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| Author | : María Herrera-Sobek |
| Publisher | : UNM Press |
| Total Pages | : 308 |
| Release | : 1996 |
| Genre | : Literary Collections |
| ISBN | : 9780826317124 |
Poetry, art, and criticism by major Chicana writers and artists.
| Author | : María Herrera-Sobek |
| Publisher | : |
| Total Pages | : 190 |
| Release | : 1988 |
| Genre | : American literature |
| ISBN | : 9780444429551 |
| Author | : Deborah L. Madsen |
| Publisher | : Univ of South Carolina Press |
| Total Pages | : 304 |
| Release | : 2000 |
| Genre | : Literary Criticism |
| ISBN | : 9781570033797 |
Exploring the work of six notable authors, this text reveals characteristic themes, images and stylistic devices that make contemporary Chicana writing a vibrant and innovative part of a burgeoning Latina creativity.
| Author | : Alvina Quintana |
| Publisher | : Temple University Press |
| Total Pages | : 180 |
| Release | : 2010-06-30 |
| Genre | : Literary Criticism |
| ISBN | : 1439903638 |
"Home Girls makes an original, bold, and significant contribution to feminist studies, Chicana/o studies, and literature. Quintana accomplishes what few critics in Chicana/o studies have done: she applies different interpretive paradigms to her reading of Chicana texts, blending ethnography with literary criticism, ideological analysis with semiotics. Her reading of literary texts is rich in texture and detail." --Rosa Linda Fregoso, author of Bronze Screen: Chicana and Chicano Film Culture Chicana writers in the United States write to inspire social change, to challenge a patriarchal and homophobic culture, to redefine traditional gender roles, to influence the future. Alvina E. Quintana examines how Chicana writers engage literary convention through fiction, poetry, drama, and autobiography as a means of addressing these motives. Her analysis of the writings of Gloria Anzaldua, Ana Castillo, Denise Chavez, Sandra Cisneros, and Cherrie Moraga addresses a multitude of issues: the social and political forces that influenced the Chicana aesthetic; Chicana efforts to open a dialogue about the limitation of both Anglo-American feminism and Chicano nationalism; experimentations with content and form; the relationship between imaginative writing and self-reflexive ethnography; and performance, domesticity, and sexuality. Employing anthropological, feminist, historical, and literary sources, Quintana explores the continuity found among Chicanas writing across varied genres--a drive to write themselves into being.
| Author | : Gabriela F. Arredondo |
| Publisher | : Duke University Press |
| Total Pages | : 410 |
| Release | : 2003-07-09 |
| Genre | : Social Science |
| ISBN | : 9780822331414 |
DIVAn anthology of original essays from Chicana feminists which explores the complexities of life experiences of the Chicanas, such as class, generation, sexual orientation, age, language use, etc./div
| Author | : María Herrera-Sobek |
| Publisher | : Bilingual Review Press (AZ) |
| Total Pages | : 160 |
| Release | : 1985 |
| Genre | : Literary Criticism |
| ISBN | : |
This volume is the first collection of studies devoted exclusively to Chicana literature. It contains important articles on the female hero in Chicano literature, the fictive voices of Chicana novelists, the prose of Gina Valdes and Sylvia Lizarraga, the short stories of Estela Portillo Trambley, the poetic "I" in Alma Villanueva's Mother, May I?, and humor in Chicanao literature.
| Author | : Tey Diana Rebolledo |
| Publisher | : University of Texas Press |
| Total Pages | : 281 |
| Release | : 2005 |
| Genre | : Literary Criticism |
| ISBN | : 0292709633 |
Although there have been substantial contributions to Chicana literature and criticism over the past few decades, Chicanas are still underrepresented and underappreciated in the mainstream literary world and virtually nonexistent in the canon. Writers like Sandra Cisneros, Ana Castillo, and Gloria Anzaldúa have managed to find larger audiences and critical respect, but there are legions of Chicana writers and artists who have been marginalized and ignored despite their talent. Even in Chicano anthologies, the focus has tended to be more on male writers. Chicanas have often found themselves without a real home in the academic world. Tey Diana Rebolledo has been writing about Chicana/Latina identity, literature, discrimination, and feminism for more than two decades. In this collection of essays, she brings together both old and new works to give a state-of-the-moment look at the still largely unanswered questions raised by vigilant women of color throughout the last half of the twentieth century. An intimate introductory essay about Rebolledo's personal experiences as the daughter of a Mexican mother and a Peruvian father serves to lay the groundwork for the rest of the volume. The essays delve into the historical development of Chicana writing and its early narratives, the representation of Chicanas as seen on book covers, Chicana feminism, being a Chicana critic in the academy, Chicana art history, and Chicana creativity. Rebolledo encourages "guerrillera" warfare against academia in order to open up the literary canon to Chicana/Latina writers who deserve validation.
| Author | : Jesús Rosales |
| Publisher | : University of Arizona Press |
| Total Pages | : 248 |
| Release | : 2014-11-06 |
| Genre | : Literary Criticism |
| ISBN | : 0816598630 |
Thinking en español captures conversations with leading Chicana and Chicano literary critics. This unique book consists of interviews with founding members of Chicano criticism conducted by the author, Jesús Rosales, who, through his conversations with leaders such as Luis Leal, María Herrera-Sobek, Tey Diana Rebolledo, and Juan Rodríguez, shows the path of criticism from 1848 to the present. The twelve critics interviewed for this project share certain characteristics. For each one, Mexico plays an essential role in his or her personal and academic background, and each is bilingual and bicultural, having received formal literary education in Spanish graduate programs. As products of the working class, each scholar here shares a sense of social consciousness and commitment that lends an urgency to their desire to promote Chicano literature and culture at the local, regional, national, and international levels. They serve as a source of inspiration and commitment for future generations of scholars of Chicano literature and leave a lasting legacy of their own. Thinking en español legitimizes Chicana/o criticism as an established discipline, and documents the works of some of the most important critics of Chicano literature at the turn of the twentieth and into the twenty-first century. This timely book immortalizes literary historical figures and documents the trajectory of Chicano criticism.
| Author | : Patricia Zavella |
| Publisher | : Duke University Press |
| Total Pages | : 407 |
| Release | : 2003-07-09 |
| Genre | : Social Science |
| ISBN | : 0822384353 |
Chicana Feminisms presents new essays on Chicana feminist thought by scholars, creative writers, and artists. This volume moves the field of Chicana feminist theory forward by examining feminist creative expression, the politics of representation, and the realities of Chicana life. Drawing on anthropology, folklore, history, literature, and psychology, the distinguished contributors combine scholarly analysis, personal observations, interviews, letters, visual art, and poetry. The collection is structured as a series of dynamic dialogues: each of the main pieces is followed by an essay responding to or elaborating on its claims. The broad range of perspectives included here highlights the diversity of Chicana experience, particularly the ways it is made more complex by differences in class, age, sexual orientation, language, and region. Together the essayists enact the contentious, passionate conversations that define Chicana feminisms. The contributors contemplate a number of facets of Chicana experience: life on the Mexico-U.S. border, bilingualism, the problems posed by a culture of repressive sexuality, the ranchera song, and domesticana artistic production. They also look at Chicana feminism in the 1960s and 1970s, the history of Chicanas in the larger Chicano movement, autobiographical writing, and the interplay between gender and ethnicity in the movie Lone Star. Some of the essays are expansive; others—such as Norma Cantú’s discussion of the writing of her fictionalized memoir Canícula—are intimate. All are committed to the transformative powers of critical inquiry and feminist theory. Contributors. Norma Alarcón, Gabriela F. Arredondo, Ruth Behar, Maylei Blackwell, Norma E. Cantú, Sergio de la Mora, Ann duCille, Michelle Fine, Rosa Linda Fregoso, Rebecca M. Gámez, Jennifer González, Ellie Hernández, Aída Hurtado, Claire Joysmith, Norma Klahn, Amalia Mesa-Bains, Olga Nájera-Ramírez, Anna Nieto Gomez, Renato Rosaldo, Elba Rosario Sánchez, Marcia Stephenson, Jose Manuel Valenzuela, Patricia Zavella
| Author | : Marta E. Sanchez |
| Publisher | : Univ of California Press |
| Total Pages | : 391 |
| Release | : 1985 |
| Genre | : Biography & Autobiography |
| ISBN | : 0520058887 |
Discusses 4 Chicana poets' "dilemmas of their dual relationship to American and Mexican societies and of their dual identity as Chicanas and as women writing in a contemporary setting."
