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Chinese Paintings from Japanese Collections

Chinese Paintings from Japanese Collections
Author: Stephen Little
Publisher: DelMonico Books
Total Pages: 0
Release: 2014
Genre: Ink painting
ISBN: 9783791353531

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Filled with magnificent examples of Chinese paintings from four dynasties, spanning the 8th through the 17th century, this book traces Japan's role in preserving part of China's cultural heritage. Filled with exquisite reproductions, the book offers in-depth analysis of each painting, including its religious or secular significance and provenance in China and Japan.


Descriptive and Historical Catalogue of a Collection of Japanese and Chinese Paintings in the British Museum (Classic Reprint)

Descriptive and Historical Catalogue of a Collection of Japanese and Chinese Paintings in the British Museum (Classic Reprint)
Author: William Anderson
Publisher: Forgotten Books
Total Pages: 662
Release: 2017-12-24
Genre: Art
ISBN: 9780484692229

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Excerpt from Descriptive and Historical Catalogue of a Collection of Japanese and Chinese Paintings in the British Museum Tm: paintings and drawings described in the following pages were brought together in the course of a residence of over six years in Japan, for the purpose of illustrating an ancient and remarkable phase of art in its historical, intellectual, and technical develop ments, and the principal motives by which it has been inspired. The great majority of the works are Japanese, but a number of ancient and modern Chinese pictures have been added to demon strate the relationship between the arts of the sister empires. In the construction of the catalogue it has been judged advisable, in view of the novelty of the subject to Western readers, to give a larger amount of general explanation than would be necessary in a similar work on European art: the pictures have been classified according to schools, and to each group is prefixed an account of the main facts in the history of the school, with a list of the principal artists whose names have found a place in native biographical records; and, lastly, the legendary and other motives have been dealt with more or less in detail. It was originally pro posed to introduce a preliminary sketch of the. History, technique, forms, and characteristics of sinico-japanese painting, together with a review of the various applications of pictorial design; but as such an essay would have led to an inconvenient increase in the bulk and expense of the volume, and was judged to be more suitable to a private undertaking, I have therefore made it a separate work, incorporating with it such extracts from the catalogue as might be necessary to give completeness to the historical section, and illustrating it with reproductions of the more typical examples of the art. It is now in course of publication by Messrs. Sampson Low 6: Cc., under the title of The Pictorial Arts of J apan. The present collection, although comprising representative speci mens of all the various schools, must be regarded only as a nucleus. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


Between Two Cultures

Between Two Cultures
Author: Wen Fong
Publisher: Metropolitan Museum of Art
Total Pages: 302
Release: 2001
Genre: Painting
ISBN: 0870999842

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The first comprehensive assemblage in the West of paintings on this subject, the Robert H. Ellsworth Collection comprises works in the classical Chinese medium of ink on paper and in the traditional formats of scrolls, album leaves, and fans."--BOOK JACKET.


Three Thousand Years of Chinese Painting

Three Thousand Years of Chinese Painting
Author: Richard M. Barnhart
Publisher: Yale University Press
Total Pages: 422
Release: 1997-01-01
Genre: Art
ISBN: 0300094477

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Written by a team of eminent international scholars, this book is the first to recount the history of Chinese painting over a span of some 3000 years.


Parting the Mists

Parting the Mists
Author: Aida Yuen Wong
Publisher: University of Hawaii Press
Total Pages: 216
Release: 2006-02-28
Genre: Art
ISBN: 0824845366

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In Parting the Mists, Aida Yuen Wong makes a convincing argument that the forging of a national tradition in modern China was frequently pursued in association with rather than in rejection of Japan. The focus of her book is on Japan’s integral role in the invention of "national-style painting," or guohua, in early-twentieth-century China. Guohua, referring to brush paintings on traditional formats, is often misconstrued as a residual conservatism from the dynastic age that barricaded itself within classical traditions. Wong places this art form at the forefront of cross-cultural exchange. Notable proponents of guohua (e.g., Chen Hengke, Jin Cheng, Fu Baoshi, and Gao Jianfu) are discussed in connection with Japan, where they discovered stylistic and ideological paradigms consonant with the empowering of "Asian/Oriental" cultural practices against the backdrop of encroaching westernization. Not just a "window on the West," Japan stood as an informant of China modernism in its own right. The first book in English devoted to Sino-Japanese dialogues in modern art, Parting the Mists explores the sensitive phenomenon of Japanism in the practice and theory of Chinese painting. Wong carries out a methodologically agile study that sheds light on multiple spheres: stylistic and iconographic innovations, history writing, art theory, patronage and the market, geopolitics, the creation of artists’ societies, and exhibitions. Without avoiding the dark history of Japanese imperialism, she provides a nuanced reading of Chinese views about Japan and the two countries’ convergent, and often colliding, courses of nationalism.