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| Author | : John Marmysz |
| Publisher | : Edinburgh University Press |
| Total Pages | : 314 |
| Release | : 2018-10-31 |
| Genre | : Performing Arts |
| ISBN | : 1474424589 |
Through case studies of popular films, including Prometheus, The Dark Knight Rises, Dawn of the Dead and The Human Centipede , this book re-emphasises the constructive potential of cinematic nihilism.
| Author | : Kevin L. Stoehr |
| Publisher | : McFarland |
| Total Pages | : 227 |
| Release | : 2015-03-12 |
| Genre | : Performing Arts |
| ISBN | : 1476611335 |
This book explores the idea of nihilism, emphasized by German philosopher Friedrich Nietzsche, through its appearance in modern popular culture. The author defines and reflects upon nihilism, then explores its manifestation in films and television shows. Among the subjects examined are the award-winning television series The Sopranos and the film noir genre that preceded and influenced it. Films probed include Orson Welles's masterpiece Citizen Kane, the films of Stanley Kubrick, Neil Jordan's controversial The Crying Game and Richard Linklater's unconventional Waking Life. Finally, the author considers nihilism in terms of the decay of traditional values in the genre of westerns, mostly through works of filmmaker John Ford. In the concluding chapter the author broadens the lessons gleaned from these studies, maintaining that the situated and embodied nature of human life must be understood and appreciated before people can overcome the life-negating effects of nihilism.
| Author | : Darren Ambrose |
| Publisher | : John Hunt Publishing |
| Total Pages | : 181 |
| Release | : 2013-10-25 |
| Genre | : Social Science |
| ISBN | : 1782794042 |
Despite the clichés which govern much of its current forms, the cinema continues to have a vital political and aesthetic significance. Our commitment to, and our sincerity towards, our ways of being in the world have become catastrophically eroded. Nihilism and despair have taken hold. We must find a way to renew our faith in our capacity to transform the world, a faith that will give us back the reality of a world eroded by the restrictive capitalist ontology of modernity. How can we restore belief in the reality of a world when scepticism and universal pessimism have taken hold? Is it possible to find alternative ways of living, being and thinking? This book will discuss the means by which some filmmakers have grasped the vocation of resisting and transforming the present, of cultivating new forms of belief in the world when total alienation seems inevitable.
| Author | : Luís Aguiar de Sousa |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 280 |
| Release | : 2022-07-05 |
| Genre | : Philosophy |
| ISBN | : 3110699362 |
Nihilism seems to be per definition linked to violence. Indeed, if the nihilist is a person who acknowledges no moral or religious authority, then what does stop him from committing any kind of crime? Dostoevsky precisely called attention to this danger: if there is no God and no immortality of the soul, then everything is permitted, even anthropophagy. Nietzsche, too, emphasised, although in different terms, the consequences deriving from the death of God and the collapse of Judeo-Christian morality. This context shaped the way in which philosophers, writers and artists thought about violence, in its different manifestations, during the 20th century. The goal of this interdisciplinary volume is to explore the various modern and contemporary configurations of the link between violence and nihilism as understood by philosophers and artists (in both literature and film).
| Author | : Bulent Diken |
| Publisher | : Routledge |
| Total Pages | : 177 |
| Release | : 2008-11-28 |
| Genre | : Architecture |
| ISBN | : 1134055838 |
Most significant problems of contemporary life have their origins in nihilism and its paradoxical logic, which is simultaneously destructive to and constitutive of society. Yet, in social theory, nihilism is a surprisingly under-researched topic. This book develops a systematic account of nihilism in its four main forms: escapism, radical nihilism, passive nihilism and 'perfect nihilism.' It focuses especially on the disjunctive synthesis between passive nihilism (the negation of the will) and radical nihilism (the will to negation), between the hedonism/disorientation that characterizes the contemporary post-political culture and the emerging forms of despair and violence as a reaction to it. The book deals with nihilism at three levels. First, it addresses the genealogy and consequences of nihilism, which is followed by an excursus through film analysis. Then the book focuses on the 'social,' relating nihilism to capitalism, post-politics and terrorism. Another excursus fleshes out the theoretical argumens by focusing on Houellebecq's fiction. Finally, the possibilities of overcoming nihilism are considered by emphasizing the significance of concepts such as event, agonism and antagonism in this context.
| Author | : Thomas S. Hibbs |
| Publisher | : |
| Total Pages | : 257 |
| Release | : 2012 |
| Genre | : Culture in motion pictures |
| ISBN | : 9781602583795 |
| Author | : John Marmysz |
| Publisher | : State University of New York Press |
| Total Pages | : 218 |
| Release | : 2012-02-01 |
| Genre | : Philosophy |
| ISBN | : 0791486281 |
Disputing the common misconception that nihilism is wholly negative and necessarily damaging to the human spirit, John Marmysz offers a clear and complete definition to argue that it is compatible, and indeed preferably responded to, with an attitude of good humor. He carefully scrutinizes the phenomenon of nihilism as it appears in the works, lives, and actions of key figures in the history of philosophy, literature, politics, and theology, including Nietzsche, Heidegger, Camus, and Mishima. While suggesting that there ultimately is no solution to the problem of nihilism, Marmysz proposes a way of utilizing the anxiety and despair that is associated with the problem as a spur toward liveliness, activity, and the celebration of life.
| Author | : Jean-Pierre Boulé |
| Publisher | : Berghahn Books |
| Total Pages | : 208 |
| Release | : 2011-10-01 |
| Genre | : Performing Arts |
| ISBN | : 0857453211 |
At the heart of this volume is the assertion that Sartrean existentialism, most prominent in the 1940s, particularly in France, is still relevant as a way of interpreting the world today. Film, by reflecting philosophical concerns in the actions and choices of characters, continues and extends a tradition in which art exemplifies the understanding of existentialist philosophy. In a scholarly yet accessible style, the contributors exploit the rich interplay between Sartre’s philosophy, plays and novels, and a number of contemporary films including No Country for Old Men, Lost in Translation and The Truman Show, with film-makers including the Dardenne brothers, Michael Haneke, and Mike Leigh. This volume will be of interest to students who are coming to Sartre’s work for the first time and to those who would like to read films within an existentialist perspective.
| Author | : Anna Backman Rogers |
| Publisher | : Edinburgh University Press |
| Total Pages | : 224 |
| Release | : 2015-06-19 |
| Genre | : Performing Arts |
| ISBN | : 1474403409 |
Anna Backman Rogers argues that American independent cinema is a cinema not merely in crisis, but also of crisis. As a cinema which often explores the rite of passage by explicitly drawing on American cinematic heritage, from the teen movie to the western, American independent films deal in images of crisis, transition and metamorphosis, offering a subversive engagement with more traditional modes of representation.a Examining films by Gus Van Sant, Jim Jarmusch and Sofia Coppola to highlight their use of cinematic time as a mode of philosophical thought, this book brings new and exciting perspectives to American independent cinema.
| Author | : Nicholas Baer |
| Publisher | : Rutgers University Press |
| Total Pages | : 413 |
| Release | : 2019-01-14 |
| Genre | : Art |
| ISBN | : 081359958X |
"We all have images that we find unwatchable, whether for ethical, political, or sensory-affective reasons. From news coverage of terror attacks to viral videos of police brutality, and from graphic horror films to incendiary artworks that provoke mass boycotts, many of the images in our media culture strike as beyond the pale of consumption. Yet what does it mean to proclaim a media object "unwatchable": disturbing, revolting, poor, tedious, or literally inaccessible? Appealing to a broad academic and general readership, Unwatchable offers multidisciplinary approaches to the vast array of troubling images that circulate in our global visual culture, from cinema, television, and video games through museums and classrooms to laptops, smart phones, and social media platforms. This anthology assembles 60 original essays by scholars, theorists, critics, archivists, curators, artists, and filmmakers who offer their own responses to the broadly suggestive question: What do you find unwatchable? The diverse answers include iconoclastic artworks that have been hidden from view, dystopian images from the political sphere, horror movies, TV advertisements, classic films, and recent award-winners"--
