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Ash Wednesday to Easter for Choirs

Ash Wednesday to Easter for Choirs
Author: Lionel Dakers
Publisher:
Total Pages: 270
Release: 1998
Genre: Music
ISBN:

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This collection aims to provide a comprehensive survey of a highly significant part of the Christian Year: Ash Wednesday and Lent, Passiontide, Palm Sunday, Maundy Thursday, Good Friday, and Easter. Its contents span all musical periods of what is a marvellously rich area of church music and it contains much that is not widely available elsewhere under one cover. Ash Wednesday to Easter for Choirs includes a number of less familiar works together with new or recent arrangements of well-known tunes, such as Philip Ledger's 'This joyful Eastertide', Simon Lindley's 'Now the green blade riseth', and Bob Chilcott's setting of 'Were you there?'. Some of the anthems, for example Richard Shephard's 'Sing, my tongue' and Grayston Ives' 'Ride on', have been newly commissioned specifically for this collection, thus filling certain gaps. Wherever possible new practical performing editions of 16th-century repertoire have been prepared, reflecting current scholarship and including an English singing translation and, where, the original had none, a dynamic scheme. Such dynamics are the editors' suggestions only and may be freely ignored or adapted. Note values have in some instances been halved. Unaccompanied items include keyboard reductions for rehearsal.


Cathedral Anthems Published for the Cathedral of Christ Church and S. Patrick

Cathedral Anthems Published for the Cathedral of Christ Church and S. Patrick
Author: Christ Church Dublin City
Publisher: Rarebooksclub.com
Total Pages: 102
Release: 2013-09
Genre:
ISBN: 9781230166612

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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1880 edition. Excerpt: ...in victory, over all the worlds of light ascending. (Verse B. and Chorus.) We pray Thee leave us not comfortless, but send the great Father's promise on us, the Spirit of Truth, Thy Spirit. Hallelujah. Amen. Barnry. 324. S. Matt. vi.--19. (Full.) Lay not up for yourselves treasures upon the earth, where iust and moth doth corrupt, and where thieves break through and steal. 20. But lay up for yourselves treasures in heaven, where neither rust nor moth doth corrupt, and where thieves do not break through and steal. Garrett. (Chorale.) 325. Lead, kindly Light, amid the encircling gloom, Lead Thou me on; The night is dark, and I am far hom home, Lead Thou me on. Keep Thou my feet; I do not ask to see The distant scene; one step enough for me. I was not ever thus, nor prayed that Thou Shouldst lead me on; I loved to choose and see my path; but now Lead Thou me on. I loved the garish day, and, spite of fears, Pride ruled my will: remember not past years. So long Thy power hath blest me, sure it still Will lead me on 0'er moor and fen, o'er crag and torrent, till The night is gone, And with the morn those angel-faces smile Which I have loved long since, and lost awhile 327. Psalm lxviii.--1. (Verse A.T.B. and Chorus.) Let God arise, and let His enemies be scattered. 2. Like as smoke vanisheth, as wax melteth at the fire, so let them perish and be driven away. 7. (Verse B.) 0 God, when Thou wentest forth, 8. The earth shook, and the heavens dropped at the presence of God, even the God of Israel. 32. (Verse A.T.B.) Sing unto God, ye kingdoms of the earth; 0 sing praises unto the Lord. 20. Sing praises unto Him, Who is the God of our salvation. 5. (Verse A.) He is a Father of the fatherless. 6. He bringeth the prisoners out of...


Complete Anthems

Complete Anthems
Author: John Goss
Publisher: A-R Editions, Inc.
Total Pages: 523
Release: 2015-01-01
Genre: Anthems
ISBN: 0895798174

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This edition of the anthems of John Goss (1800–1880) includes a large number of works that have been unavailable beyond their initial nineteenth-century printing. The anthems range from short works in hymnbook format to expansive anthems in choral score frequently employing verse and solo sections. Goss’s music entered British consciousness on a national level with the inclusion of two choral works at Wellington’s funeral (one of which was fully orchestrated and is included in this edition), and after this point his music was featured on numerous occasions of national importance. There is a lyrical elegance to Goss’s writing, coupled with a compositional integrity that few mastered so consistently, that places his output in a special category within the lineage of English cathedral music. Whether the works are one-page miniatures, or substantial pieces of multiple pages, the understanding of prosody, especially in relation to sacred texts, is notably accomplished. Today his works afford performers fine setting of texts that are easily applicable to liturgies of our own time, whether large or small, across multiple denominations.