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Cinema and Soviet Society

Cinema and Soviet Society
Author: Peter Kenez
Publisher: I.B. Tauris
Total Pages: 264
Release: 2000-12-15
Genre: Performing Arts
ISBN: 9781860645686

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The story of Soviet film over the period covered by Peter Kenez is central to the history of World Cinema. In this revised, updated paperback edition of his classic text, Peter Kenez explores the roots of Soviet cinema in the film heritage of pre-Revolutionary Russia, tracing the changes in content, style, technical means and production capacities generated by the Revolution of 1917; the constraints on form and subject imposed from the 1930s in the name of Socialist Realism; the relative freedom of expression accorded to film-makers during World War Two; and the extraordinary repression during the final years of Stalin era. Based on original research both in the former Soviet Union and elsewhere in the primary sources of Eastern Europe, this is the essential student text on the period which produced the major films of such 'greats' as Eisenstein, Vertov, Kuleshov, Pudovkin and many more.


Cinema and Soviet Society from the Revolution to the Death of Stalin

Cinema and Soviet Society from the Revolution to the Death of Stalin
Author: Peter Kenez
Publisher:
Total Pages: 252
Release:
Genre: Electronic books
ISBN: 9780755604616

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In this updated edition of his classic text, Kenez covers the roots of Soviet cinema in the film heritage of pre-Revolutionary Russia, tracing the changes generated by the Revolution of 1917.


Cinema and Soviet Society, 1917-1953

Cinema and Soviet Society, 1917-1953
Author: Peter Kenez
Publisher: CUP Archive
Total Pages: 300
Release: 1992-06-26
Genre: History
ISBN: 9780521428637

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The political influences on Soviet cinema are traced from its pre-revolutionary heritage, through the Revolution and the golden years of the late 1920s through Second World War liberalization and the extraordinary repression of Stalin final years.The political influences on Soviet cinema are traced from its pre-revolutionary heritage, through the Revolution and the golden years of the late 1920s through Second World War liberalization and the extraordinary repression of Stalin final years.


Stalinism and Soviet Cinema

Stalinism and Soviet Cinema
Author: Derek Spring
Publisher: Routledge
Total Pages: 296
Release: 2013-11-05
Genre: Social Science
ISBN: 113612828X

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Stalinism and Soviet Cinema marks the first attempt to confront systematically the role and influence of Stalin and Stalinism in the history and development of Soviet cinema. The collection provides comprehensive coverage of the antecedents, role and consequences of Stalinism and Soviet cinema, how Stalinism emerged, what the relationship was between the political leadership, the cinema administrators, the film-makers and their films and audiences, and how Soviet cinema is coming to terms with the disintegration of established structures and mythologies. Contributors from Britain, America and the Soviet Union address themselves to the importance of the Stalinist legacy, not only to the history of Soviet cinema but to Soviet history as a whole.


The Cinema of Russia and the Former Soviet Union

The Cinema of Russia and the Former Soviet Union
Author: Birgit Beumers
Publisher:
Total Pages: 308
Release: 2007
Genre: Motion pictures
ISBN: 9781904764984

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This volume explores the cinema of the former Soviet Union and contemporary Russia, ranging from the pre-Revolutionary period to the present day. It offers an insight into the development of Soviet film, from 'the most important of all arts' as a propaganda tool to a means of entertainment in the Stalin era, from the rise of its 'dissident' art-house cinema in the 1960s through the glasnost era with its broken taboos to recent Russian blockbusters. Films have been chosen to represent both the classics of Russian and Soviet cinema as well as those films that had a more localised success and remain to date part of Russia's cultural reference system. The volume also covers a range of national film industries of the former Soviet Union in chapters on the greatest films and directors of Ukrainian, Kazakh, Georgian and Armenian cinematography. Films discussed include Strike (1925), Earth (1930), Ivan's Childhood (1962), Mother and Son (1997) and Brother (1997).


Stalinist Cinema and the Production of History

Stalinist Cinema and the Production of History
Author: Evgeny Dobrenko
Publisher: Edinburgh University Press
Total Pages: 320
Release: 2008-03-05
Genre: Performing Arts
ISBN: 0748632433

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This book explores how Soviet film worked with time, the past, and memory. It looks at Stalinist cinema and its role in the production of history. Cinema's role in the legitimization of Stalinism and the production of a new Soviet identity was enormous. Both Lenin and Stalin saw in this 'most important of arts' the most effective form of propaganda and 'organisation of the masses'. By examining the works of the greatest Soviet filmmakers of the Stalin era--Sergei Eisenstein, Vsevolod Pudovkin, Grigorii Kozintsev, Leonid Trauberg, Fridrikh Ermler--the author explores the role of the cinema in the formation of the Soviet political imagination.


Visions of a New Land

Visions of a New Land
Author: Emma Widdis
Publisher: Yale University Press
Total Pages: 270
Release: 2003-01-01
Genre: Performing Arts
ISBN: 0300127588

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In 1917 the Bolsheviks proclaimed a world remade. This book shows how Soviet cinema encouraged popular support of state initiatives in the years up to the Second World War, helping to create a new Russian identity & territory, an 'imaginary geography' of Sovietness.


A History of Russian Cinema

A History of Russian Cinema
Author: Birgit Beumers
Publisher: Berg Publishers
Total Pages: 344
Release: 2009
Genre: History
ISBN:

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Film emerged in pre-Revolutionary Russia to become the 'most important of all arts' for the new Bolshevik regime and its propaganda machine. This text is a complete history from the beginning of film onwards and presents an engaging narrative of both the industry and its key films in the context of Russia's social and political history.


Cinematic Cold War

Cinematic Cold War
Author: Tony Shaw
Publisher: University Press of Kansas
Total Pages: 312
Release: 2014-08-15
Genre: Performing Arts
ISBN: 0700620206

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The Cold War was as much a battle of ideas as a series of military and diplomatic confrontations, and movies were a prime battleground for this cultural combat. As Tony Shaw and Denise Youngblood show, Hollywood sought to export American ideals in movies like Rambo, and the Soviet film industry fought back by showcasing Communist ideals in a positive light, primarily for their own citizens. The two camps traded cinematic blows for more than four decades. The first book-length comparative survey of cinema's vital role in disseminating Cold War ideologies, Shaw and Youngblood's study focuses on ten films—five American and five Soviet—that in both obvious and subtle ways provided a crucial outlet for the global "debate" between democratic and communist ideologies. For each nation, the authors outline industry leaders, structure, audiences, politics, and international reach and explore the varied relationships linking each film industry to its respective government. They then present five comparative case studies, each pairing an American with a Soviet film: Man on a Tightrope with The Meeting on the Elbe; Roman Holiday with Spring on Zarechnaya Street; Fail-Safe with Nine Days in One Year; Bananas with Officers; Rambo: First Blood Part II with Incident at Map Grid 36-80. Shaw breathes new life into familiar American films by Elia Kazan and Woody Allen, while Youngblood helps readers comprehend Soviet films most have never seen. Collectively, their commentaries track the Cold War in its entirety—from its formative phase through periods of thaw and self-doubt to the resurgence of mutual animosity during the Reagan years-and enable readers to identify competing core propaganda themes such as decadence versus morality, technology versus humanity, and freedom versus authority. As the authors show, such themes blurred notions regarding "propaganda" and "entertainment," terms that were often interchangeable and mutually reinforcing during the Cold War. Featuring engaging commentary and evocative images from the films discussed, Cinematic Cold War offers a shrewd analysis of how the silver screen functioned on both sides of the Iron Curtain. As such it should have great appeal for anyone interested in the Cold War or the cinematic arts.