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| Author | : Martin Mueller |
| Publisher | : |
| Total Pages | : 296 |
| Release | : |
| Genre | : |
| ISBN | : 9780835780681 |
| Author | : Martin Mueller |
| Publisher | : |
| Total Pages | : 308 |
| Release | : 1980 |
| Genre | : Literary Criticism |
| ISBN | : |
| Author | : Richard A. McCabe |
| Publisher | : Cambridge University Press |
| Total Pages | : 380 |
| Release | : 2008-10-30 |
| Genre | : Drama |
| ISBN | : 9780521088749 |
This is a full-length study of incest in English Renaissance and Restoration drama. Richard McCabe's comprehensive survey offers a literary history of this theme, informed by an investigation of the intellectual background, with particular emphasis on changing concepts of natural law, and consequent reassessments of classical tradition. It examines a wide range of theological, philosophical, legal and literary sources, in the context of modern psychological and sociological theories of family development. Extensive comparisons with classical models and contemporary European dramatists, from Tasso to Corneille and Racine, explore the volatile association between dramatic form and emotional content, structural experiment and sexual ambivalence. The centrality of the family to all human relationships, and the mutual reflection of familial politics and the patriarchal state make incest a powerful metaphor for the ambivalence of all concepts of 'natural' authority, and for various forms of social and political revolt.
| Author | : Almut-Barbara Renger |
| Publisher | : University of Chicago Press |
| Total Pages | : 133 |
| Release | : 2013-09-03 |
| Genre | : Literary Criticism |
| ISBN | : 022604811X |
When Oedipus met the Sphinx on the road to Thebes, he did more than answer a riddle—he spawned a myth that, told and retold, would become one of Western culture’s central narratives about self-understanding. Identifying the story as a threshold myth—in which the hero crosses over into an unknown and dangerous realm where rules and limits are not known—Oedipus and the Sphinx offers a fresh account of this mythic encounter and how it deals with the concepts of liminality and otherness. Almut-Barbara Renger assesses the story’s meanings and functions in classical antiquity—from its presence in ancient vase painting to its absence in Sophocles’s tragedy—before arriving at two of its major reworkings in European modernity: the psychoanalytic theory of Sigmund Freud and the poetics of Jean Cocteau. Through her readings, she highlights the ambiguous status of the Sphinx and reveals Oedipus himself to be a liminal creature, providing key insights into Sophocles’s portrayal and establishing a theoretical framework that organizes evaluations of the myth’s reception in the twentieth century. Revealing the narrative of Oedipus and the Sphinx to be the very paradigm of a key transition experienced by all of humankind, Renger situates myth between the competing claims of science and art in an engagement that has important implications for current debates in literary studies, psychoanalytic theory, cultural history, and aesthetics.
| Author | : P. E. Easterling |
| Publisher | : Cambridge University Press |
| Total Pages | : 414 |
| Release | : 1997-10-02 |
| Genre | : History |
| ISBN | : 1107493692 |
As a creative medium, ancient Greek tragedy has had an extraordinarily wide influence: many of the surviving plays are still part of the theatrical repertoire, and texts like Agamemnon, Antigone, and Medea have had a profound effect on Western culture. This Companion is not a conventional introductory textbook but an attempt, by seven distinguished scholars, to present the familiar corpus in the context of modern reading, criticism, and performance of Greek tragedy. There are three main emphases: on tragedy as an institution in the civic life of ancient Athens, on a range of different critical interpretations arising from fresh readings of the texts, and on changing patterns of reception, adaptation, and performance from antiquity to the present. Each chapter can be read independently, but each is linked with the others, and most examples are drawn from the same selection of plays.
| Author | : Mary Beth Rose |
| Publisher | : Cornell University Press |
| Total Pages | : 271 |
| Release | : 2018-03-15 |
| Genre | : Literary Criticism |
| ISBN | : 1501723251 |
A public and highly popular literary form, English Renaissance drama affords a uniquely valuable index of the process of cultural transformation. The Expense of Spirit integrates feminist and historicist critical approaches to explore the dynamics of cultural conflict and change during a crucial period in the formation of modern sexual values. Comparing Elizabethan and Jacobean dramatic representations of love and sexuality with those in contemporary moral tracts and religious writings on women, love, and marriage, Mary Beth Rose argues that such literature not only interpreted sexual sensibilities but also contributed to creating and transforming them.
| Author | : Euripides |
| Publisher | : Oxford University Press |
| Total Pages | : 284 |
| Release | : 1997 |
| Genre | : Drama |
| ISBN | : 9780198149668 |
In this new translation of the most profound tragedies of Euripides, one of the trio of the supreme Greek tragedians of the fifth century BC, James Morwood brings harshly to life the pressure of the intolerable circumstances under which Euripides places his characters. His dark and cheerless world, one where the gods prove malevolent, importent, or simply absent, reveals men, to use his own words, `as they are'. His clear-eyed yet sympathetic analysis of characters such as Medea, Hippolytus and Phaedra, and Electra and Clytemnestra - and the supremacy of women is not accidental - is conducted with extraordinary psychological insight through the fearful symmetry of his plot construction. Medea, Hippolytus, and Electra give dramatic articulacy to their creator's howl of protest against the world in which we still live today. His Helen shows him working in a different vein. The themes remain deeply serious; the analysis is still proving and acute. Yet the happy ending, however equivocal, typifies a humour and warmth of spirit that offer, like Shakespeare's last plays, a fragile but genuine hope of redemption. There is a substantial general introduction and select bibliography by Edith Hall, and full explanatory notes accompany the translation.
| Author | : Frances E. Dolan |
| Publisher | : Cornell University Press |
| Total Pages | : 287 |
| Release | : 2017-04-15 |
| Genre | : Social Science |
| ISBN | : 1501707272 |
Looking back at images of violence in the popular culture of early modern England, we find that the specter of the murderer loomed most vividly not in the stranger, but in the familiar; and not in the master, husband, or father, but in the servant, wife, or mother. A gripping exploration of seventeenth-century accounts of domestic murder in fact and fiction, this book is the first to ask why.Frances E. Dolan examines stories ranging from the profoundly disturbing to the comically macabre: of husband murder, wife murder, infanticide, and witchcraft. She surveys trial transcripts, confessions, and scaffold speeches, as well as pamphlets, ballads, popular plays based on notorious crimes, and such well-known works as The Tempest, Othello, Macbeth, and The Winter's Tale. Citing contemporary analogies between the politics of household and commonwealth, she shows how both legal and literary narratives attempt to restore the order threatened by insubordinate dependents.
| Author | : Charles Segal |
| Publisher | : Princeton University Press |
| Total Pages | : 257 |
| Release | : 2017-03-14 |
| Genre | : Drama |
| ISBN | : 1400885760 |
This close reading of Seneca's most influential tragedy explores the question of how poetic language produces the impression of an individual self, a full personality with a conscious and unconscious emotional life. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
| Author | : Mary Nyquist |
| Publisher | : University of Chicago Press |
| Total Pages | : 436 |
| Release | : 2013-05-10 |
| Genre | : Philosophy |
| ISBN | : 022601567X |
Slavery appears as a figurative construct during the English revolution of the mid-seventeenth century, and again in the American and French revolutions, when radicals represent their treatment as a form of political slavery. What, if anything, does figurative, political slavery have to do with transatlantic slavery? In Arbitrary Rule, Mary Nyquist explores connections between political and chattel slavery by excavating the tradition of Western political thought that justifies actively opposing tyranny. She argues that as powerful rhetorical and conceptual constructs, Greco-Roman political liberty and slavery reemerge at the time of early modern Eurocolonial expansion; they help to create racialized “free” national identities and their “unfree” counterparts in non-European nations represented as inhabiting an earlier, privative age. Arbitrary Rule is the first book to tackle political slavery’s discursive complexity, engaging Eurocolonialism, political philosophy, and literary studies, areas of study too often kept apart. Nyquist proceeds through analyses not only of texts that are canonical in political thought—by Aristotle, Cicero, Hobbes, and Locke—but also of literary works by Euripides, Buchanan, Vondel, Montaigne, and Milton, together with a variety of colonialist and political writings, with special emphasis on tracts written during the English revolution. She illustrates how “antityranny discourse,” which originated in democratic Athens, was adopted by republican Rome, and revived in early modern Western Europe, provided members of a “free” community with a means of protesting a threatened reduction of privileges or of consolidating a collective, political identity. Its semantic complexity, however, also enabled it to legitimize racialized enslavement and imperial expansion. Throughout, Nyquist demonstrates how principles relating to political slavery and tyranny are bound up with a Roman jurisprudential doctrine that sanctions the power of life and death held by the slaveholder over slaves and, by extension, the state, its representatives, or its laws over its citizenry.
