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Author | : Luke Hockley |
Publisher | : Indiana University Press |
Total Pages | : 228 |
Release | : 2001 |
Genre | : Art |
ISBN | : 9781860205699 |
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An introduction to the world of postJungian film studies, this book redresses the dominance of Freudian theories of cinema and guides individuals through the intricacies of Jungian thought. In so doing, it provides the basis on which to construct a contemporary theory of cinema. Drawing on research into detective films and the myths of detection, Hockley weaves together psychological analysis with textual interpretation. The resulting hypothesis suggests that watching films is an intensely personal experience in which viewers, according to individual needs and desires, project and identify with films and their characters.
Author | : David E. James |
Publisher | : Indiana University Press |
Total Pages | : 344 |
Release | : 2015-03-13 |
Genre | : Performing Arts |
ISBN | : 086196909X |
Download Alternative Projections Book in PDF, ePub and Kindle
A collection of papers discussing Los Angeles’s role in avant-garde, experimental, and minority filmmaking. Alternative Projections: Experimental Film in Los Angeles, 1945-1980 is a groundbreaking anthology that features papers from a conference and series of film screenings on postwar avant-garde filmmaking in Los Angeles sponsored by Filmforum, the Getty Foundation, and the University of Southern California’s School of Cinematic Arts, together with newly-commissioned essays, an account of the screening series, reprints of historical documents by and about experimental filmmakers in the region, and other rare photographs and ephemera. The resulting diverse and multi-voiced collection is of great importance, not simply for its relevance to Los Angeles, but also for its general discoveries and projections about alternative cinemas. “Alternative Projections provides a useful corollary and often a corrective to what has become a somewhat unilateral approach to experimental cinema in the period taken up here.” —Millennium Film Journal “[T]here are enough examples of ingenuity and achievement contained in this volume to unite a new generation of independent artists, exhibitors, and audiences in maintaining a viable outlet for cinematic creativity in Los Angeles.” —Los Angeles Review of Books
Author | : Eleni Palis |
Publisher | : Oxford University Press |
Total Pages | : 185 |
Release | : 2022-02-02 |
Genre | : Performing Arts |
ISBN | : 0197558178 |
Download Classical Projections Book in PDF, ePub and Kindle
Quotations are a standard way that the humanities make meaning; the pull-quote, epigraph, and quotation are standard for citing evidence and invoking and interrogating authority in both literary and scholarly writing. However, film studies has yet to seriously examine how moving images can quote one another, convening interaction and creating new knowledge across time. Classical Projections offers film quotation as a new concept for understanding how preexisting moving image fragments are reframed and re-viewed within subsequent films. As a visual corollary to literary quotation, film quotations embed film fragments in on-screen movie screens. Though film quotations have appeared since silent cinema, Classical Projections focuses on quotations of classical Hollywood film--mainstream American studio production, 1915-1950--as quoted in post-classical Hollywood, roughly 1960 to present. This strategic historical frame asks: how does post-classical cinema visualize its awareness of coming after a classical or golden age? How do post-classical filmmakers claim or disavow classical history? How do historically disenfranchised post-classical filmmakers, whether by gender, sexuality, or race, grapple with exclusionary and stereotype-ridden canons? As a constitutive element of post-classical authorship, film quotations amass and manufacture classical Hollywood in retrospective, highly strategic ways. By revealing how quotational tellings of film history build and embolden exclusionary, myopic canons, Classical Projections uncovers opportunities to construct more capacious cultural memory.
Author | : Pepita Hesselberth |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 209 |
Release | : 2014-06-19 |
Genre | : Performing Arts |
ISBN | : 1623567661 |
Download Cinematic Chronotopes Book in PDF, ePub and Kindle
The site of cinema is on the move. The extent to which technologically mediated sounds and images continue to be experienced as cinematic today is largely dependent on the intensified sense of being 'here,' 'now' and 'me' that they convey. This intensification is fundamentally rooted in the cinematic's potential to intensify our experience of time, to convey time's thickening, of which the sense of place, and a sense of self-presence are the correlatives. In this study, Pepita Hesselberth traces this thickening of time across four different spatio-temporal configurations of the cinematic: a multi-media exhibition featuring the work of Andy Warhol (1928-1987); the handheld aesthetics of European art-house films; a large-scale media installation by Rafael Lozano-Hemmer; and the usage of the trope of the flash-forward in mainstream Hollywood cinema. Only by juxtaposing these cases by looking at what they have in common, this study argues, can we grasp the complexity of the changes that the cinematic is currently undergoing.
Author | : Richard I. Suchenski |
Publisher | : Oxford University Press |
Total Pages | : 337 |
Release | : 2016-06-30 |
Genre | : Performing Arts |
ISBN | : 0190274123 |
Download Projections of Memory Book in PDF, ePub and Kindle
Projections of Memory is an exploration of a body of innovative cinematic works that utilize their extraordinary scope to construct monuments to the imagination that promise profound transformations of vision, selfhood, and experience. This form of cinema acts as a nexus through which currents from the other arts can interpenetrate. By examining the strategies of these projects in relation to one another and to the larger historical forces that shape them--tracing the shifts and permutations of their forms and aspirations--Projections of Memory remaps film history around some of its most ambitious achievements and helps to clarify the stakes of cinema as a twentieth-century art form.
Author | : Sandra R. Joshel |
Publisher | : JHU Press |
Total Pages | : 316 |
Release | : 2005-09-13 |
Genre | : Art |
ISBN | : 9780801882685 |
Download Imperial Projections Book in PDF, ePub and Kindle
, Martin M. Winkler, and Maria Wyke--Peter Bondanella, Indiana University "Classical Outlook"
Author | : Insight Editions |
Publisher | : National Geographic Books |
Total Pages | : 0 |
Release | : 2017-07-04 |
Genre | : Juvenile Fiction |
ISBN | : 0763695866 |
Download Harry Potter: Magical Film Projections: Patronus Charm Book in PDF, ePub and Kindle
Using black line illustrations on framed acetate pages, this enchanting book allows fans to project their favorite scenes from the Harry Potter films at home with a flashlight. Expecto Patronum! Discover the powerful Patronus Charm that Harry Potter and other wizards and witches use to produce a magical guardian. In a dark room, shine a light through the window on each page of this unique book to project incredible scenes on the wall or ceiling. Read along and experience magical moments from the Harry potter films like never before.
Author | : Richard I. Suchenski |
Publisher | : Oxford University Press |
Total Pages | : 337 |
Release | : 2016-06-30 |
Genre | : Performing Arts |
ISBN | : 0190614080 |
Download Projections of Memory Book in PDF, ePub and Kindle
Projections of Memory is an exploration of a body of innovative cinematic works that utilize their extraordinary scope to construct monuments to the imagination that promise profound transformations of vision, selfhood, and experience. This form of cinema acts as a nexus through which currents from the other arts can interpenetrate. By examining the strategies of these projects in relation to one another and to the larger historical forces that shape them--tracing the shifts and permutations of their forms and aspirations--Projections of Memory remaps film history around some of its most ambitious achievements and helps to clarify the stakes of cinema as a twentieth-century art form.
Author | : Ariel Rogers |
Publisher | : Columbia University Press |
Total Pages | : 353 |
Release | : 2013-11-19 |
Genre | : Performing Arts |
ISBN | : 0231535783 |
Download Cinematic Appeals Book in PDF, ePub and Kindle
Cinematic Appeals follows the effect of technological innovation on the cinema experience, specifically the introduction of widescreen and stereoscopic 3D systems in the 1950s, the rise of digital cinema in the 1990s, and the transition to digital 3D since 2005. Widescreen cinema promised to draw the viewer into the world of the screen, enabling larger-than-life close-ups of already larger-than-life actors. This technology fostered the illusion of physically entering a film, enhancing the semblance of realism. Alternatively, the digital era was less concerned with the viewer's physical response and more with information flow, awe, and the reevaluation of spatiality and embodiment. This study ultimately shows how cinematic technology and the human experience shape and respond to each other over time.
Author | : Loukia Kostopoulou |
Publisher | : Taylor & Francis |
Total Pages | : 90 |
Release | : 2023-06-15 |
Genre | : Language Arts & Disciplines |
ISBN | : 1000880192 |
Download Intermediality in European Avant-garde Cinema Book in PDF, ePub and Kindle
The book proposes a new perspective on avant-garde cinema, utilising approaches from intermediality to explore how the spirit of experimentation, a hallmark of historical avant-garde and post-war artistic movements, is still present in contemporary filmmaking today. The volume explores how contemporary avant-garde filmmakers have brought innovation to modern cinema. Filmmakers, such as, Jean-Luc Godard, Lars von Trier, and Alexander Sokurov and their contemporary works will be analyzed, reflecting on their experimentation with cinematic techniques and the mixing of the film medium with other media, such as literature, theatre, and painting. Important research questions considered throughout the book include: How do intermedial experiments convey meaning in films? What is the impact on the spectator of the mixing of various media forms in cinema? And how are the contemporary films of Jean-Luc Godard, Lars von Trier, and Alexander Sokurov innovative and experimental? The book is devoted to all these themes and provides a thorough analysis of contemporary films examined through an intermedial perspective. Providing a comprehensive analysis of contemporary avant-garde filmmaking from an intermedial perspective, this book will be of interest to graduate students and scholars working in intermedial studies, film and media studies, and cultural studies.