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Tamil Cinema

Tamil Cinema
Author: Selvaraj Velayutham
Publisher: Routledge
Total Pages: 412
Release: 2008-04-03
Genre: Language Arts & Disciplines
ISBN: 1134154453

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Hitherto, the academic study of Indian cinema has focused primarily on Bollywood, despite the fact that the Tamil film industry, based in southern India, has overtaken Bollywood in terms of annual output. This book examines critically the cultural and cinematic representations in Tamil cinema. It outlines its history and distinctive characteristics, and proceeds to consider a number of important themes such as gender, religion, class, caste, fandom, cinematic genre, the politics of identity and diaspora. Throughout, the book cogently links the analysis to wider social, political and cultural phenomena in Tamil and Indian society. Overall, it is an exciting and original contribution to an under-studied field, also facilitating a fresh consideration of the existing body of scholarship on Indian cinema.


Encyclopedia of Indian Cinema

Encyclopedia of Indian Cinema
Author: Ashish Rajadhyaksha
Publisher: Routledge
Total Pages: 3189
Release: 2014-07-10
Genre: Social Science
ISBN: 1135943257

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The largest film industry in the world after Hollywood is celebrated in this updated and expanded edition of a now classic work of reference. Covering the full range of Indian film, this new revised edition of the Encyclopedia of Indian Cinema includes vastly expanded coverage of mainstream productions from the 1970s to the 1990s and, for the first time, a comprehensive name index. Illustrated throughout, there is no comparable guide to the incredible vitality and diversity of historical and contemporary Indian film.


Cinema Industry in India

Cinema Industry in India
Author: Ashok Mittal
Publisher: Indus Publishing
Total Pages: 252
Release: 1995
Genre: Performing Arts
ISBN: 9788173870231

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Study, with particular reference to Kanpur city, Uttar Pradesh and covers the period of the mid-eighties.


The Indian Film

The Indian Film
Author: Panna Shah
Publisher: Praeger
Total Pages: 328
Release: 1950
Genre: Performing Arts
ISBN:

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Panna Shah has set out to make a social study of the growth of the film industry in India through statistical and psychological research. The book gives an historical, sociological and economic survey of India's film industry.


Piracy in the Indian Film Industry

Piracy in the Indian Film Industry
Author: Arul George Scaria
Publisher: Cambridge University Press
Total Pages: 339
Release: 2014-05-15
Genre: Law
ISBN: 1107065437

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This book studies the social, cultural, historical, legal and economic dimensions of copyright piracy in India.


Unruly Cinema

Unruly Cinema
Author: Rini Bhattacharya Mehta
Publisher: University of Illinois Press
Total Pages: 324
Release: 2020-06-22
Genre: Performing Arts
ISBN: 0252052005

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Between 1931 and 2000, India's popular cinema steadily overcame Hollywood domination. Bollywood, the film industry centered in Mumbai, became nothing less than a global cultural juggernaut. But Bollywood is merely one part of the country's prolific, multilingual cinema. Unruly Cinema looks at the complex series of events that allowed the entire Indian film industry to defy attempts to control, reform, and refine it in the twentieth century and beyond. Rini Bhattacharya Mehta considers four aspects of Indian cinema's complicated history. She begins with the industry's surprising, market-driven triumph over imports from Hollywood and elsewhere in the 1930s. From there she explores how the nationalist social melodrama outwitted the government with its 1950s cinematic lyrical manifestoes. In the 1970s, an action cinema centered on the angry young male co-opted the voice of the oppressed. Finally, Mehta examines Indian film's discovery of the global neoliberal aesthetic that encouraged the emergence of Bollywood.


Industrial Networks and Cinemas of India

Industrial Networks and Cinemas of India
Author: Monika Mehta
Publisher: Taylor & Francis
Total Pages: 254
Release: 2020-12-13
Genre: Art
ISBN: 1000293319

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This volume points to the limits of models such as regional, national, and transnational, and develops ‘network’ as a conceptual category to study cinemas of India. Through grounded and interdisciplinary research, it shows how film industries located in disparate territories have not functioned as isolated units and draws attention to the industrial traffic – of filmic material, actors, performers, authors, technicians, genres, styles, sounds, expertise, languages, and capital, across trans-regional contexts -- since the inception of cinema. It excavates histories of film production, distribution and exhibition, and their connections beyond regional and national boundaries, and between places, industrial practices, and multiple media. The chapters in this volume address a range of themes such as transgressive female figures; networks of authors and technicians; trans-regional production links and changing technologies, and new media geographies. By tracking manifold changes in the contexts of transforming media, and inter-connections between diverse industrial nodal points, this book expands the critical vocabulary in media and production studies and foregrounds new methods for examining cinema. A generative account of industrial networks, this volume will be useful for scholars and researchers of film studies, cinema studies, media studies, production studies, media sociology, gender studies, South Asian studies, and cultural studies.


History of Indian Cinema

History of Indian Cinema
Author: Renu Saran
Publisher: Diamond Pocket Books Pvt Ltd
Total Pages: 299
Release: 2014-03-04
Genre:
ISBN: 9350836513

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Indian film industry is the largest in the world. It releases 1000 plus movies annually. Most films are made in South Indian languages (viz., Telugu, Tamil and Malayalam). Nevertheless, Hindi films take the largest box office share. India has 12,000 plus cinema halls and this industry churns out 1000 plus films a year. This book gives a brief history of the world's most exciting industrial enterprise. It gives the details, facts and vital sets of data of Indian cinema with amazing finesse. Its simple style and low cost enable all reader genres to read it. Renu Saran has penned this book for the lovers of Indian cinema. She has given many good books to our valued readers. She has worked very hard to collect data and analyze information sets. That is why this book has become one of the best in its genre.


Studying Indian Cinema

Studying Indian Cinema
Author: Omar Ahmed
Publisher: Liverpool University Press
Total Pages: 370
Release: 2015-06-30
Genre: Performing Arts
ISBN: 0993238491

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This book traces the historical evolution of Indian cinema through a number of key decades. The book is made up of 14 chapters with each chapter focusing on one key film, the chosen films analysed in their wider social, political and historical context whilst a concerted engagement with various ideological strands that underpin each film is also evident. In addition to exploring the films in their wider contexts, the author analyses selected sequences through the conceptual framework common to both film and media studies. This includes a consideration of narrative, genre, representation, audience and mise-en-scene. The case studies run chronologically from Awaara (The Vagabond, 1951) to The Elements Trilogy: Water (2005) and include films by such key figures as Satyajit Ray (The Lonely Wife), Ritwick Ghatak (Cloud Capped Star), Yash Chopra (The Wall) and Mira Nair (Salaam Bombay!).


Indian Cinema: A Very Short Introduction

Indian Cinema: A Very Short Introduction
Author: Ashish Rajadhyaksha
Publisher: Oxford University Press
Total Pages: 144
Release: 2016-07-20
Genre: Art
ISBN: 0191034770

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One film out of every five made anywhere on earth comes from India. From its beginnings under colonial rule through to the heights of Bollywood , Indian Cinema has challenged social injustices such as caste, the oppression of Indian women, religious intolerance, rural poverty, and the pressures of life in the burgeoning cities. And yet, the Indian movie industry makes only about five percent of Hollywood's annual revenue. In this Very Short Introduction Ashish Rajadhyaksha delves into the political, social, and economic factors which, over time, have shaped Indian Cinema into a fascinating counterculture. Covering everything from silent cinema through to the digital era, Rajadhyaksha examines how the industry reflects the complexity and variety of Indian society through the dramatic changes of the 20th century, and into the beginnings of the 21st. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable