Anton Wilson's Cinema Workshop
Author | : Anton Wilson |
Publisher | : AMERICAN CINEMATOGRAPHER |
Total Pages | : 312 |
Release | : 1983 |
Genre | : Education |
ISBN | : 9780935578263 |
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Author | : Anton Wilson |
Publisher | : AMERICAN CINEMATOGRAPHER |
Total Pages | : 312 |
Release | : 1983 |
Genre | : Education |
ISBN | : 9780935578263 |
Author | : Robi Engler |
Publisher | : JOHN LIBBEY PUBLISHING |
Total Pages | : 300 |
Release | : 2015 |
Genre | : Performing Arts |
ISBN | : 9780861967209 |
Animation is at the crossroads of the visual arts, music, dance and literature. It is an artistic, creative activity in the first place, but it is also a pedagogical tool for teaching and learning. This book guides you through the different production steps of animated film making, from the creative impulse to the final editing of picture and sound. Learn the specific language of animation--its grammar and vocabulary; create your own characters--make them act to express a range of feelings. Over 20 different animation techniques are proposed. For each technique you will find the list of the necessary material, practical hints, and the tricks-of-the-trade. Whether you work with traditional film cameras or with computer software, this book is a practical guide for students and teachers.
Author | : Marika Kuzmicz |
Publisher | : National Geographic Books |
Total Pages | : 0 |
Release | : 2017-09-08 |
Genre | : Performing Arts |
ISBN | : 3956793110 |
Workshop of the Film Form provides an in-depth overview of the achievements of Warsztat Formy Filmowej (WWF; Workshop of the Film Form), a group of avant-garde artists who were working at the Leon Schiller National Higher School of Film, Television and Theatre in Lodz, Poland, between 1970 and 1977. WWF was founded by the students and graduates of the school, now known as the National Film School, and included: Wojciech Bruszewski, Paweł Kwiek, Andrzej Różycki, Józef Robakowski, Zbigniew Rybczyński, Kazimierz Bendkowski, Antoni Mikołajczyk, Janusz Połom, and Ryszard Waśko. As pioneers of video art in Poland and structural cinema in Central and Eastern Europe, the artists refused classical narrative and traditional film media, working instead somewhere between cinematography and contemporary art. This publication examines all aspects of WFF's activity, from their films, photographic experiments, video art, and performative actions to their teaching work, which includes previously unexplored pedagogical contributions to the National Film School. Drawing on the private archives and oral testimonies of the WWF, Workshop of the Film Form attempts to provide a full account of the group's history as well as a comprehensive survey of each member's practice. The writers who were invited to respond to the WWF for this book provide insightful new readings of the group's output and activities, contextualizing their work in the history of the prewar Polish avant-garde and the politics of experimental filmmaking in Poland under the rule of the Polish United Workers' Party (PZPR). Copublished with Fundacja Arton
Author | : Ana Cristina Mendes |
Publisher | : Routledge |
Total Pages | : 132 |
Release | : 2018-12-07 |
Genre | : Social Science |
ISBN | : 1351609548 |
In tandem with a postnational imaginary which is nurtured by the ever-present promise of deterritorialized mobility and burgeoning migratory fluxes, walls and fences separating nation-states multiply. This is a burning issue: even though nation states at the centre of the global order increasingly present themselves as postnational, calls for tighter border security undermine utopian notions of both a borderless New Europe and the USA as the Promised Land. This collection investigates the urgent issue of borderscapes and the cinematic imaginary by bringing together a range of new approaches in the field of film and media studies, crossing over into sociology, migration studies and artistic research. The contributions focus on the interrelated motifs of borderscapes as they are represented and used in transnational cinematographies, from Palestine to Sweden, Spain, Finland, Italy, Iran, Iraq, France, the UK and US, and as constituting premises of cinematic production. The chapters in this book were originally published in the Transnational Cinemas journal.
Author | : Steven Douglas Katz |
Publisher | : |
Total Pages | : 396 |
Release | : 2004 |
Genre | : Performing Arts |
ISBN | : |
"Cinematic Motion has helped directors create a personal camera style and master complex staging challenges for over a decade. In response to the opportunities offered by digital technology, this second edition adds essential chapters on digital visualization and script breakdown."--Jacket.
Author | : Anton Wilson |
Publisher | : |
Total Pages | : 295 |
Release | : 1983 |
Genre | : |
ISBN | : 9780935578089 |
Author | : Sarah Atkinson |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 336 |
Release | : 2017-12-28 |
Genre | : Performing Arts |
ISBN | : 1501324861 |
Live Cinema is a term used to capture a diverse range of experiences that incorporate a 'live' element in relation to a film's exhibition. The live augmentation of cinema screenings is not a new phenomenon, indeed this tendency is present throughout the entire history of cinema in the form of live musical accompaniments to silent screenings, showmanship practices, and cult film audience behaviours. The contemporary revival of experiential cinema captured within this volume presents instances where the live transcends the mediated and escapes beyond the boundaries of the auditorium. Our contributors investigate film exhibition practices that include synchronous live performance, site specific screenings, technological intervention, social media engagement, and all manner of simultaneous interactive moments including singing, dancing, eating and drinking. These investigations reveal new cultures of reception and practice, new experiential aesthetics and emergent economies of engagement. This collection brings together fifteen contributions that together trace the emergence of a vivid new area of study. Drawing on rich, diverse and interdisciplinary fields of enquiry, this volume encapsulates a broad range of innovative methodological approaches, offers new conceptual frameworks and new critical vocabularies through which to describe and analyse the emergent phenomena of Live Cinema.
Author | : Scott MacKenzie |
Publisher | : McGill-Queen's Press - MQUP |
Total Pages | : 569 |
Release | : 2019-07-11 |
Genre | : Performing Arts |
ISBN | : 0773558101 |
Handmade films stretch back to cinema's beginnings, yet until now their rich history has been neglected. Process Cinema is the first book to trace the development of handmade and hand-processed film in its historical and contemporary contexts, and from a global perspective. Mapping the genealogy of handmade film, and uncovering confluences, influences, and interstices between various international movements, sites, and practices, Process Cinema positions the resurgence of handmade and process cinema as a counter-practice to the rise of digital filmmaking. This volume brings together a range of renowned academics and artists to examine contemporary artisanal films, DIY labs, and filmmakers typically left out of the avant-garde canon, addressing the convergence between the analog and the digital in contemporary process cinema. Contributors investigate the history of process cinema – unscripted, improvisatory manipulation of the physicality of film – with chapters on pioneering filmmakers such as Len Lye and Marie Menken, while others discuss an international array of collectives devoted to processing films in artist-run labs from South Korea to Finland, Australia to Austria, and Greenland to Morocco, along with historical and contemporary practices in Canada and the United States. Addressing the turn to a new, sustainable creative ecology that is central to handmade films in the twenty-first century, and that defines today's reinvigorated film cultures, Process Cinema features some of the most beautiful handcrafted films and the most forward-thinking filmmakers within a global context.
Author | : Charles Tepperman |
Publisher | : University of California Press |
Total Pages | : 376 |
Release | : 2014-12-24 |
Genre | : Performing Arts |
ISBN | : 0520279867 |
From the very beginning of cinema, there have been amateur filmmakers at work. It wasn’t until Kodak introduced 16mm film in 1923, however, that amateur moviemaking became a widespread reality, and by the 1950s, over a million Americans had amateur movie cameras. In Amateur Cinema, Charles Tepperman explores the meaning of the “amateur” in film history and modern visual culture. In the middle decades of the twentieth century—the period that saw Hollywood’s rise to dominance in the global film industry—a movement of amateur filmmakers created an alternative world of small-scale movie production and circulation. Organized amateur moviemaking was a significant phenomenon that gave rise to dozens of clubs and thousands of participants producing experimental, nonfiction, or short-subject narratives. Rooted in an examination of surviving films, this book traces the contexts of “advanced” amateur cinema and articulates the broad aesthetic and stylistic tendencies of amateur films.
Author | : Yingjin Zhang |
Publisher | : Routledge |
Total Pages | : 348 |
Release | : 2004-08-02 |
Genre | : Performing Arts |
ISBN | : 113469086X |
This introduction to Chinese national cinema covers three 'Chinas': mainland China, Hong Kong and Taiwan. Historical and comparative perspectives bring out the parallel developments in these three Chinas, while critical analysis explores thematic and stylistic changes over time. As well as exploring artistic achievements and ideological debates, Yingjin Zhang examines how - despite the pressures placed on the industry from state control and rigid censorship - Chinese national cinema remains incapable of projecting a single unified picture, but rather portrays many different Chinas.