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| Author | : Shelley V. Tager |
| Publisher | : |
| Total Pages | : 90 |
| Release | : 1971 |
| Genre | : |
| ISBN | : |
| Author | : Walter M. Langford |
| Publisher | : Ardent Media |
| Total Pages | : 244 |
| Release | : 1971 |
| Genre | : Literary Criticism |
| ISBN | : 9780268004507 |
| Author | : Floyd Fenly Merrell |
| Publisher | : |
| Total Pages | : |
| Release | : 1979 |
| Genre | : |
| ISBN | : |
| Author | : Raymond Leslie Williams |
| Publisher | : University of Texas Press |
| Total Pages | : 284 |
| Release | : 2009-07-21 |
| Genre | : Literary Criticism |
| ISBN | : 0292774028 |
A Choice Magazine Outstanding Academic Book Spanish American novels of the Boom period (1962-1967) attracted a world readership to Latin American literature, but Latin American writers had already been engaging in the modernist experiments of their North American and European counterparts since the turn of the twentieth century. Indeed, the desire to be "modern" is a constant preoccupation in twentieth-century Spanish American literature and thus a very useful lens through which to view the century's novels. In this pathfinding study, Raymond L. Williams offers the first complete analytical and critical overview of the Spanish American novel throughout the entire twentieth century. Using the desire to be modern as his organizing principle, he divides the century's novels into five periods and discusses the differing forms that "the modern" took in each era. For each period, Williams begins with a broad overview of many novels, literary contexts, and some cultural debates, followed by new readings of both canonical and significant non-canonical novels. A special feature of this book is its emphasis on women writers and other previously ignored and/or marginalized authors, including experimental and gay writers. Williams also clarifies the legacy of the Boom, the Postboom, and the Postmodern as he introduces new writers and new novelistic trends of the 1990s.
| Author | : Teresa M. Hurley |
| Publisher | : Tamesis Books |
| Total Pages | : 234 |
| Release | : 2003 |
| Genre | : Mexican fiction |
| ISBN | : 9781855660908 |
The antithesis of the madre abnegada is the mujer mala, the whore, a notion the author also questions by revealing the complexity of the mother-daughter relationship, through which women may perpetuate their own oppression."--Jacket.
| Author | : |
| Publisher | : |
| Total Pages | : 478 |
| Release | : 1975 |
| Genre | : Mexico |
| ISBN | : |
| Author | : Thomas E. Weil |
| Publisher | : |
| Total Pages | : 468 |
| Release | : 1975 |
| Genre | : Mexico |
| ISBN | : |
| Author | : Stephen M. Hart |
| Publisher | : Tamesis Books |
| Total Pages | : 354 |
| Release | : 2007 |
| Genre | : Literary Criticism |
| ISBN | : 1855661470 |
A Companion to Latin American Literature offers a lively and informative introduction to the most significant literary works produced in Latin America from the fifteenth century until the present day. It shows how the press, and its product the printed word, functioned as the common denominator binding together, in different ways over time, the complex and variable relationship between the writer, the reader and the state. The meandering story of the evolution of Latin American literature - from the letters of discovery written by Christopher Columbus and Vaz de Caminha, via the Republican era at the end of the nineteenth century when writers in Rio de Janeiro as much as in Buenos Aires were beginning to live off their pens as journalists and serial novelists, until the 1960s when writers of the quality of Clarice Lispector in Brazil and García Márquez in Colombia suddenly burst onto the world stage - is traced chronologically in six chapters which introduce the main writers in the main genres of poetry, prose, the novel, drama, and the essay. A final chapter evaluates the post-boom novel, testimonio, Latino and Brazuca literature, gay, Afro-Hispanic and Afro-Brazilian literature, along with the Novel of the New Millennium. This study also offers suggestions for further reading. STEPHEN M. HART is Professor of Hispanic Studies, University College London, and Profesor Honorario, Universidad de San Marcos, Lima.
| Author | : Vanderbilt University |
| Publisher | : |
| Total Pages | : 864 |
| Release | : 1968 |
| Genre | : Dissertations, Academic |
| ISBN | : |
| Author | : Robert Brody |
| Publisher | : University of Texas Press |
| Total Pages | : 230 |
| Release | : 2014-02-19 |
| Genre | : Literary Criticism |
| ISBN | : 0292762321 |
Carlos Fuentes is a master of modern world literature. With the translation of his major works into English and other languages, his reputation has surpassed the boundaries of his native Mexico and of Hispanic literature and has become international. Now each new novel stimulates popular and scholarly reviews in periodicals from Mexico City and Buenos Aires to Paris and New York. Carlos Fuentes: A Critical View is the first full-scale examination in English of this major writer's work. The range and diversity of this critical view are remarkable and reflect similar characteristics in the creative work of Carlos Fuentes, a man of formidable intellectual energy and curiosity. The whole of Fuentes' work is encompassed by Luis Leal as he explores history and myth in the writer's narrative. Insightful new views of single works are provided by other well-known scholars, such as Roberto González Echevarría, writing on Fuentes' extraordinary Terra Nostra, and Margaret Sayers Peden, exploring Distant Relations, for which she served as authorized translator. Here too are fresh approaches to Fuentes' other novels, among them Where the Air Is Clear, Aura, and The Hydra Head, as well as an examination by John Brushwood of the writer's short fiction and a look by Merlin Forster at Fuentes the playwright. Lanin Gyurko reaches outside Fuentes' canon for his fascinating study of the influence of Orson Welles' Citizen Kane on The Death of Artemio Cruz. Manuel Durán and George Wing consider Fuentes in his role as critic of both literature and art. Carlos Fuentes: A Critical View has been prepared with the writer's many English-speaking readers in mind. Quotations are most frequently from standard, readily available English translations of Fuentes' works. A valuable chronology of the writer's life rounds off the volume.
