Chats On Old Prints By Arthur Hayden PDF Download

The study of old silver usually begins when the inquiring possessor of the family plate sets himself the task of ascertaining the date and the probable value of some piece long in his family and possibly lately bequeathed to him. With old china, and probably with old furniture, the taste for collecting is oftentimes an acquired one, but it is in the Englishman's blood to ruminate over his old plate, and the hallmarks of the assay offices in London and in the provinces, in Scotland and in Ireland, have been placed thereon with aforethought. The plate closet is cousin to the strong-box, inasmuch as the coin of the realm and gold and silver plate have been subjected to stringent laws extending over a period of five hundred years. The technical word "hallmark" has become a common term in the language synonymous with genuineness. The strictest supervision, under the parental eye of the law, has upheld the dignity of the silversmith's guarantees. Hence the pride of possession of old silver. Pictures and furniture and engravings whose ancestry is doubtful thrust themselves in the market without fear of the watchful official eye. But old silver bearing the hallmarks of ancient and honorable guilds of silversmiths, stamped at the accredited assay offices, is, with few exceptions, what it purports to be. It is a proud record and a splendid heritage. It is, therefore, the author's hope that this volume will stand as an authoritative outline history of the subject of which it treats, that it may point the way to possessors of old silver to arrive at sound conclusions as to their heirlooms, and that it may indicate to collectors the salient features of their hobby.