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Channels of Discourse, Reassembled

Channels of Discourse, Reassembled
Author: Robert Allen
Publisher: Univ of North Carolina Press
Total Pages: 429
Release: 2010-01-27
Genre: Social Science
ISBN: 0807898872

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Since its original publication in 1987, Channels of Discourse has provided the most comprehensive consideration of commercial television, drawing on insights provided by the major strands of contemporary criticism: semiotics, narrative theory, reception theory, genre theory, ideological analysis, psychoanalysis, feminist criticism, and British cultural studies. The second edition features a new introduction by Robert Allen that includes a discussion of the political economy of commercial television. Two new essays have been added--one an assessment of postmodernism and television, the other an analysis of convergence and divergence among the essays--and the original essays have been substantially revised and updated with an international audience in mind. Sixty-one new television stills illustrate the text. Each essay lays out the general tenets of its particular approach, discusses television as an object of analysis within that critical framework, and provides extended examples of the types of analysis produced by that critical approach. Case studies range from Rescue 911 and Twin Peaks to soap operas, music videos, game shows, talk shows, and commericals. Channels of Discourse, Reassembled suggests new ways of understanding relationships among television programs, between viewing pleasure and narrative structure, and between the world in front of the television set and that represented on the screen. The collection also addresses the qualities of popular television that traditional aesthetics and quantitative media research have failed to treat satisfactorily, including its seriality, mass production, and extraordinary popularity. The contributors are Robert C. Allen, Jim Collins, Jane Feuer, John Fiske, Sandy Flitterman-Lewis, James Hay, E. Ann Kaplan, Sarah Kozloff, Ellen Seiter, and Mimi White.


Channels of Discourse

Channels of Discourse
Author: Robert Clyde Allen
Publisher: Chapel Hill : University of North Carolina Press
Total Pages: 310
Release: 1987
Genre: Criticism
ISBN: 9780807841761

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Channels of Discourse

Channels of Discourse
Author: Robert Allen
Publisher:
Total Pages:
Release: 1992
Genre:
ISBN:

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Channels of Discourse

Channels of Discourse
Author: Robert Clyde Allen
Publisher: Routledge
Total Pages: 310
Release: 1987-01
Genre: Communication
ISBN: 9780416070828

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Review Article

Review Article
Author: James Donald
Publisher:
Total Pages:
Release: 1990
Genre:
ISBN:

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Amusing Ourselves to Death

Amusing Ourselves to Death
Author: Neil Postman
Publisher: Vintage
Total Pages: 200
Release: 1986
Genre: Performing Arts
ISBN:

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Examines the effects of television culture on how we conduct our public affairs and how "entertainment values" corrupt the way we think.


Discourse and Discrimination

Discourse and Discrimination
Author: Geneva Smitherman
Publisher: Wayne State University Press
Total Pages: 282
Release: 1988
Genre: Language Arts & Disciplines
ISBN: 9780814319581

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Lingusitic and communicative dimensions of the propagation of racism through the media, everyday language, and the educational curriculum.


Discourse Networks, 1800/1900

Discourse Networks, 1800/1900
Author: Friedrich A. Kittler
Publisher: Stanford University Press
Total Pages: 500
Release: 1990
Genre: Literary Criticism
ISBN: 9780804720991

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This is a highly original book about the connections between historical moment, social structure, technology, communication systems, and what is said and thought using these systems - notably literature. The author focuses on the differences between 'discourse networks' in 1800 and in 1900, in the process developing a new analysis of the shift from romanticism to modernism. The work might be classified as a German equivalent to the New Historicism that is currently of great interest among American literary scholars, both in the intellectual influences to which Kittler responds and in his concern to ground literature in the most concrete details of historical reality. The artful structure of the book begins with Goethe's Faust and ends with Vale;ry's Faust. In the 1800 section, the author discusses how language was learned, the emergence of the modern university, the associated beginning of the interpretation of contemporary literature, and the canonization of literature. Among the writers and works Kittler analyzes in addition to Goethe's Faust are Schlegel, Hegel, E. T. A. Hoffman's 'The Golden Pot', and Goethe's Tasso. The 1900 section argues that the new discourse network in which literature is situated in the modern period is characterized by new technological media - film, the photograph, and the typewritten page - and the crisis that these caused for literary production. Along the way, the author discusses the work of Nietzsche, Gertrude Stein, Mallarme;, Bram Stroker, the Surrealists, Rilke, Kafka, and Freud, among others.


Horrible Prettiness

Horrible Prettiness
Author: Robert Allen
Publisher: Univ of North Carolina Press
Total Pages: 369
Release: 2000-11-09
Genre: Social Science
ISBN: 0807860085

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Robert Allen's compelling book examines burlesque not only as popular entertainment but also as a complex and transforming cultural phenomenon. When Lydia Thompson and her controversial female troupe of "British Blondes" brought modern burlesque to the United States in 1868, the result was electric. Their impertinent humor, streetwise manner, and provocative parodies of masculinity brought them enormous popular success--and the condemnation of critics, cultural commentators, and even women's rights campaigners. Burlesque was a cultural threat, Allen argues, because it inverted the "normal" world of middle-class social relations and transgressed norms of "proper" feminine behavior and appearance. Initially playing to respectable middle-class audiences, burlesque was quickly relegated to the shadow-world of working-class male leisure. In this process the burlesque performer "lost" her voice, as burlesque increasingly revolved around the display of her body. Locating burlesque within the context of both the social transformation of American theater and its patterns of gender representation, Allen concludes that burlesque represents a fascinating example of the potential transgressiveness of popular entertainment forms, as well as the strategies by which they have been contained and their threats defused.


Unassailable Ideas

Unassailable Ideas
Author: Ilana Redstone
Publisher: Oxford University Press
Total Pages: 272
Release: 2020-09-22
Genre: Social Science
ISBN: 0190078073

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Open inquiry and engagement with a diverse range of views are long-cherished and central tenets of higher education and are pivotal to innovation and knowledge creation. Yet, free inquiry on American campuses is hampered by a climate that constrains teaching, research, and overall discourse. In Unassailable Ideas, Ilana Redstone and John Villasenor examine the dominant belief system on American campuses, its uncompromising enforcement through social media, and the consequences for higher education. They argue that two trends in particular--the emergent role of social media in limiting academic research and knowledge discovery and a campus culture increasingly intolerant to diverse views and open inquiry--are fundamentally reshaping higher education. Redstone and Villasenor further identify and explain how three well-intentioned unwritten rules regarding identity define the current campus climate. They present myriad case studies illustrating the resulting impact on education, knowledge creation-and, increasingly the world beyond campus. They also provide a set of recommendations to build a new campus climate that would be more tolerant toward diverse perspectives and open inquiry. An insightful analysis of the current state of academia, Unassailable Ideas highlights an environment in higher education that forecloses entire lines of research, entire discussions, and entire ways of conducting classroom teaching.