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Chocolate Drops from the South

Chocolate Drops from the South
Author: E. V. White
Publisher:
Total Pages: 146
Release: 2013-10
Genre:
ISBN: 9781494021511

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This is a new release of the original 1932 edition.


Chocolate Drops from the South

Chocolate Drops from the South
Author: Edmund Valentine White
Publisher:
Total Pages: 152
Release: 1932
Genre: African American wit and humor
ISBN:

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Chocolate and Blackness

Chocolate and Blackness
Author: Silke Hackenesch
Publisher: Campus Verlag
Total Pages: 189
Release: 2017-11-09
Genre: History
ISBN: 3593507765

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This book draws out a number of unexpected connections between chocolate and blackness as both idea and reality. Silke Hackenesch builds her argument around four main focal points. First is the modes of production of chocolate--the economic realities of the business and the material connection between blackness and chocolate. Second is the semantics of chocolate, while its iconography is analyzed third. Finally, she addresses the use of chocolate as a racial signifier, showing that it is deployed differently by African Americans and Afro-Germans, for example.


Educating the New Southern Woman

Educating the New Southern Woman
Author: David Gold
Publisher: SIU Press
Total Pages: 201
Release: 2013-12-19
Genre: Language Arts & Disciplines
ISBN: 0809332868

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From the end of Reconstruction through World War II, a network of public colleges for white women flourished throughout the South. Founded primarily as vocational colleges to educate women of modest economic means for life in the emerging “new” South, these schools soon transformed themselves into comprehensive liberal arts–industrial institutions, proving so popular that they became among the largest women’s colleges in the nation. In this illuminating volume, David Gold and Catherine L. Hobbs examine rhetorical education at all eight of these colleges, providing a better understanding of not only how women learned to read, write, and speak in American colleges but also how they used their education in their lives beyond college. With a collective enrollment and impact rivaling that of the Seven Sisters, the schools examined in this study—Mississippi State College for Women (1884), Georgia State College for Women (1889), North Carolina College for Women (1891), Winthrop College in South Carolina (1891), Alabama College for Women (1896), Texas State College for Women (1901), Florida State College for Women (1905), and Oklahoma College for Women (1908)—served as important centers of women’s education in their states, together educating over a hundred thousand students before World War II and contributing to an emerging professional class of women in the South. After tracing the establishment and evolution of these institutions, Gold and Hobbs explore education in speech arts and public speaking at the colleges and discuss writing instruction, setting faculty and departmental goals and methods against larger institutional, professional, and cultural contexts. In addition to covering the various ways the public women’s colleges prepared women to succeed in available occupations, the authors also consider how women’s education in rhetoric and writing affected their career choices, the role of race at these schools, and the legacy of public women’s colleges in relation to the history of women’s education and contemporary challenges in the teaching of rhetoric and writing. The experiences of students and educators at these institutions speak to important conversations among scholars in rhetoric, education, women’s studies, and history. By examining these previously unexplored but important institutional sites, Educating the New Southern Woman provides a richer and more complex history of women’s rhetorical education and experiences.


Black Stereotypes in Popular Series Fiction, 1851-1955

Black Stereotypes in Popular Series Fiction, 1851-1955
Author: Bernard A. Drew
Publisher: McFarland
Total Pages: 291
Release: 2015-04-28
Genre: Literary Criticism
ISBN: 0786474106

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Even well-meaning fiction writers of the late Jim Crow era (1900-1955) perpetuated racial stereotypes in their depiction of black characters. From 1918 to 1952, Octavus Roy Cohen turned out a remarkable 360 short stories featuring Florian Slappey and the schemers, romancers and ditzes of Birmingham's Darktown for The Saturday Evening Post and other publications. Cohen said, "I received a great deal of mail from Negroes and I have never found any resentment from a one of them." The black readership had to be satisfied with any black presence in the popular literature of the day. The best known white writers of black characters included Booth Tarkington (Herman and Verman in the Penrod books), Irvin S. Cobb (Judge Priest's houseman Jeff Poindexter), Roark Bradford (Widow Duck, the plantation matriarch), Hugh Wiley (Wildcat Marsden, the war veteran who traveled the country in the company of his goat) and Charles Correll and Freeman Gosden (radio's Amos 'n' Andy). These writers deservedly declined in the civil rights era, but left a curious legacy that deserves examination. This book, focusing on authors of series fiction and particularly of humorous stories, profiles 29 writers and their black characters in detail, with brief entries covering 72 others.


Catalog of Copyright Entries. New Series

Catalog of Copyright Entries. New Series
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
Total Pages: 2380
Release: 1934
Genre: American drama
ISBN:

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Catalogue of Copyright Entries

Catalogue of Copyright Entries
Author: Library of Congress. Copyright Office
Publisher:
Total Pages: 830
Release: 1933
Genre: Copyright
ISBN:

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