Century of British Printmaking, 1855-1955
Author | : Robin Garton |
Publisher | : |
Total Pages | : 336 |
Release | : 1992-12-01 |
Genre | : |
ISBN | : 9780906030257 |
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Author | : Robin Garton |
Publisher | : |
Total Pages | : 336 |
Release | : 1992-12-01 |
Genre | : |
ISBN | : 9780906030257 |
Author | : |
Publisher | : |
Total Pages | : 326 |
Release | : 1992 |
Genre | : |
ISBN | : |
Author | : Robin Garton |
Publisher | : Routledge |
Total Pages | : |
Release | : 2017-12-15 |
Genre | : |
ISBN | : 9781138713413 |
This title was first published in 2000: An examination of developments in British printmaking which started in the middle of the 19th century with the Etching Revival and continued into the middle of the 20th century with the experimental work carried out at Corsham and St Ives in the 1950s. During this period, printmaking came to be regarded as a direct means of artistic expression rather than a means of reproduction. Chapters are devoted to: wood engraving; etching; lithography from 1875 to the 1920s; the colour woodcut; the linocut; modern lithography; the poster-print; the monotype; and St Ives. The main emphasis in these essays is the development of printmaking techniques throughout the century, as new techniques enabled artists to develop their ideas and expression. This approach avoids the usual method of categorization of artists into schools and trends. An A to Z of artists includes biographies and reference material for over 400 principal artists, all of whom are represented by at least one illustration. The 585 illustrations follow each chapter and are cross-referenced from the artists' biographies. Fourteen appendices provide useful lists of artists, exhibitions and published prints, and include a complete catalogue of all known poster-prints.
Author | : Robin Garton |
Publisher | : |
Total Pages | : |
Release | : 2017 |
Genre | : Electronic books |
ISBN | : 9781315198880 |
"This title was first published in 2000: An examination of developments in British printmaking which started in the middle of the 19th century with the Etching Revival and continued into the middle of the 20th century with the experimental work carried out at Corsham and St Ives in the 1950s. During this period, printmaking came to be regarded as a direct means of artistic expression rather than a means of reproduction. Chapters are devoted to: wood engraving; etching; lithography from 1875 to the 1920s; the colour woodcut; the linocut; modern lithography; the poster-print; the monotype; and St Ives. The main emphasis in these essays is the development of printmaking techniques throughout the century, as new techniques enabled artists to develop their ideas and expression. This approach avoids the usual method of categorization of artists into schools and trends. An A to Z of artists includes biographies and reference material for over 400 principal artists, all of whom are represented by at least one illustration. The 585 illustrations follow each chapter and are cross-referenced from the artists' biographies. Fourteen appendices provide useful lists of artists, exhibitions and published prints, and include a complete catalogue of all known poster-prints."--Provided by publisher.
Author | : Elizabeth Miller |
Publisher | : |
Total Pages | : |
Release | : 1993 |
Genre | : |
ISBN | : |
Author | : Katherine Haskins |
Publisher | : Routledge |
Total Pages | : 226 |
Release | : 2017-07-05 |
Genre | : Art |
ISBN | : 1351546287 |
Focusing on an era that both inherited and irretrievably altered the form and the content of earlier art production, The Art-Journal and Fine Art Publishing in Victorian England, 1850-1880 argues that fine art practices and the audiences and markets for them were influenced by the media culture of art publishing and journalism in substantial and formative ways, perhaps more than at any other time in the history of English art. The study centers on forms of Victorian picture-making and the art knowledge systems defining them, and draws on the histories of art, literature, journalism, and publishing. The historical example employed in the book is that of the more than 800 steel-plate prints after paintings published in the London-based Art-Journal between 1850 and 1880. The cultural phenomenon of the Art Journal print is shown to be a key connector in mid-Victorian art appreciation by drawing out specific tropes of likeness. This study also examines the important links between paint and print; the aesthetic values and domestic aspirations of the Victorian middle class; and the inextricable intertwining of fine art and 'trade' publishing.
Author | : T. Victoria Hansen |
Publisher | : Hudson Hills |
Total Pages | : 234 |
Release | : 2000 |
Genre | : Art |
ISBN | : 9781555951610 |
This magnificent volume brings together essays from four different leading authorities, covering various aspects of Mazur's life and career, along with a comprehensive catalogue raisonne of his prints. 44 colour& 121 b/w illustrations
Author | : Deborah Wye |
Publisher | : The Museum of Modern Art |
Total Pages | : 296 |
Release | : 2004 |
Genre | : Architecture |
ISBN | : 9780870701252 |
Volume covers the Collection of Prints and Illustrated Books, not the collection of artists' books.
Author | : Wolfgang M. Freitag |
Publisher | : Routledge |
Total Pages | : 550 |
Release | : 2013-10-28 |
Genre | : Literary Criticism |
ISBN | : 1134830343 |
First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.
Author | : |
Publisher | : |
Total Pages | : 544 |
Release | : 1994 |
Genre | : Antiquarian booksellers |
ISBN | : |