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| Author | : Angela Yiu |
| Publisher | : |
| Total Pages | : 272 |
| Release | : 1998 |
| Genre | : History |
| ISBN | : |
The Introduction, which contains a survey of current Soseki studies in Japan, will be an especially valuable reference for students of Japanese literature.
| Author | : Angela Yiu |
| Publisher | : University of Hawaii Press |
| Total Pages | : 386 |
| Release | : 1998-10-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780824819811 |
This is the first full-length study in English of Natsume Soseki (1867-1916), one of modern Japan's most revered writers. It is a critical examination of a split that runs deep in the discursive space of Soseki's writings as order (narrative control and form) grapples with the forces of chaos (existential loneliness and unfathomable fear). Displaying a profound appreciation for the key attributes and complex cultural significance of Soseki's work, Angela Yiu argues that, although Soseki by nature and temperament desired control and order, his writing betrays a dark, romantic voice that speaks of something cavernous and amorphous. Chaos and Order examines the way Soseki reinterprets existing literary forms and formulates a language to express the duality within him. To illustrate the tension between chaos and order in Soseki's creative process, Yiu analyzes six novels (Nowaki, Gubijinso, Kofu, Sorekara, Kojin, and Michikusa), a collection of literary essays (Garasudo no naka), a series of lectures and critical writings, and Soseki's Chinese poetry (kanshi). The problems of closure, the subversion of forms, critical and poetic languages, and narrative structures and personae are examined in each of the genres. By integrating Soseki's critical writing and lectures into a discussion of his fiction, this study provides startling syntheses and insights while portraying a distinct and individual artistic and intellectual consciousness-one that greatly influenced the development of modern Japanese fiction. The Introduction, which contains a survey of current Soseki studies in Japan, will be an especially valuable reference for students of Japanese literature.
| Author | : Alisa Freedman |
| Publisher | : Stanford University Press |
| Total Pages | : 350 |
| Release | : 2011 |
| Genre | : Literary Criticism |
| ISBN | : 0804771456 |
This work discusses literary depictions of mass transit in 20th century Tokyo in the decades preceding WWII. It cuts across literary and historical/sociological analysis, and contributes to the growing body of work examining Japanese urbanism, gender, and modernism.
| Author | : Lee Trepanier |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 233 |
| Release | : 2020-06-22 |
| Genre | : Political Science |
| ISBN | : 1498598625 |
The rise of Asia in global affairs has forced western thinkers to rethink their assumptions, theories, and conclusions about the region. Eric Voegelin’s Asian Political Thought brings together a mixture of established and rising scholars from both Asia and the West to reflect upon the political philosopher’s thought about China, Japan, Korea, Central Asia, and India. From Voegelin’s writings, readers will not only understand how Voegelin’s approach can illuminate the fundamental principles and issues about Asia but also what are the challenges and possibilities that Asia offers in the twentieth-first century. For those who want to move past the superficial commentary and clichés about Asia, Eric Voegelin’s Asian Political Thought is the book for you.
| Author | : Haruo Shirane |
| Publisher | : Cambridge University Press |
| Total Pages | : |
| Release | : 2015-12-31 |
| Genre | : Literary Criticism |
| ISBN | : 1316368289 |
The Cambridge History of Japanese Literature provides, for the first time, a history of Japanese literature with comprehensive coverage of the premodern and modern eras in a single volume. The book is arranged topically in a series of short, accessible chapters for easy access and reference, giving insight into both canonical texts and many lesser known, popular genres, from centuries-old folk literature to the detective fiction of modern times. The various period introductions provide an overview of recurrent issues that span many decades, if not centuries. The book also places Japanese literature in a wider East Asian tradition of Sinitic writing and provides comprehensive coverage of women's literature as well as new popular literary forms, including manga (comic books). An extensive bibliography of works in English enables readers to continue to explore this rich tradition through translations and secondary reading.
| Author | : Natsume Soseki |
| Publisher | : Penguin |
| Total Pages | : 257 |
| Release | : 2010-02-23 |
| Genre | : Fiction |
| ISBN | : 1101195819 |
The father of modern Japanese literature's best-loved novel, in its first new English translation in half a century No collection of Japanese literature is complete without Natsume Soseki's Kokoro, his most famous novel and the last he completed before his death. Published here in the first new translation in more than fifty years, Kokoro—meaning "heart"—is the story of a subtle and poignant friendship between two unnamed characters, a young man and an enigmatic elder whom he calls "Sensei." Haunted by tragic secrets that have cast a long shadow over his life, Sensei slowly opens up to his young disciple, confessing indiscretions from his own student days that have left him reeling with guilt, and revealing, in the seemingly unbridgeable chasm between his moral anguish and his student's struggle to understand it, the profound cultural shift from one generation to the next that characterized Japan in the early twentieth century.
| Author | : Marvin Marcus |
| Publisher | : University of Hawaii Press |
| Total Pages | : 282 |
| Release | : 2009-07-15 |
| Genre | : Biography & Autobiography |
| ISBN | : 0824833066 |
Much has been written about Natsume Soseki (1867–1916), one of Japan’s most celebrated writers. Known primarily for his novels, he also published a large and diverse body of short personal writings (shohin) that have long lived in the shadow of his fictional works. The essays, which appeared in the Asahi shinbun between 1907 and 1915, comprise a fascinating autobiographical mosaic, while capturing the spirit of the Meiji era and the birth of modern Japan. In Reflections in a Glass Door, Marvin Marcus introduces readers to a rich sampling of Soseki’s shohin. The writer revisits his Tokyo childhood, recalling family, friends, and colleagues and musing wistfully on the transformation of his city and its old neighborhoods. He painfully recounts his two years in London, where he immersed himself in literary research even as he struggled with severe depression. A chronic stomach ailment causes Soseki to reflect on his own mortality and what he saw as the spiritual afflictions of modern Japanese: rampant egocentrism and materialism. Throughout he adopts a number of narrative voices and poses: the peevish husband, the harried novelist, the convalescent, the seeker of wisdom. Marcus identifies memory and melancholy as key themes in Soseki’s personal writings and highlights their relevance in his fiction. He balances Soseki’s account of his Tokyo household with that of his wife, Natsume Kyoko, who left a straightforward record of life with her celebrated husband. Soseki crafted a moving and convincing voice in his shohin, which can now be pondered and enjoyed for their penetrating observation and honesty, as well as the fresh perspective they offer on one of Japan’s literary giants.
| Author | : J. Thomas Rimer |
| Publisher | : Columbia University Press |
| Total Pages | : 1477 |
| Release | : 2005-04-13 |
| Genre | : Literary Collections |
| ISBN | : 0231521642 |
This comprehensive anthology collects works of fiction, poetry, drama, and essay-writing from a pivotal time in Japanese history. In addition to their literary achievements, the texts reflect the political, social, and intellectual changes that occurred in Japanese society during this period, including exposure to Western ideas and literature, the rise of nationalism, and the complex interaction of traditional and modern forces. The volume offers outstanding, often new translations of classic texts by such celebrated writers as Nagai Kafu, Shimazaki Toson, Natsume Soseki, Kawabata Yasunari, and Yosano Akiko. The editors have also unearthed works from lesser-known women writers, many of which have never been available in English. Organized chronologically and by genre within each period, the volume reveals the major influences in the development of modern Japanese literature: the Japanese classics themselves, the example of Chinese poetry, and the encounter with Western literature and culture. Modern Japanese writers reread the classics of Japanese literature, infused them with contemporary language, and refashioned them with an increased emphasis on psychological elements. They also reinterpreted older aesthetic concepts in light of twentieth-century mentalities. While modern ideas captured the imagination of some Japanese writers, the example of classical Chinese poetry remained important for others. Meiji writers continued to compose poetry in classical Chinese and adhere to a Confucian system of thought. Another factor in shaping modern Japanese literature was the example of foreign works, which offered new literary inspiration and opportunities for Japanese readers and writers. Divided into four chapters, the anthology begins with the early modern texts of the 1870s, continues with works written during the years of social change preceding World War I and the innovative writing of the interwar period, and concludes with texts from World War II. Each chapter includes a helpful critical introduction, situating the works within their literary, political, and cultural contexts. Additionally, there are biographical introductions for each writer.
| Author | : Natsume Soseki |
| Publisher | : Penguin UK |
| Total Pages | : 327 |
| Release | : 2009-11-26 |
| Genre | : Fiction |
| ISBN | : 0141938072 |
One of Soseki's most beloved works of fiction, the novel depicts the 23-year-old Sanshiro leaving the sleepy countryside for the first time in his life to experience the constantly moving 'real world' of Tokyo, its women and university. In the subtle tension between our appreciation of Soseki's lively humour and our awareness of Sanshiro's doomed innocence, the novel comes to life. Sanshiro is also penetrating social and cultural commentary.
| Author | : Natsume Soseki |
| Publisher | : Penguin |
| Total Pages | : 177 |
| Release | : 2008-01-29 |
| Genre | : Fiction |
| ISBN | : 1101097558 |
A stunning new English translation—the first in more than forty years—of a major novel by the father of modern Japanese fiction Natsume Soseki's Kusamakura—meaning “grass pillow”—follows its nameless young artist-narrator on a meandering walking tour of the mountains. At the inn at a hot spring resort, he has a series of mysterious encounters with Nami, the lovely young daughter of the establishment. Nami, or "beauty," is the center of this elegant novel, the still point around which the artist moves and the enigmatic subject of Soseki's word painting. In the author's words, Kusamakura is "a haiku-style novel, that lives through beauty." Written at a time when Japan was opening its doors to the rest of the world, Kusamakura turns inward, to the pristine mountain idyll and the taciturn lyricism of its courtship scenes, enshrining the essence of old Japan in a work of enchanting literary nostalgia.
