - Horror movies - Mysteries, particular those of Alfred Hitchcock - Swashbucklers - Musicals
| Author | : Peter Lehman |
| Publisher | : John Wiley & Sons |
| Total Pages | : 496 |
| Release | : 2018-10-01 |
| Genre | : Performing Arts |
| ISBN | : 1118337565 |
A complete introduction to analyzing and enjoying a wide variety of movies, for film students and movie lovers alike Thinking About Movies: Watching, Questioning, Enjoying, Fourth Edition is a thorough overview of movie analysis designed to enlighten both students and enthusiasts, and heighten their enjoyment of films. Readers will delve into the process of thinking about movies critically and analytically, and find how doing so can greatly enhance the pleasure of watching movies. Divided roughly into two parts, the book addresses film studies within the context of the dynamics of cinema, before moving on to a broader analysis of the relationship of films to the larger social, cultural, and industrial issues informing them. This updated fourth edition includes an entirely new section devoted to a complete analysis of the film adaptation of The Girl with the Dragon Tattoo, along with many in-depth discussions of important films such as Citizen Kane and Silence of the Lambs. The chapter on television integrates a major expansion distinguishing between television in the digital era of the convergence of the entertainment and technology industries in comparison to the era of broadcast analogue television. The final chapter places film within the current context of digital culture, globalization, and the powerful rise of China in film production and exhibition. The authors clearly present various methodologies for analyzing movies and illustrate them with detailed examples and images from a wide range of films from cult classics to big-budget, award-winning movies. This helps viewers see new things in movies and also better understand and explain why they like some better than others. Thinking About Movies: Watching, Questioning, Enjoying, Fourth Edition is ideal for film students immersed in the study of this important, contemporary medium and art form as well as students and readers who have never taken a class on cinema before. This new edition of the book also comes with a Companion Blog https://thinkingaboutmoviesblog.wordpress.com/ that the authors will update regularly with attention to films and industry developments directly related to each chapter, plus updates to readings and resources.
| Author | : Dean A. Kowalski |
| Publisher | : John Wiley & Sons |
| Total Pages | : 344 |
| Release | : 2015-08-24 |
| Genre | : Philosophy |
| ISBN | : 1118585607 |
Featuring significant revisions and updates, Classic Questions and Contemporary Film: An Introduction to Philosophy, 2nd Edition uses popular movies as a highly accessible framework for introducing key philosophical concepts Explores 28 films with 18 new to this edition, including Eternal Sunshine of the Spotless Mind, Hotel Rwanda, V for Vendetta, and Memento Discusses numerous philosophical issues not covered in the first edition, including a new chapter covering issues of personal identity, the meaningfulness of life and death, and existentialism Offers a rich pedagogical framework comprised of key classic readings, chapter learning outcomes, jargon-free argument analysis, critical thinking and trivia questions, a glossary of terms, and textboxes with notes on the movies discussed Revised to be even more accessible to beginning philosophers
| Author | : David Bordwell |
| Publisher | : Routledge |
| Total Pages | : 791 |
| Release | : 2003-09-02 |
| Genre | : History |
| ISBN | : 1134988095 |
Acclaimed for its breakthrough approach and its combination of theoretical analysis and empirical evidence, this is the standard work on the classical Hollywood cinema style of film-making from the silent era to the 1960s.
| Author | : David Bordwell |
| Publisher | : Harvard University Press |
| Total Pages | : 338 |
| Release | : 1997 |
| Genre | : History |
| ISBN | : 9780674634299 |
Bordwell scrutinizes the theories of style launched by various film historians and celebrates a century of cinema. The author examines the contributions of many directors and shows how film scholars have explained stylistic continuity and change.
| Author | : Raymond Bellour |
| Publisher | : Indiana University Press |
| Total Pages | : 330 |
| Release | : 2000 |
| Genre | : Performing Arts |
| ISBN | : 9780253213648 |
The Analysis of Film brings together the authors studies of classic Hollywood film. It is a book about the methods of close film analysis, the narrative structure of Hollwood film, Hitchcock's work and the role of women.
| Author | : Paul Young |
| Publisher | : U of Minnesota Press |
| Total Pages | : 351 |
| Release | : |
| Genre | : |
| ISBN | : 1452904847 |
Hollywood's reaction to it's media rivals throughout the history of cinema in America.
| Author | : Kristin Thompson |
| Publisher | : Princeton University Press |
| Total Pages | : 428 |
| Release | : 1988-08-21 |
| Genre | : Performing Arts |
| ISBN | : 9780691014531 |
"Classical works have for us become covered with the glassy armor of familiarity," wrote Victor Shklovsky in 1914. Here Kristin Thompson "defamiliarizes" the reader with eleven different films. Developing the technique formulated in her Eisenstein's Ivan the Terrible (Princeton, 1981), she clearly demonstrates the flexibility of the neoformalist approach. She argues that critics often use cut-and-dried methods and choose films that easily fit those methods. Neoformalism, on the other hand, encourages the critic to deal with each film differently and to modify his or her analytical assumptions continually. Thompson's analyses are thus refreshingly varied and revealing, ranging from an ordinary Hollywood film, Terror by Night, to such masterpieces as Late Spring and Lancelot du Lac. She proposes a formal historical way of dealing with realism, using Bicycle Thieves and The Rules of the Game as examples. Stage Fright and Laura provide cases in which the classical cinema defamiliarizes its own conventions by playing with audience expectations. Other chapters deal with Tati's Les Vacances de Monsieur Hulot and Play Time and Godard's Tout va bien and Sauve qui peut (la vie). Although neoformalist analysis is a rigorous, distinctive approach, it avoids extensive specialized vocabulary and esoteric concepts: the essays here can be read separately by those interested in the individual films. The book's overall purpose, however, goes beyond making these particular films more accessible and intriguing to propose new ways of looking at cinema as a whole.
