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| Author | : Mark Morris |
| Publisher | : |
| Total Pages | : 282 |
| Release | : 2006 |
| Genre | : Performing Arts |
| ISBN | : |
This book is a series of essays written by enthusiasts for the individual films, and contributed at the invitation of the editor.
| Author | : Bernd Herzogenrath |
| Publisher | : McFarland |
| Total Pages | : 251 |
| Release | : 2008-09-22 |
| Genre | : Performing Arts |
| ISBN | : 0786434473 |
As a director, actor, writer and producer, Tod Browning was one of the most dynamic Hollywood figures during the birth of commercial cinema. Known for his fantastic collaborations with Lon Chaney in numerous silents, and for directing the horror classic Dracula and the still-controversial Freaks, Browning has been called "the Edgar Allan Poe of the cinema." Despite not entering the profession until he began acting in his early thirties, he went on to helm more than 60 films in a 25-year career. His work continues to influence directors such as David Lynch, John Waters, and Alejandro Jodorowsky. These essays critically explore such topics as the connection between Browning, Poe and Kant; Browning's cinematic techniques; disability; masochism; sound and suspense; duality; parenthood; narrative and cinematic trickery; George Melford; surrealism; and the occult. A Browning filmography is included.
| Author | : Meredith Conti |
| Publisher | : University of Wales Press |
| Total Pages | : 319 |
| Release | : 2022-03-01 |
| Genre | : Art |
| ISBN | : 1786838478 |
The ‘macabre’, as a process and product, has been haunting the theatre – and more broadly, performance – for thousands of years. In its embodied meditations on death and dying, its thematic and aesthetic grotesquerie, and its sensory-rich environments, macabre theatre invites artists and audiences to trace the stranger, darker contours of human existence. In this volume, numerous scholars explore the morbid and gruesome onstage, from freak shows to the French Grand Guignol; from Hell Houses to German Trauerspiel; from immersive theatre to dark tourism, stopping along the way to look at phantoms, severed heads, dark rides, haunted mothers and haunting children, dances of death and dismembered bodies. From Japan to Australia to England to the United States, the global macabre is framed and juxtaposed to understand how the theatre brings us face to face with the deathly and the horrific.
| Author | : Yannis Tzioumakis |
| Publisher | : Edinburgh University Press |
| Total Pages | : 240 |
| Release | : 2018-03-07 |
| Genre | : Performing Arts |
| ISBN | : 1474416853 |
A comparative analysis of key Islamic ity platforms and their debates
| Author | : B. Forshaw |
| Publisher | : Springer |
| Total Pages | : 216 |
| Release | : 2013-10-17 |
| Genre | : Performing Arts |
| ISBN | : 1137300329 |
Barry Forshaw celebrates with enthusiasm the British horror film and its fascination for macabre cinema. A definitive study of the genre, British Gothic Cinema discusses the flowering of the field, with every key film discussed from its beginnings in the 1940s through to the 21st century.
| Author | : Harry M. Benshoff |
| Publisher | : John Wiley & Sons |
| Total Pages | : 613 |
| Release | : 2017-01-17 |
| Genre | : Performing Arts |
| ISBN | : 1119335019 |
This cutting-edge collection features original essays by eminent scholars on one of cinema's most dynamic and enduringly popular genres, covering everything from the history of horror movies to the latest critical approaches. Contributors include many of the finest academics working in the field, as well as exciting younger scholars Varied and comprehensive coverage, from the history of horror to broader issues of censorship, gender, and sexuality Covers both English-language and non-English horror film traditions Key topics include horror film aesthetics, theoretical approaches, distribution, art house cinema, ethnographic surrealism, and horror's relation to documentary film practice A thorough treatment of this dynamic film genre suited to scholars and enthusiasts alike
| Author | : Richard Nowell |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 279 |
| Release | : 2014-04-10 |
| Genre | : Performing Arts |
| ISBN | : 1623569850 |
Even though horror has been a key component of media output for almost a century, the genre's industrial character remains under explored and poorly understood. Merchants of Menace: The Business of Horror Cinema responds to a major void in film history by shedding much-needed new light on the economic dimensions of one of the world's most enduring audiovisual forms. Given horror cuts across budgetary categories, industry sectors, national film cultures, and media, Merchants of Menace also promises to expand understandings of the economics of cinema generally. Covering 1930-present, this groundbreaking collection boasts fourteen original chapters from world-leading experts taking as their focus such diverse topics as early zombie pictures, post-WWII chillers, Civil Rights-Era marketing, Hollywood literary adaptations, Australian exploitation, "torture-porn" Auteurs, and twenty-first-century remakes.
| Author | : Paul Meehan |
| Publisher | : McFarland |
| Total Pages | : 239 |
| Release | : 2009-10-21 |
| Genre | : Performing Arts |
| ISBN | : 0786454741 |
Cinema is ideally suited to the world of psychic phenomena. A technique as simple as a voice-over can simulate mental telepathy, while unusual lighting, set design, or creative digital manipulation can conjure clairvoyant visions, precognition, or even psychokinesis. This book analyzes the depiction of paranormal powers in film, examining how movies like Star Wars, Independence Day, The Green Mile, and dozens of others both reflect and influence the way modern society thinks about psychic abilities. The theme is explored in nearly 100 films from a variety of genres including drama, comedy, horror, science fiction, crime melodrama, and children's films, providing a concise review of the history and concepts of mainstream cinematic parapsychology.
| Author | : Peter Hutchings |
| Publisher | : Routledge |
| Total Pages | : 255 |
| Release | : 2014-09-11 |
| Genre | : Performing Arts |
| ISBN | : 1317874102 |
The Horror Film is an in-depth exploration of one of the most consistently popular, but also most disreputable, of all the mainstream film genres. Since the early 1930s there has never been a time when horror films were not being produced in substantial numbers somewhere in the world and never a time when they were not being criticised, censored or banned. The Horror Film engages with the key issues raised by this most contentious of genres. It considers the reasons for horror's disreputability and seeks to explain why despite this horror has been so successful. Where precisely does the appeal of horror lie? An extended introductory chapter identifies what it is about horror that makes the genre so difficult to define. The chapter then maps out the historical development of the horror genre, paying particular attention to the international breadth and variety of horror production, with reference to films made in the United States, Britain, Italy, Spain and elsewhere. Subsequent chapters explore: The role of monsters, focusing on the vampire and the serial killer. The usefulness (and limitations) of psychological approaches to horror. The horror audience: what kind of people like horror (and what do other people think of them)? Gender, race and class in horror: how do horror films such as Bride of Frankenstein, The Texas Chainsaw Massacre and Blade relate to the social and political realities within which they are produced? Sound and horror: in what ways has sound contributed to the development of horror? Performance in horror: how have performers conveyed fear and terror throughout horror's history? 1970s horror: was this the golden age of horror production? Slashers and post-slashers: from Halloween to Scream and beyond. The Horror Film throws new light on some well-known horror films but also introduces the reader to examples of noteworthy but more obscure horror work. A final section provides a guide to further reading and an extensive bibliography. Accessibly written, The Horror Film is a lively and informative account of the genre that will appeal to students of cinema, film teachers and researchers, and horror lovers everywhere.
| Author | : Heide Fehrenbach |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 381 |
| Release | : 2000-11-09 |
| Genre | : History |
| ISBN | : 0807861375 |
Heide Fehrenbach analyzes the important role cinema played in the reconstruction of German cultural and political identity between 1945 and 1962. Concentrating on the former West Germany, she explores the complex political uses of film--and the meanings attributed to film representation and spectatorship--during a period of abrupt transition to democracy. According to Fehrenbach, the process of national redefinition made cinema and cinematic control a focus of heated ideological debate. Moving beyond a narrow political examination of Allied-German negotiations, she investigates the broader social nexus of popular moviegoing, public demonstrations, film clubs, and municipal festivals. She also draws on work in gender and film studies to probe the ways filmmakers, students, church leaders, local politicians, and the general public articulated national identity in relation to the challenges posed by military occupation, American commercial culture, and redefined gender roles. Thus highlighting the links between national identity and cultural practice, this book provides a richer picture of what German reconstruction entailed for both women and men.
