Cinema Eye, Cinema Ear
Author | : |
Publisher | : |
Total Pages | : |
Release | : 1964 |
Genre | : Motion pictures |
ISBN | : |
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Author | : |
Publisher | : |
Total Pages | : |
Release | : 1964 |
Genre | : Motion pictures |
ISBN | : |
Author | : Robert Phillip Kolker |
Publisher | : Open Book Publishers |
Total Pages | : 349 |
Release | : 2009 |
Genre | : Performing Arts |
ISBN | : 1906924031 |
The Altering Eye covers a "golden age" of international cinema from the end of WWII through to the New German Cinema of the 1970s. Combining historical, political, and textual analysis, the author develops a pattern of cinematic invention and experimentation from neorealism through the modernist interventions of Jean-Luc Godard and Rainer Maria Fassbinder, focusing along the way on such major figures as Luis Buñuel, Joseph Losey, the Brazilian director Glauber Rocha, and the work of major Cuban filmmakers. Kolker's book has become a much quoted classic in the field of film studies providing essential reading for anybody interested in understanding the history of European and international cinema. This new and revised edition includes a substantive new Preface by the author and an updated Bibliography.
Author | : Alexandra Heller-Nicholas |
Publisher | : University of Wales Press |
Total Pages | : 285 |
Release | : 2019-10-15 |
Genre | : Performing Arts |
ISBN | : 1786834979 |
Why has the mask been such an enduring generic motif in horror cinema? This book explores its transformative potential historically across myriad cultures, particularly in relation to its ritual and mythmaking capacities, and its intersection with power, ideology and identity. All of these factors have a direct impact on mask-centric horror cinema: meanings, values and rituals associated with masks evolve and are updated in horror cinema to reflect new contexts, rendering the mask a persistent, meaningful and dynamic aspect of the genre’s iconography. This study debates horror cinema’s durability as a site for the potency of the mask’s broader symbolic power to be constantly re-explored, re-imagined and re-invented as an object of cross-cultural and ritual significance that existed long before the moving image culture of cinema.
Author | : D Taylor |
Publisher | : |
Total Pages | : |
Release | : |
Genre | : |
ISBN | : 9780809034604 |
Author | : Christian Quendler |
Publisher | : Taylor & Francis |
Total Pages | : 263 |
Release | : 2016-11-18 |
Genre | : Performing Arts |
ISBN | : 1317434196 |
This book explores the cultural, intellectual, and artistic fascination with camera-eye metaphors in film culture of the twentieth century. By studying the very metaphor that cinema lives by, it provides a rich and insightful map of our understanding of cinema and film styles and shows how cinema shapes our understanding of the arts and media. As current new media technologies are attempting to shift the identity of cinema and moving imagery, it is hard to overstate the importance of this metaphor for our understanding of the modalities of vision. In what guises does the "camera eye" continue to survive in media that is called new?
Author | : John Russell Taylor |
Publisher | : |
Total Pages | : 294 |
Release | : 1964 |
Genre | : Motion pictures |
ISBN | : |
Author | : Christian Quendler |
Publisher | : Routledge |
Total Pages | : 448 |
Release | : 2016-11-18 |
Genre | : Performing Arts |
ISBN | : 1317434188 |
This book explores the cultural, intellectual, and artistic fascination with camera-eye metaphors in film culture of the twentieth century. By studying the very metaphor that cinema lives by, it provides a rich and insightful map of our understanding of cinema and film styles and shows how cinema shapes our understanding of the arts and media. As current new media technologies are attempting to shift the identity of cinema and moving imagery, it is hard to overstate the importance of this metaphor for our understanding of the modalities of vision. In what guises does the "camera eye" continue to survive in media that is called new?
Author | : John Russell Taylor |
Publisher | : |
Total Pages | : 0 |
Release | : 1964 |
Genre | : |
ISBN | : |
Author | : Alisa Lebow |
Publisher | : Columbia University Press |
Total Pages | : 289 |
Release | : 2012-05-29 |
Genre | : Performing Arts |
ISBN | : 0231850166 |
When a filmmaker makes a film with herself as a subject, she is already divided as both the subject matter of the film and the subject making the film. The two senses of the word are immediately in play – the matter and the maker—thus the two ways of being subjectified as both subject and object. Subjectivity finds its filmic expression, not surprisingly, in very personal ways, yet it is nonetheless shaped by and in relation to collective expressions of identity that can transform the cinema of 'me' into the cinema of 'we'. Leading scholars and practitioners of first-person film are brought together in this groundbreaking collection to consider the theoretical, ideological, and aesthetic challenges wrought by this form of filmmaking in its diverse cultural, geographical, and political contexts.
Author | : Martin M. Winkler |
Publisher | : Cambridge University Press |
Total Pages | : 363 |
Release | : 2009-02-12 |
Genre | : Fiction |
ISBN | : 0521518601 |
This book interprets films as visual texts and demonstrates the affinities between Greco-Roman literature and the cinema.