Cinéma & Cie. International Film Studies Journal
| Author | : |
| Publisher | : |
| Total Pages | : 168 |
| Release | : 2011 |
| Genre | : Performing Arts |
| ISBN | : 9788843056170 |
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Cinemacie International Film Studies Journal PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Cinemacie International Film Studies Journal PDF full book. Access full book title Cinemacie International Film Studies Journal.
Communicative Negotiation in Cinema and Television
| Author | : Francesco Casetti |
| Publisher | : Vita e Pensiero |
| Total Pages | : 84 |
| Release | : 2002 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9788834309766 |
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Cinéma&Cie. International Film Studies Journal
| Author | : Aa. Vv. |
| Publisher | : Mimesis |
| Total Pages | : 183 |
| Release | : 2016-01-19T00:00:00+01:00 |
| Genre | : Performing Arts |
| ISBN | : 8869770486 |
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The images of atrocity, either analog or digital, are always the trace of an encounter between the gaze of a photographer or a cameraman and a human being sufferingfrom the painful effects of man-made violence. The archive images resulting from such an encounter raise some inevitable questions: who took them and for what purpose? Is it possible to retrace the process that led to these shots? What do they hide behind what the eye can see? This special issue of Cinéma & Cie will not only focus on the production of such images, but also on their persistence on the synchronic level (in the media: newspapers, magazines, cinema, television, the Internet, museums...) as well as on the diachronic level (across time: mutation, re-editing, inversion...). From propaganda to counter-propaganda, from purposes of memory to artistic aims, the circulation of these images proves that repetition always implies difference.
From the Supernatural to the Uncanny
| Author | : Zoltán Biedermann |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 290 |
| Release | : 2018-01-23 |
| Genre | : Social Science |
| ISBN | : 1527506924 |
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This volume is a collection of thirteen essays built around the question ‘what is the supernatural, and how, and why, has it changed over time?’ It is divided into two complementary sections; the first focussing on research on the discourse of the supernatural (including the miraculous) located in the medieval and early modern eras, and the second consisting of a set of test-cases involving research on the uncanny, often articulated in a post-Freudian sense, as expressed in modern literature, film and art. The eclectic and prismatic approach pursued via a variety of test-cases of the supernatural in this book gives rise to a clear, comparative and diachronic study of the main characteristics of the supernatural.
Cinéma & Cie. International film studies journal
| Author | : Francesco Pitassio |
| Publisher | : Carocci |
| Total Pages | : 168 |
| Release | : 2013 |
| Genre | : Performing Arts |
| ISBN | : 9788843068579 |
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Cinéma & Cie. International film studies journal
| Author | : |
| Publisher | : |
| Total Pages | : 184 |
| Release | : 2011 |
| Genre | : Performing Arts |
| ISBN | : 9788843056156 |
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Cinema Babel
| Author | : Markus Nornes |
| Publisher | : U of Minnesota Press |
| Total Pages | : 299 |
| Release | : 2007 |
| Genre | : Performing Arts |
| ISBN | : 0816650411 |
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Uncovering the vital role of interpreters, dubbers and subtitlers in global film, Nornes examines the relationships between moving-image media and translation and contends that film was a globalized medium from its beginning and that its transnational traffic has been greatly influenced by interpreters.
Cinema&Cie
| Author | : Adriano D'Aloia |
| Publisher | : |
| Total Pages | : 214 |
| Release | : 2015-07-31 |
| Genre | : |
| ISBN | : 9788869770227 |
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Neurofilmology. audiovisual Studies and the challenge of Neuroscience Adriano d'Aloia and ruggero Eugeni, Neurofilmology: An Introduction Temenuga Trifonova, Neuroaesthetics and Neurocinematics: Reading the Brain/Film through the Film/Brain Maria Poulaki, Neurocinematics and the Discourse of Control: Towards a Critical Neurofilmology Patricia Pisters, Dexter's Plastic Brain: Mentalizing and Mirroring in Cinematic Empathy Enrico Carocci, First-Person Emotions: Affective Neuroscience and the Spectator's Self Maarten Coegnarts and Peter kravanja, The Sensory-Motor Grounding of Abstract Concepts in Two Films by Stanley Kubrick Pia Tikka and Mauri kaipainen, Phenomenological Considerations on Time Consciousness under Neurocinematic Search Light vittorio Gallese and Michele Guerra, The Feeling of Motion: Ca-mera Movements and Motor Cognition New Studies olivier Asselin, Cinema d'exposition 2.0: Mixed-Reality Games in and around the Museum livia Giunti, L'analyse du film a l'ere numerique. Annotation, geste analytique et lecture active Christian Gosvig olesen, Panoramic Visions of the Archive in EYE's Panorama: A Case Study in Digital Film Historiography francesco Pitassio, Distant Voices, Still Cinema? Around the Movies projects & abstracts reviews / comptes-rendus
The State of Post-Cinema
| Author | : Malte Hagener |
| Publisher | : Springer |
| Total Pages | : 238 |
| Release | : 2016-11-30 |
| Genre | : Performing Arts |
| ISBN | : 1137529393 |
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This book approaches the topic of the state of post-cinema from a new direction. The authors explore how film has left the cinema as a fixed site and institution and now appears ubiquitous - in the museum and on the street, on planes and cars and new digital communication platforms of various kinds. The authors investigate how film has become more than cinema, no longer a medium that is based on the photochemical recording and replay of movement. Most often, the state of post-cinema is conceptualized from the "high end" of the most advanced technology; discussions focus on performance capture and digital 3-D, 4-K projection and industrial light & magic. Here, the authors' approach is focused on the "low-end" circulation of filmic images. This includes informal networks of exchange and transaction, such as p2p-networks, video platforms and so called “piracy” with a special focus on the Middle East and North Africa, where political and social transformations make new forms of circulation and presentation particularly visible.
Arts & Humanities Citation Index
| Author | : |
| Publisher | : |
| Total Pages | : 820 |
| Release | : 1981 |
| Genre | : Arts |
| ISBN | : |
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A multidisciplinary index covering the journal literature of the arts and humanities. It fully covers 1,144 of the world's leading arts and humanities journals, and it indexes individually selected, relevant items from over 6,800 major science and social science journals.
