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Cinema's Conversion to Sound

Cinema's Conversion to Sound
Author: Charles O’Brien
Publisher: Indiana University Press
Total Pages: 222
Release: 2005-01-18
Genre: Music
ISBN: 9780253217202

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A groundbreaking look at the transition to sound in the French Cinema.


Wonderstruck

Wonderstruck
Author: Brian Selznick
Publisher: Scholastic
Total Pages: 325
Release: 2015-09-03
Genre: Juvenile Fiction
ISBN: 1407166557

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Ben's story takes place in 1977 and is told in words. Rose's story in 1927 is told entirely in pictures. Ever since his mother died, Ben feels lost. At home with her father, Rose feels alone. When Ben finds a mysterious clue hidden in his mother's room, both children risk everything to find what's missing.


The Talkies

The Talkies
Author: Donald Crafton
Publisher: Univ of California Press
Total Pages: 656
Release: 1999-11-22
Genre: Business & Economics
ISBN: 9780520221284

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This text offers readers a look at the time when sound was a vexing challenge for filmmakers and the source of contentious debate for audiences and critics. The author presents a view of the talkies' reception, amongst other issues.


The Cambridge Companion to Film Music

The Cambridge Companion to Film Music
Author: Mervyn Cooke
Publisher: Cambridge University Press
Total Pages: 439
Release: 2016-12-08
Genre: Music
ISBN: 1107094518

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A stimulating and unusually wide-ranging collection of essays overviewing ways in which music functions in film soundtracks.


Making Films Sound Better

Making Films Sound Better
Author: Benjamin A. Wright
Publisher:
Total Pages: 0
Release: 2005
Genre:
ISBN:

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Cinemas of the World

Cinemas of the World
Author: James Chapman
Publisher: Reaktion Books
Total Pages: 480
Release: 2004-06-03
Genre: Performing Arts
ISBN: 1861895747

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The cinema has been the pre-eminent popular art form of the 20th century. In Cinemas of the World, James Chapman examines the relationship between film and society in the modern world: film as entertainment medium, film as a reflection of national cultures and preoccupations, film as an instrument of propaganda. He also explores two interrelated issues that have recurred throughout the history of cinema: the economic and cultural hegemony of Hollywood on the one hand, and, on the other, the attempts of film-makers elsewhere to establish indigenous national cinemas drawing on their own cultures and societies. Chapman examines the rise to dominance of Hollywood cinema in the silent and early sound periods. He discusses the characteristic themes of American movies from the Depression to the end of the Cold War especially those found in the western and film noir – genres that are often used as vehicles for exploring issues central to us society and politics. He looks at national cinemas in various European countries in the period between the end of the First World War and the end of the Second, which all exhibit the formal and aesthetic properties of modernism. The emergence of the so-called "new cinemas" of Europe and the wider world since 1960 are also explored. "Chapman is a tough-thinking, original writer . . . an engaging, excellent piece of work."—David Lancaster, Film and History


World Cinemas, Transnational Perspectives

World Cinemas, Transnational Perspectives
Author: Nataša Durovicová
Publisher: Routledge
Total Pages: 385
Release: 2009-09-10
Genre: History
ISBN: 1135869987

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SCMS Award Winner "Best Edited Collection" The standard analytical category of "national cinema" has increasingly been called into question by the category of the "transnational." This anthology examines the premises and consequences of the coexistence of these two categories and the parameters of historiographical approaches that cross the borders of nation-states. The three sections of World Cinemas, Transnational Perspectives cover the geopolitical imaginary, transnational cinematic institutions, and the uneven flow of words and images.


Theatres of Belief

Theatres of Belief
Author: Marie-Alexis Colin
Publisher: Brepols Publishers
Total Pages: 0
Release: 2022-01-20
Genre: Cities and towns
ISBN: 9782503598871

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These eleven essays, all centrally concerned with the intimate relationship between sound, religion, and society in the early modern world, present a sequence of test cases located in a wide variety of urban environments in Europe and the Americas. Written by an international cast of acclaimed historians and musicologists, they explore in depth the interrelated notions of conversion and confessionalisation in the shared belief that the early modern city was neither socially static nor religiously uniform. With its examples drawn from the Holy Roman Empire and the Southern Netherlands, the pluri-religious Mediterranean, and the colonial Americas both North and South, this book takes discussion of the urban soundscape, so often discussed in purely traditional terms of European institutional histories, to a new level of engagement with the concept of a totally immersive acoustic environment as conceptualised by R. Murray Schafer. From the Protestants of Douai, a bastion of the Catholic Reformation, to the bi-confessional city of Augsburg and seventeenth-century Farmington in Connecticut, where the indigenous Indian population fashioned a separate Christian entity, the intertwined religious, musical, and emotional lives of specifically grounded communities of early modern men and women are here vividly brought to life.


The Coming of Sound

The Coming of Sound
Author: Douglas Gomery
Publisher: Psychology Press
Total Pages: 218
Release: 2005
Genre: Performing Arts
ISBN: 9780415969017

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First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.


Sound or silence, loss or gain?

Sound or silence, loss or gain?
Author: Sabine Buchholz
Publisher: GRIN Verlag
Total Pages: 13
Release: 2008-01-30
Genre: Performing Arts
ISBN: 3638906183

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Essay from the year 2005 in the subject Communications - Media History, grade: 1,3, University of Southampton (University of Southampton - School of Humanities: Film Studies), course: Image, Sound and Narrative in Late Weimar Cinem, language: English, abstract: “Put speech into films, and you will get speech plus film but you will not get a film.” Although, initially, sound films were considered to be only a temporary phenomenon that would never replace the silent picture, the transition to talkies proceeded more and more in Weimar cinema of the late 20’s, and, in 1931/32, the sound film completely replaced its predecessor, which had gone out of fashion finally. Yet, the new invention unmistakably evoked numerous debates about whether the addition of sound to cinema pictures rather should be seen as a pro- or regress within the evolution of film art. In view of that, this essay discusses the advantages and drawbacks of silent as well as of sound films. [...]