Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Chinese Art And Culture PDF full book. Access full book title Chinese Art And Culture.
| Author | : Robert L. Thorp |
| Publisher | : |
| Total Pages | : 644 |
| Release | : 1984 |
| Genre | : Architecture |
| ISBN | : |
| Author | : Adrian Cheng |
| Publisher | : Assouline Publishing |
| Total Pages | : 6 |
| Release | : 2021-05-01 |
| Genre | : Travel |
| ISBN | : 1614288844 |
While readers will come away from Chinese Art with a nuanced understanding of Chinese culture, the volume is also a work of art in its own right—a must-have collectible for any devotee of Chinese art and culture. Assouline’s Ultimate Collection is an homage to the art of luxury bookmaking—the oversized volume is hand-bound using traditional techniques, with several of the plates hand-tipped on art-quality paper and housed in a luxury silk clamshell.
| Author | : Robert L. Thorp |
| Publisher | : Discontinued 3pd |
| Total Pages | : 456 |
| Release | : 2001 |
| Genre | : Architecture |
| ISBN | : |
An illustrated chronicle of Chinese art from the late Neolithic period through the twentieth century, which discusses artistic reflections of politics, material culture, belief systems, and more, and includes over one hundred color plates, eight maps, and a time line.
| Author | : Ming Deng |
| Publisher | : |
| Total Pages | : 450 |
| Release | : 2006 |
| Genre | : Painting, Chinese |
| ISBN | : |
An introduction to a millennium's worth of Chinese paintings features 400 classical works by more than 240 artists that represent their different historical periods, in a volume that offers insight into how Chinese art uniquely reflects cultural perspectives and the natural world.
| Author | : Michelle Ying Ling Huang |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 355 |
| Release | : 2014-10-02 |
| Genre | : Art |
| ISBN | : 1443868558 |
The Reception of Chinese Art Across Cultures is a collection of essays examining the ways in which Chinese art has been circulated, collected, exhibited and perceived in Japan, Europe and America from the fourteenth century to the twenty-first. Scholars and curators from East Asia, Europe and North America jointly present cutting-edge research on cultural integration and aesthetic hybridisation in relation to the collecting, display, making and interpretation of Chinese art and material culture. Stimulating examples within this volume emphasise the Western understanding of Chinese pictorial art, while addressing issues concerning the consumption of Chinese art and Chinese-inspired artistic productions from early times to the contemporary period; the roles of collector, curator, museum and auction house in shaping the taste, meaning and conception of art; and the art and cultural identity of the Chinese diaspora in a global context. This book espouses a multiplicity of aesthetic, philosophical, socio-cultural, economic and political perspectives, and encourages academics, students, art and museum practitioners to re-think their encounters with the objects, practices, people and institutions surrounding the study of Chinese art and culture in the past and the present.
| Author | : Clare Hibbert |
| Publisher | : Heinemann-Raintree Library |
| Total Pages | : 60 |
| Release | : 2005 |
| Genre | : Art |
| ISBN | : 9781410911070 |
Discover the wonders of Chinese art in this title that uncovers the unique culture and people that have created these beautiful art forms.
| Author | : Metropolitan Museum of Art (New York, N.Y.) |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 97 |
| Release | : 1987 |
| Genre | : Art |
| ISBN | : 0870994832 |
| Author | : Hsingyuan Tsao |
| Publisher | : State University of New York Press |
| Total Pages | : 264 |
| Release | : 2011-09-01 |
| Genre | : Philosophy |
| ISBN | : 1438437927 |
How Chinese is contemporary Chinese art? Treasured by collectors, critics, and art world cognoscenti, this art developed within an avant-garde that looked West to find a language to strike out against government control. Traditionally, Chinese artistic expression has been related to the structure and function of the Chinese language and the assumptions of Chinese natural cosmology. Is contemporary Chinese art rooted in these traditions or is it an example of cultural self-colonization? Contributors to this volume address this question, going beyond the more obvious political and social commentaries on contemporary Chinese art to find resonances between contemporary artistic ideas and the indigenous sources of Chinese cultural self-understanding. Focusing in particular on the acclaimed artist Xu Bing, this book looks at how he and his peers have navigated between two different cultural sites to establish a third place, a place from which to appropriate Western ideas and use them to address centuries-old Chinese cultural issues within a Chinese cultural discourse.
| Author | : Melissa Chiu |
| Publisher | : Yale University Press |
| Total Pages | : 278 |
| Release | : 2008 |
| Genre | : Art |
| ISBN | : |
Takes an in-depth look at the period between the 1950s and 1970s, focusing on the formation of a new visual culture and how it was given priority over artistic traditions such as ink painting. This was part of a broader national program to modernize China, and it had a great impact on artists and their work.
| Author | : Lothar Ledderose |
| Publisher | : Princeton University Press |
| Total Pages | : 280 |
| Release | : 2023-10-17 |
| Genre | : Art |
| ISBN | : 0691252882 |
An incomparable look at how Chinese artists have used mass production to assemble exquisite objects from standardized parts Chinese workers in the third century BC created seven thousand life-sized terracotta soldiers to guard the tomb of the First Emperor. In the eleventh century AD, Chinese builders constructed a pagoda from as many as thirty thousand separately carved wooden pieces. As these examples show, throughout history, Chinese artisans have produced works of art in astonishing quantities, and have done so without sacrificing quality, affordability, or speed of manufacture. In this book, Lothar Ledderose takes us on a remarkable tour of Chinese art and culture to explain how artists used complex systems of mass production to assemble extraordinary objects from standardized parts or modules. He reveals how these systems have deep roots in Chinese thought and reflect characteristically Chinese modes of social organization. Combining invaluable aesthetic and cultural insights with a rich variety of illustrations, Ten Thousand Things make a profound statement about Chinese art and society.
