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Catlin and His Contemporaries

Catlin and His Contemporaries
Author: Brian W. Dippie
Publisher: U of Nebraska Press
Total Pages: 600
Release: 1990-01-01
Genre: Art
ISBN: 9780803216839

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George Catlin's paintings and the vision behind them have become part of our understanding of a lost America. We see the Indian past through Catlin's eyes, imagine a younger, fresher land in his bright hues. But he spent only a few years in what he considered Indian country. The rest of his long life?more than thirty years?wasødevoted largely to promoting, repainting, and selling his collection?in short, to seeking patronage. Catlin and His Contemporaries examines how the preeminent painter of western Indians before the Civil War went about the business of making a living from his work. Catlin shared with such artists as Seth Eastman and John Mix Stanley a desire to preserve a visual record of a race seen as doomed and competed with them for federal assistance. In a young republic with little institutional and governmental support available, painters, writers, and scholars became rivals and sometimes bitter adversaries. Brian W. Dippie untangles the complex web of interrelationships between artists, government officials, members of Congress, businessmen, antiquarians and literati, kings and queens, and the Indians themselves. In this history of the politics of patronage during the nineteenth century, luminaries like Henry Rowe Schoolcraft, Henry H. Sibley, John James Audubon, Alfred Jacob Miller, and Karl Bodmer are linked with Catlin in a contest for the support of the arts, setting a precedent for later generations. That the contenders "produced so much of enduring importance under such trying circumstances," Dippie observes,"was the sought-for miracle that had seemed to elude them in their lives."


George Catlin and His Indian Gallery

George Catlin and His Indian Gallery
Author: George Catlin
Publisher: Washington, D.C. : Smithsonian American Art Museum ; New York : W.W. Norton
Total Pages: 294
Release: 2002
Genre: Art
ISBN: 9780393052176

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Showcases the work of the early-nineteenth-century artist who made four trips into Native American country as part of an ambition to paint each tribe, noting the influence of period belief systems on his work as well as his passionate affection for his subjects.


George Catlin

George Catlin
Author: George Catlin
Publisher:
Total Pages: 200
Release: 2013
Genre: Indians in art
ISBN:

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George Catlin (1796-1872) was a Pennsylvania-born artist, writer and showman whose portraits of Native Americans are among the most important representation of indigenous peoples ever made.


North American Indian Portfolio

North American Indian Portfolio
Author: George Catlin
Publisher: Literary Licensing, LLC
Total Pages: 44
Release: 2014-03-30
Genre:
ISBN: 9781497934269

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This Is A New Release Of The Original 1844 Edition.


Catlin's Lament

Catlin's Lament
Author: John Hausdoerffer
Publisher:
Total Pages: 208
Release: 2009
Genre: Art
ISBN:

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The first book to probe the conflicted attitudes that shaped and constrained noted painter George Catlin, famous for his 19th century paintings of vanishing Native American culture. Forces readers to rethink their understanding of the artist--despite his advocacy for Native peoples.


The Red Man's Bones: George Catlin, Artist and Showman

The Red Man's Bones: George Catlin, Artist and Showman
Author: Benita Eisler
Publisher: W. W. Norton & Company
Total Pages: 432
Release: 2013-07-22
Genre: Biography & Autobiography
ISBN: 039324086X

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The first biography in over sixty years of a great American artist whose paintings are more famous than the man who made them. George Catlin has been called the “first artist of the West,” as none before him lived among and painted the Native American tribes of the Northern Plains. After a false start as a painter of miniatures, Catlin found his calling: to fix the image of a “vanishing race” before their “extermination”—his word—by a government greedy for their lands. In the first six years of the 1830s, he created over six hundred portraits—unforgettable likenesses of individual chiefs, warriors, braves, squaws, and children belonging to more than thirty tribes living along the upper Missouri River. Political forces thwarted Catlin’s ambition to sell what he called his “Indian Gallery” as a national collection, and in 1840 the artist began three decades of self-imposed exile abroad. For a time, his exhibitions and writings made him the most celebrated American expatriate in London and Paris. He was toasted by Queen Victoria and breakfasted with King Louis-Philippe, who created a special gallery in the Louvre to show his pictures. But when he started to tour “live” troupes of Ojibbewa and Iowa, Catlin and his fortunes declined: He changed from artist to showman, and from advocate to exploiter of his native performers. Tragedy and loss engulfed both. This brilliant and humane portrait brings to life George Catlin and his Indian subjects for our own time. An American original, he still personifies the artist as a figure of controversy, torn by conflicting demands of art and success.


North American Indians

North American Indians
Author: George Catlin
Publisher: Applewood Books
Total Pages: 494
Release: 2010
Genre: History
ISBN: 1429022590

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Systematic Politics

Systematic Politics
Author: George E. Gordon Catlin
Publisher: Routledge
Total Pages: 380
Release: 2021-06-23
Genre: Political Science
ISBN: 1000349284

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First published in 1962, Systematic Politics presents Catlin’s political theories and reviews the work of contemporaries within the field. Divided into two parts, Part One is focused on political science and explores areas such as definitions and functions, the theory of politics as hypothesis, freedom and authority, and different forms of government. Part Two centres on political philosophy, discussing topics such as community, society and the individual, and law and sovereignty. Systematic Politics will appeal to those with an interest in the history of political thought, political theory, and political philosophy.


The Greater Journey

The Greater Journey
Author: David McCullough
Publisher: Simon and Schuster
Total Pages: 578
Release: 2011-05-24
Genre: History
ISBN: 1416576894

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The #1 bestseller that tells the remarkable story of the generations of American artists, writers, and doctors who traveled to Paris, fell in love with the city and its people, and changed America through what they learned, told by America’s master historian, David McCullough. Not all pioneers went west. In The Greater Journey, David McCullough tells the enthralling, inspiring—and until now, untold—story of the adventurous American artists, writers, doctors, politicians, and others who set off for Paris in the years between 1830 and 1900, hungry to learn and to excel in their work. What they achieved would profoundly alter American history. Elizabeth Blackwell, the first female doctor in America, was one of this intrepid band. Another was Charles Sumner, whose encounters with black students at the Sorbonne inspired him to become the most powerful voice for abolition in the US Senate. Friends James Fenimore Cooper and Samuel F. B. Morse worked unrelentingly every day in Paris, Morse not only painting what would be his masterpiece, but also bringing home his momentous idea for the telegraph. Harriet Beecher Stowe traveled to Paris to escape the controversy generated by her book, Uncle Tom’s Cabin. Three of the greatest American artists ever—sculptor Augustus Saint-Gaudens, painters Mary Cassatt and John Singer Sargent—flourished in Paris, inspired by French masters. Almost forgotten today, the heroic American ambassador Elihu Washburne bravely remained at his post through the Franco-Prussian War, the long Siege of Paris, and the nightmare of the Commune. His vivid diary account of the starvation and suffering endured by the people of Paris is published here for the first time. Telling their stories with power and intimacy, McCullough brings us into the lives of remarkable men and women who, in Saint-Gaudens’ phrase, longed “to soar into the blue.”


Framing First Contact

Framing First Contact
Author: Kate Elliott
Publisher: University of Oklahoma Press
Total Pages: 301
Release: 2020-10-29
Genre: Art
ISBN: 0806168226

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Representations of first contact—the first meetings of European explorers and Native Americans—have always had a central place in our nation’s historical and visual record. They have also had a key role in shaping and interpreting that record. In Framing First Contact author Kate Elliott looks at paintings by artists from George Catlin to Charles M. Russell and explores what first contact images tell us about the process of constructing national myths—and how those myths acquired different meanings at different points in our nation’s history. First contact images, with their focus on beginnings rather than conclusive action or determined outcomes, might depict historical events in a variety of ways. Elliott argues that nineteenth-century artists, responding to the ambiguity and indeterminacy of the subject, used the visualized space between cultures meeting for the first time to address critical contemporary questions and anxieties. Taking works from the 1840s through the 1910s as case studies—paintings by Robert W. Weir, Thomas Moran, and Albert Bierstadt, along with Catlin and Russell—Elliott shows how many first contact representations, especially those commissioned and conceived as official history, speak blatantly of conquest, racial superiority, and imperialism. Yet others communicate more nuanced messages that might surprise contemporary viewers. Elliott suggests it was the very openness of the subject of first contact that allowed artists, consciously or not, to speak of contemporary issues beyond imperialism and conquest. Uncovering those issues, Framing First Contact forces us to think about why we tell the stories we do, and why those stories matter.