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| Author | : Cheech Marin |
| Publisher | : Bulfinch |
| Total Pages | : 160 |
| Release | : 2002-09-23 |
| Genre | : Art |
| ISBN | : 9780821228067 |
Originating in the early seventies, Chicano art long remained unrecognised by the art and gallery world. This text features the work of 26 Chicano artists and marks the transition of this unique and exciting movement into the critical fold of contemporary art.
| Author | : Cheech Marin |
| Publisher | : |
| Total Pages | : 160 |
| Release | : 2002-07-30 |
| Genre | : Art |
| ISBN | : 9780756781651 |
Marin's collection of Chicano art--notable as the largest of its kind--is showcased in a blockbuster touring exhibition and is now a landmark book. 96 full-color illustrations.
| Author | : Carlos G. Vélez-Ibáñez |
| Publisher | : University of Arizona Press |
| Total Pages | : 382 |
| Release | : 1996-11-01 |
| Genre | : Social Science |
| ISBN | : 0816543852 |
The U.S.-Mexico border region is home to anthropologist Carlos Vélez-Ibáñez. Into these pages he pours nearly half a century of searching and finding answers to the Mexican experience in the southwestern United States. He describes and analyzes the process, as generation upon generation of Mexicans moved north and attempted to create an identity or sense of cultural space and place. In today’s border fences he also sees barriers to how Mexicans understand themselves and how they are fundamentally understood. From prehistory to the present, Vélez-Ibáñez traces the intense bumping among Native Americans, Spaniards, and Mexicans, as Mesoamerican populations and ideas moved northward. He demonstrates how cultural glue is constantly replenished by strengthening family ties that reach across both sides of the border. The author describes ways in which Mexicans have resisted and accommodated the dominant culture by creating communities and by forming labor unions, voluntary associations, and cultural movements. He analyzes the distribution of sadness, or overrepresentation of Mexicans in poverty, crime, illness, and war, and shows how that sadness is balanced by creative expressions of literature and art, especially mural art, in the ongoing search for space and place. Here is a book for the nineties and beyond, a book that relates to NAFTA, to complex questions of immigration, and to the expanding population of Mexicans in the U.S.-Mexico border region and other parts of the country. An important new volume for social science, humanities, and Latin American scholars, Border Visions will also attract general readers for its robust narrative and autobiographical edge. For all readers, the book points to new ways of seeing borders, whether they are visible walls of brick and stone or less visible, infinitely more powerful barriers of the mind.
| Author | : Rigoberto González |
| Publisher | : University of Oklahoma Press |
| Total Pages | : 217 |
| Release | : 2014-10-22 |
| Genre | : Fiction |
| ISBN | : 0806185627 |
In cities and fields, Mexican American men are leading lives of quiet desperation. In this collection of thirteen startling stories, Rigoberto González weaves complex portraits of Latinos leading ordinary, practically invisible lives while navigating the dark waters of suppressed emotion—true-to-life characters who face emotional hurt, socioeconomic injustice, indignities in the workplace, or sexual repression. But because their culture expects men to symbolize power and control, they dare not risk succumbing to displays of weakness. González shines an empathetic light into the shadows of Mexican culture to portray characters who suffer in silence—men both straight and gay who must come to terms with their grief, loneliness, and pain. By exploring the private moments of men trapped inside unforgiving stereotypes, he critiques long-held assumptions of Latino behavior. He shows us individuals who must break out of various closets to become fully realized adults, and makes us feel the emotional pain of men in a culture that recognizes only the pain and hardship of women. Men without Bliss conveys the silent suffering of all men, not just Latinos. It will open readers’ eyes to unexpected facets of Latino culture, and perhaps of their own lives.
| Author | : Marissa K. Lopez |
| Publisher | : NYU Press |
| Total Pages | : 258 |
| Release | : 2011-10-01 |
| Genre | : Literary Criticism |
| ISBN | : 0814752624 |
Are Japanese women happy with their roles as wives and mothers, content to leave the stress of fourteen-hour days in offices and commuter trains to men? Or are they frustrated by the limitations of this traditional arrangement? Why are Japanese women actively discouraged from pursuing careers when they have one of the highest levels of education in the world? Will a new generation of women be able gain equality at home and at work? With elegant prose, noted biographer and critic Patricia Morley tackles these questions as she explores the daily lives and the hopes and aspirations of dynamic Japanese women. Based on hundreds of interviews, The Mountain is Moving looks at the many facets of women's lives, including education, marriage and child rearing, the workplace, eldercare, the political arena, and volunteerism. The interviews are complemented by readings of a diverse and compelling range of stories and novels by and about Japanese women.
| Author | : Claudia E. Zapata |
| Publisher | : Princeton University Press |
| Total Pages | : 326 |
| Release | : 2020-12 |
| Genre | : Art |
| ISBN | : 0691210802 |
Printing and collecting the revolution : the rise and impact of Chicano graphics, 1965 to now / E. Carmen Ramos -- Aesthetics of the message : Chicana/o posters, 1965-1987 / Terezita Romo -- War at home : conceptual iconoclasm in American printmaking / Tatiana Reinoza -- Chicanx graphics in the digital age / Claudia E. Zapata.
| Author | : Rudolfo A. Anaya |
| Publisher | : University of Oklahoma Press |
| Total Pages | : 230 |
| Release | : 2006 |
| Genre | : Fiction |
| ISBN | : 9780806137384 |
Spanning a period of thirty years, a collection of eighteen short stories includes "Silence of the Llano,' "In search of Epifano," and "Children of the Desert."
| Author | : Demetria Martinez |
| Publisher | : University of Oklahoma Press |
| Total Pages | : 105 |
| Release | : 2012-09-05 |
| Genre | : Fiction |
| ISBN | : 0806187875 |
Guadalupe Anaya, a waitress, is pregnant. She is also the newly elected block captain of Sunflower Street, in charge of raising awareness of safety in her southeast Albuquerque neighborhood. Her campaign platform: God helps those who help themselves. While she waits for the baby, Lupe writes letters to her unborn child, whom she names Destiny. It is Lupe’s dream that her daughter will be a writer, pushing a pen instead of a broom. In this highly imaginative work of fiction by the acclaimed author of Mother Tongue, Demetria Martínez weaves a portrait of six unforgettable characters, whose lives intertwine through their activism as they seek to create a better world and find meaning in their own lives. At the center of this circle of friends is Lupe, and her heartfelt letters to Destiny punctuate the narrative. Until she crossed the border alone and without papers, Lupe worked in a maquiladora in Mexico. Rescued by strangers, she has made a family for herself among the kindhearted friends, swept up in various causes, who will be her daughter’s godparents. Deftly alternating between first-person and second-person narratives, conscious states and dream states, The Block Captain’s Daughter is full of delightful surprises, even as it deals with universal themes of desire and risk, death and birth, and the powerful ties that bind us all together.
| Author | : Robert Con Davis-Undiano |
| Publisher | : University of Oklahoma Press |
| Total Pages | : 336 |
| Release | : 2017-03-30 |
| Genre | : History |
| ISBN | : 0806158069 |
Uruguayan writer Eduardo Galeano has described U.S. and Latin American culture as continually hobbled by amnesia—unable, or unwilling, to remember the influence of mestizos and indigenous populations. In Mestizos Come Home! author Robert Con Davis-Undiano documents the great awakening of Mexican American and Latino culture since the 1960s that has challenged this omission in collective memory. He maps a new awareness of the United States as intrinsically connected to the broader context of the Americas. At once native and new to the American Southwest, Mexican Americans have “come home” in a profound sense: they have reasserted their right to claim that land and U.S. culture as their own. Mestizos Come Home! explores key areas of change that Mexican Americans have brought to the United States. These areas include the recognition of mestizo identity, especially its historical development across the nineteenth and twentieth centuries; the re-emergence of indigenous relationships to land; and the promotion of Mesoamerican conceptions of the human body. Clarifying and bridging critical gaps in cultural history, Davis-Undiano considers important artifacts from the past and present, connecting the casta (caste) paintings of eighteenth-century Mexico to modern-day artists including John Valadez, Alma López, and Luis A. Jiménez Jr. He also examines such community celebrations as Day of the Dead, Cinco de Mayo, and lowrider car culture as examples of mestizo influence on mainstream American culture. Woven throughout is the search for meaning and understanding of mestizo identity. A large-scale landmark account of Mexican American culture, Mestizos Come Home! shows that mestizos are essential to U.S. national culture. As an argument for social justice and a renewal of America’s democratic ideals, this book marks a historic cultural homecoming.
| Author | : Carlos Francisco Jackson |
| Publisher | : University of Arizona Press |
| Total Pages | : 245 |
| Release | : 2009-02-14 |
| Genre | : Social Science |
| ISBN | : 0816546045 |
This is the first book solely dedicated to the history, development, and present-day flowering of Chicana and Chicano visual arts. It offers readers an opportunity to understand and appreciate Chicana/o art from its beginnings in the 1960s, its relationship to the Chicana/o Movement and its leading artists, themes, current directions, and cultural impacts. Although the word “Chicano” once held negative connotations, students—along with civil rights activists and artists—adopted it in the late 1960s in order to reimagine and redefine what it meant to be Mexican American in the United States. Chicanismo is the ideology and spirit behind the Chicano Movement and Chicanismo unites the artists whose work is revealed and celebrated in this book. Jackson’s scope is wide. He includes paintings, prints, murals, altars, sculptures, and photographs—and, of course, the artists who created them. Beginning with key influences, he describes the importance of poster and mural art, focusing on the work of the Mexican artist José Guadalupe Posada and the significance of Mexican and Cuban talleres (print workshops). He examines the importance of art collectives in the United States, as well as Chicano talleres and community art centers, for the growth of the Chicano art movement. In conclusion, he considers how Chicano art has been presented to the general American public. As Jackson shows, the visual arts have both reflected and created Chicano culture in the United States. For college students—and for all readers who want to learn more about this fascinating subject—his book is an ideal introduction to an art movement with a social conscience.
