Christian Rite And Christian Drama In The Middle Ages Essays In The Origin And Early History Of Modern Drama PDF Download
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Author | : O. B. Hardison Jr. |
Publisher | : JHU Press |
Total Pages | : 247 |
Release | : 2019-12-01 |
Genre | : Literary Criticism |
ISBN | : 1421430878 |
Download Christian Rite and Christian Drama in the Middle Ages Book in PDF, ePub and Kindle
Originally published in 1965. The European dramatic tradition rests on a group of religious dramas that appeared between the tenth and twelfth centuries. These dramas, of interest in themselves, are also important for the light they shed on three historical and critical problems: the relation of drama to ritual, the nature of dramatic form, and the development of representational techniques. Hardison's approach is based on the history of the Christian liturgy, on critical theories concerning the kinship of ritual and drama, and on close analysis of the chronology and content of the texts themselves. Beginning with liturgical commentaries of the ninth century, Hardison shows that writers of the period consciously interpreted the Mass and cycle of the church year in dramatic terms. By reconstructing the services themselves, he shows that they had an emphatic dramatic structure that reached its climax with the celebration of the Resurrection. Turning to the history of the Latin Resurrection play, Hardison suggests that the famous Quem quaeritis—the earliest of all medieval dramas—is best understood in relation to the baptismal rites of the Easter Vigil service. He sets forth a theory of the original form and function of the play based on the content of the earliest manuscripts as well as on vestigial ceremonial elements that survive in the later ones. Three texts from the eleventh and twelfth centuries are analyzed with emphasis on the change from ritual to representational modes. Hardison discusses why the form inherited from ritual remained unchanged, while the technique became increasingly representational. In studying the earliest vernacular dramas, Hardison examines the use of nonritual materials as sources of dramatic form, the influence of representational concepts of space and time on staging, and the development of nonceremonial techniques for composition of dialogue. The sudden appearance of these elements in vernacular drama suggests the existence of a hitherto unsuspected vernacular tradition considerably older than the earliest surviving vernacular plays.
Author | : Osborne Bennett Hardison (Jr.) |
Publisher | : |
Total Pages | : 0 |
Release | : 2019 |
Genre | : Christian drama, Latin (Medieval and modern) |
ISBN | : 9781421430478 |
Download Christian Rite and Christian Drama in the Middle Ages Book in PDF, ePub and Kindle
Author | : Osborne Bennett Hardison |
Publisher | : |
Total Pages | : 328 |
Release | : 1969 |
Genre | : |
ISBN | : |
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Author | : Osborne Bennett Hardison |
Publisher | : |
Total Pages | : |
Release | : 1983 |
Genre | : |
ISBN | : |
Download Christian rite and Christian drama in the middle ages : essays in the origin and early history of modern drama Book in PDF, ePub and Kindle
Author | : David Lyle Jeffrey |
Publisher | : Wm. B. Eerdmans Publishing |
Total Pages | : 1000 |
Release | : 1992 |
Genre | : Literary Criticism |
ISBN | : 9780802836342 |
Download A Dictionary of Biblical Tradition in English Literature Book in PDF, ePub and Kindle
Over 15 years in the making, an unprecedented one-volume reference work. Many of today's students and teachers of literature, lacking a familiarity with the Bible, are largely ignorant of how Biblical tradition has influenced and infused English literature through the centuries. An invaluable research tool. Contains nearly 800 encyclopedic articles written by a distinguished international roster of 190 contributors. Three detailed annotated bibliographies. Cross-references throughout.
Author | : Leonard Goldstein |
Publisher | : Fairleigh Dickinson Univ Press |
Total Pages | : 286 |
Release | : 2004 |
Genre | : Drama |
ISBN | : 9780838640043 |
Download The Origin of Medieval Drama Book in PDF, ePub and Kindle
It has been widely accepted that the 10th-century liturgical plays developed naturally as a religious entity from the Mass. This approach is critiqued in The Origin of Medieval Drama where Leonard Goldstein places the development of the plays within the socio-economic context of the period, most notably the rapid rise of feudalism. Goldstein argues that the plays were a response by the Church to a decline in faith brought on by the burdens of feudalism on the peasantry. However, instead of revitalising faith, the plays which sought to assure the peasantry of their salvation actually represented and therefore reinforced the emerging private property relation. In looking at the origins of ancient Greek drama where scholars have concentrated more on social and cultural issues, Goldstein develops a Marxist model for the origins of medieval drama.
Author | : Edward L. Risden |
Publisher | : Peter Lang |
Total Pages | : 240 |
Release | : 2004 |
Genre | : Literary Criticism |
ISBN | : 9780820471075 |
Download Prophet Margins Book in PDF, ePub and Kindle
While poets have traditionally inhabited cultural margins, prophets have brought poetic language to the center of cultural debate, not foretelling the future so much as diagnosing the present. This exciting collection of nine essays examines the range of social and political implications that inflects poetic discourse, from the Old English and Latin texts of the Anglo-Saxon world to the Scotland and England of the Renaissance. Whether saints' lives, Germanic heroic epics, chronicles, or satiric poems, the works discussed in this book retain their verbal power, if not their political influence, into our own time.
Author | : Carol Symes |
Publisher | : Cornell University Press |
Total Pages | : 374 |
Release | : 2007 |
Genre | : Drama |
ISBN | : 9780801445811 |
Download A Common Stage Book in PDF, ePub and Kindle
Introduction : locating a medieval theater -- A history play : the Jeu de saint Nicolas and the world of Arras -- Prodigals and jongleurs : initiative and agency in a theater town -- Access to the media : publicity, participation, and the public sphere -- Relics and rites : "The play of the bower" and other plays -- Lives in the theater -- Conclusion : on looking into a medieval theater.
Author | : Allan Doig |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 272 |
Release | : 2008 |
Genre | : Religion |
ISBN | : 9780754652724 |
Download Liturgy and Architecture from the Early Church to the Middle Ages Book in PDF, ePub and Kindle
Contents include: 'The Earliest Christian Worship and Its Setting', 'Late Antiquity in the West and the Gallican Rite', 'Carolingian Architecture and Liturgical Reform' and 'Monasticism, Pilgrimage and the Romanesque'.
Author | : John Parker |
Publisher | : Cornell University Press |
Total Pages | : 274 |
Release | : 2018-07-05 |
Genre | : Literary Criticism |
ISBN | : 0801463548 |
Download The Aesthetics of Antichrist Book in PDF, ePub and Kindle
In Dr. Faustus, Christopher Marlowe wrote a profoundly religious drama despite the theater's newfound secularism and his own reputation for anti-Christian irreverence. The Aesthetics of Antichrist explores this apparent paradox by suggesting that, long before Marlowe, Christian drama and ritual performance had reveled in staging the collapse of Christianity into its historical opponents—paganism, Judaism, worldliness, heresy. By embracing this tradition, Marlowe's work would at once demonstrate the theatricality inhering in Christian worship and, unexpectedly, resacralize the commercial theater. The Antichrist myth in particular tells of an impostor turned prophet: performing Christ's life, he reduces the godhead to a special effect yet in so doing foretells the real second coming. Medieval audiences, as well as Marlowe's, could evidently enjoy the constant confusion between true Christianity and its empty look-alikes for that very reason: mimetic degradation anticipated some final, as yet deferred revelation. Mere theater was a necessary prelude to redemption. The versions of the myth we find in Marlowe and earlier drama actually approximate, John Parker argues, a premodern theory of the redemptive effect of dramatic representation itself. Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, The Aesthetics of Antichrist proposes a wholesale rereading of pre-Shakespearean drama.