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| Author | : Timothy Raylor |
| Publisher | : University of Delaware Press |
| Total Pages | : 348 |
| Release | : 1994 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780874135237 |
During the Interregnum Mennes and Smith were actively involved in royalist subversion, and their verse was first published at this time as part of a royalist propaganda effort.
| Author | : Robert Wilcher |
| Publisher | : Associated University Presse |
| Total Pages | : 456 |
| Release | : 2007 |
| Genre | : History |
| ISBN | : 9780874139969 |
Presents a study of the literary output of Sir John Suckling. This work reconstructs the various contexts in which the poems, plays, letters, and prose tracts were produced and, reveals the nature of one writer's engagement - both creative and subversive - with the social, religious, political, and cultural dimensions of Caroline England.
| Author | : Peter J. Smith |
| Publisher | : Manchester University Press |
| Total Pages | : 351 |
| Release | : 2015-08-01 |
| Genre | : Literary Criticism |
| ISBN | : 0719098785 |
Now available in paperback, Between two stools investigates the representation of scatology – humorous, carnivalesque, satirical, damning and otherwise – in English literature from the middle ages to the eighteenth century. Smith contends that the ‘two stools’ stand for two broadly distinctive attitudes towards scatology. The first is a carnivalesque, merry, even hearty disposition, typified by the writings of Chaucer and Shakespeare. The second is self-disgust, an attitude characterised by withering misanthropy and hypochondria. Smith demonstrates how the combination of high and low cultures manifests the capacity to run canonical and carnivalesque together so that sanctioned and civilised artefacts and scatological humour frequently co-exist in the works under discussion, evidence of an earlier culture’s aptitude (now lost) to occupy a position between two stools. Of interest to cultural and literary historians, this ground-breaking study testifies to the arrival of scatology as an academic subject, at the same time recognising that it remains if not outside, then at least at the margins of conventional scholarship.
| Author | : David B Honey |
| Publisher | : The Chinese University of Hong Kong Press |
| Total Pages | : 200 |
| Release | : 2013-03-06 |
| Genre | : Poetry |
| ISBN | : 9629964678 |
What has traditionally been the main matter explored by Cantonese literati? From the earliest poets—oceanic elements and riparian scenes contrasted with stunning rock formations; a love for the exotic, especially local plants, products, and lore; Daoist transcendentalism; and, finally, a concern for pointing up local loyalty to the distant throne and a fierce pride in being culturally authentically Chinese. The Southern Garden Poetry Society in Guangzhou was the only major literary club in Chinese history to be periodically reconvened over the Ming, Qing, and Republican eras. Beginning with an examination of its five founding members during the Yuan / Ming transition period, in particular Sun Fen (1335–1393), David Honey traces the various elements of this Southern Muse that became embodied in later Cantonese poetry, and pursues the issue of social memory by focusing on later reconvenings of the society.
| Author | : Harold Love |
| Publisher | : OUP Oxford |
| Total Pages | : 444 |
| Release | : 2004-08-05 |
| Genre | : Literary Criticism |
| ISBN | : 0191514500 |
In early modern Britain, the primary medium of free comment was the clandestine satire, circulated either orally or in manuscript. Part of the national political culture from Jacobean times, satire reached its greatest influence following the Restoration of Charles II, when a new 'easy' style, combining courtly polish with demotic frankness and flagrant indecency, led to the composition of thousands of such poems. Most of the poets of the time, including such major talents as Marvell and Rochester, wrote in the genre, though nearly always anonymously. While its chief targets were political, much Restoration satire concerned itself with the emerging demography of 'Town' and its uncertain experimentation with new kinds of social freedom. Attacks on the sexual misbehaviour (real or imagined) of aristocratic women hover, equally uncertainly, between moral condemnation and ill-disguised envy, while also conferring an inverse celebrity status on their victims. In this paradoxical social world, not to be lampooned could mean that one was no longer a person of importance. In the first comprehensive survey of this vast field, Harold Love considers the relationship of the lampoon to gossip, how one might construct a poetics of the genre, and how clandestine satire reached and was received by its readers. Constructing three primary categories of 'court', 'Town' and 'state' lampooning, Love argues that far from being the product of isolated disaffection, most satire was the work of a circle of recognized poets, frequently operating in collaboration. An extensive first-line index to the principal manuscript sources for clandestine satire makes this book an open sesame to further exploration of its fascinating field.
| Author | : John Stubbs |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 561 |
| Release | : 2012-12-17 |
| Genre | : History |
| ISBN | : 0393243303 |
“Stubbs [has] a storyteller’s gift for atmosphere and drama.”—Wall Street Journal From disastrous foreign forays to syphilitic poets, from political intrigues to ambitious young playwrights keen to curry favor with the king, John Stubbs brings alive the vibrant cast of characters that was at the center of the English Civil War. In Reprobates, the acclaimed biographer John Stubbs finds his new subject in England’s turbulent decades of the mid-seventeenth century. With conflict between the monarchy and Parliament threatening to explode, a group of courtiers and army officers known as the Cavaliers emerged to defend the king. They were jeeringly labeled “Cavaliers”—then a term for a gallant or a rogue—by their opponents on the streets of London. Their movement was soon memorialized by poets such as Robert Herrick, whose poem “To the Virgins, to Make Much of Time”—which begins, “Gather ye rosebuds while ye may”—later became a carpe diem anthem for their lost cause. Often imagined as elegant gentlemen, chivalrous and dandified, the Cavaliers were also originally to be found in the form of the gambler and poet Sir John Suckling or his syphilitic friend William Davenant. Stubbs sheds new light on this groundbreaking group of men, on their world and their journeys through it, in peace and war, from the Blackfriars Playhouse to the battlefields of King Charles’s kingdoms.
| Author | : Claude J. Summers |
| Publisher | : University of Missouri Press |
| Total Pages | : 256 |
| Release | : 2000 |
| Genre | : Biography & Autobiography |
| ISBN | : 0826264050 |
Although the literary circle is widely recognized as a significant feature of Renaissance literary culture, it has received remarkably little examination. In this collection of essays, the authors attempt to explain literary circles and cultural communities in Renaissance England by exploring both actual and imaginary ways in which they were conceived and the various needs they fulfilled. The book also pays considerable attention to larger theoretical issues relating to literary circles. The essayists raise important questions about the extent to which literary circles were actual constructs or fictional creations. Whether illuminating or limiting, the circle metaphor itself can be extended or reformulated. Some of the authors discuss how particular circles actually operated, and some question the very concept of the literary circle. Literary Circles and Cultural Communities in Renaissance England will be an important addition to seventeenth-century studies.
| Author | : Tim Kirk |
| Publisher | : Routledge |
| Total Pages | : 224 |
| Release | : 2016-12-05 |
| Genre | : Literary Criticism |
| ISBN | : 1351897047 |
Gossip, rumour, scandal and defamation are just some of the popular discourses examined in this collection of essays by an international group of scholars. Featuring research on a wide range of resource materials (including political literature, police reports, drama, ballads, contemporary fiction, poetry and caricatures) the volume provides an introduction to the history and sociology of dissent. Each chapter explores instances of subversion and scurrility in a particular historical context. Emphasis is placed on the political culture of early modern Britain where new relationships between the state and society were pioneered. From this base further chapters proceed to discuss manifestations of these relationships in other societies and during other periods. Subversion and Scurrility reveals that while the ways in which opposition is expressed are infinitely variable, the impulse to protest is a constant.
| Author | : Martin Dzelzainis |
| Publisher | : Oxford University Press |
| Total Pages | : 864 |
| Release | : 2019-03-28 |
| Genre | : Literary Criticism |
| ISBN | : 0191055999 |
The Oxford Handbook of Andrew Marvell is the most comprehensive and informative collection of essays ever assembled dealing with the life and writings of the poet and politician Andrew Marvell (1621-78). Like his friend and colleague John Milton, Marvell is now seen as a dominant figure in the literary landscape of the mid-seventeenth century, producing a stunning oeuvre of poetry and prose either side of the Restoration. In the 1640s and 1650s he was the author of hypercanonical lyrics like 'To His Coy Mistress' and 'The Garden' as well as three epoch-defining poems about Oliver Cromwell. After 1660 he virtually invented the verse genre of state satire as well as becoming the most influential prose satirist of the day—in the process forging a long-lived reputation as an incorruptible patriot. Although Marvell himself was an intensely private and self-contained character, whose literary, religious, and political commitments are notoriously difficult to discern, the interdisciplinary contributions by an array of experts in the fields of seventeenth-century literature, history, and politics gathered together in the Handbook constitute a decisive step forward in our understanding of him. They offer a fully-rounded account of his life and writings, individual readings of his key works, considerations of his relations with his major contemporaries, and surveys of his rich and varied afterlives. Informed by the wealth of editorial and biographical work on Marvell that has been produced in the last twenty years, the volume is both a conspectus of the state of the art in Marvell studies and the springboard for future research.
| Author | : David Loewenstein |
| Publisher | : Cambridge University Press |
| Total Pages | : 1064 |
| Release | : 2003-01-16 |
| Genre | : Literary Criticism |
| ISBN | : 1316025500 |
This 2003 book is a full-scale history of early modern English literature, offering perspectives on English literature produced in Britain between the Reformation and the Restoration. While providing the general coverage and specific information expected of a major history, its twenty-six chapters address recent methodological and interpretive developments in English literary studies. The book has five sections: 'Modes and Means of Literary Production, Circulation, and Reception', 'The Tudor Era from the Reformation to Elizabeth I', 'The Era of Elizabeth and James VI', 'The Earlier Stuart Era', and 'The Civil War and Commonwealth Era'. While England is the principal focus, literary production in Scotland, Ireland and Wales is treated, as are other subjects less frequently examined in previous histories, including women's writings and the literature of the English Reformation and Revolution. This history is an essential resource for specialists and students.
