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Structure and Meaning in Tonal Music

Structure and Meaning in Tonal Music
Author: Carl Schachter
Publisher: Pendragon Press
Total Pages: 300
Release: 2006
Genre: Juvenile Nonfiction
ISBN: 9781576471128
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Introduction -- Expression. The two curious moments in Chopin's E-flat major prelude / Charles Burkhart ; Circular motion in Chopin's late B-major nocturne (op. 62, no. 1) / William Rothstein ; Of species counterpoint, gondola songs, and sordid boons / Poundie Burstein -- Theory. The spirit and technique of Schenker pedagogy / David Gagné and Allen Cadwallader ; Prolongational and hierarchical structures in 18th-century theory / Joel Lester ; Thoughts on Schenker's treatment of diminution and repetition in part III of Free composition, and its implications for analysis / Wayne Petty ; Looking at the Urlinie / Hedi Siegel -- Style. Rhythmic displacement in the music of Bill Evans / Steven Larson ; Levels of voice leading in the music of Louis Couperin / Drora Pershing ; The analysis of east Asian music / David Loeb ; Baroque styles and the analysis of baroque music / Channan Willner -- Words and music. Schumann's Das ist ein Flöten und Geigen : conflicts between local and global perspectives / Lauri Suurpaa ; Reinterpreting the past : Brahms's link to Bach in the setting of Mit Fried und Freud ich fahr dahin, from the motet op. 74, no. 1 / Robert Cuckson ; Hinauf strebt's : song study with Carl Schachter / Timothy Jackson ; Intimate immensity in Schubert's The shepherd on the rock / Frank Samarotto -- Form. Tonal conflicts in Haydn's development sections : the role of C major in symphonies nos. 93 and 102 / Mark Anson-Cartwright ; Aspects of structure in Bach's F-minor fugue, WTC II / William Renwick ; The andante from Mozart's symphony no. 40, K. 5

Categorization of Tonal Music Styles

Categorization of Tonal Music Styles
Author: Héctor Bellmann
Publisher: LAP Lambert Academic Publishing
Total Pages: 304
Release: 2012
Genre:
ISBN: 9783659210273
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The motivation for this study was the remarkable ability of the brain to categorize musical styles, based solely on the information conveyed by the music. It was assumed that a computer system could accomplish similar results based only on the musical notation, and that an effective categorization of styles should reveal the main conceptual dimensions of tonal music style. The most outstanding characteristics of this study are its quantitative nature and the effort to avoid the subjectivity of structural analysis, considering only observable, measurable features. The work has been carried out exclusively on the basis of numerical continuous variables resulting from actual measurements effected by software on those aspects of musical style that are detectable in notation. The numerical data set resulting from the measurements suffices to allow data mining algorithms such as CART, Random Forests and GEP, to map music pieces to a multidimensional space and classify them by composer, with an accuracy related to the size of the database. This system has great potential in the areas of empirical musicology and authorship studies, and as the basis for a scientific theory of style.

Materials and Techniques of Post Tonal Music

Materials and Techniques of Post Tonal Music
Author: Stefan Kostka
Publisher: Routledge
Total Pages: 305
Release: 2016-01-08
Genre: Music
ISBN: 1317346548
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This text provides the most comprehensive analytical approach to post-tonal music available, from Impressionism to recent trends. It covers music from the early 1900s through the present day, with discussion of such movements as Minimalism and the Neoromanticism, and includes chapters on rhythm, form, electronic and computer music, and the roles of chance and choice in post-tonal music. Chapter-end exercises involve drills, analysis, composition, as well as several listening assignments.

Materials and Techniques of Post-Tonal Music

Materials and Techniques of Post-Tonal Music
Author: Stefan Kostka
Publisher: Routledge
Total Pages: 338
Release: 2018-03-13
Genre: Music
ISBN: 1351859226
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Materials and Techniques of Post-Tonal Music, Fifth Edition provides the most comprehensive introduction to post-tonal music and its analysis available. Covering music from the end of the nineteenth century through the beginning of the twenty-first, it offers students a clear guide to understanding the diverse and innovative compositional strategies that emerged in the post-tonal era, from Impressionism to computer music. This updated fifth edition features: chapters revised throughout to include new examples from recent music and insights from the latest scholarship; the introduction of several new concepts and topics, including parsimonius voice-leading, scalar transformations, the New Complexity, and set theory in less chromatic contexts; expanded discussions of spectralism and electronic music; timelines in each chapter, grounding the music discussed in its chronological context; a companion website that provides students with links to recordings of musical examples discussed in the text and provides instructors with an instructor’s manual that covers all of the exercises in each chapter. Offering accessible explanations of complex concepts, Materials and Techniques of Post-Tonal Music, Fifth Edition is an essential text for all students of post-tonal music theory.

Categorization of Tonal Music Style

Categorization of Tonal Music Style
Author: Héctor G. Bellmann
Publisher:
Total Pages: 564
Release: 2012
Genre: Composition (Music)
ISBN:
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Abstract : The objective of this study is to identify the main conceptual dimensions of tonal musical style in order to provide a theoretical understanding of the phenomenon which could constitute the basis for a scientic taxonomy of styles. Music style is a substantial quality of the musical material that can be readily recognized as belonging to individual composers or associated with their epoch. I was initially attracted to the topic through the knowledge of the successes of literary stylometry, in the expectation that similar accomplishments could have been achieved in the realm of music. I was surprised to nd that, although musical style is a notion whose meaning seems familiar to everybody, it is conceptually elusive and had not been the object of a scientic enquiry. Therefore, music style became the core of the project. The most outstanding characteristics of this study are its quantitative nature and the eort to avoid subjectivity, considering only observable, measurable features. The work has been carried out exclusively on the basis of numerical continuous variables resulting from actual measurements eected by software. In order to accomplish this goal, I was concerned exclusively with those aspects of musical style that are detectable in notation. The traditional paradigm of problems of this sort consists of taking a large number of measurements on representative samples expressing the phenomenon under study, and then submitting them to statistical analyses that could be expected to lead to the determination of its main conceptual dimensions. Consequently, the methods comprised several stages. The project began by creating a database of music scores that tried to represent adequately the stylistic spectrum of the period of common practice. Since most of the stylistic elements of interest are key-dependent, the next and crucial step was to determine the key at every point in the score. This was accomplished following the method developed during my own previous research, whose result is a tonal map of the musical score.

Twelve-tone Tonality

Twelve-tone Tonality
Author: George Perle
Publisher: Univ of California Press
Total Pages: 190
Release: 1977-01-01
Genre: Music
ISBN: 9780520033870
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In this classic work, George Perle argues that the seemingly disparate styles of post-triadic music in fact share common structural elements. These elements collectively imply a new tonality as "natural" and coherent as the major-minor tonality that was the basis of a common musical language in the past. His book describes the foundational assumptions of this post-diatonic tonality and illustrates its compositional functions with numerous musical examples.The second edition of "Twelve-Tone Tonality" is enlarged by eleven new chapters, some of which are "postscripts" to earlier chapters--clarifying, elucidating, and expanding upon concepts discussed in the original edition. Others discuss new developments in the theory and practice of twelve-tone tonality, including voice-leading implications of the system and dissonance treatment.

Introduction to Post-tonal Theory

Introduction to Post-tonal Theory
Author: Joseph Nathan Straus
Publisher:
Total Pages: 232
Release: 1990
Genre: Music
ISBN:
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A primer --rather than a survey--this book offers exceptionally clear, simple explanations of basic theoretical concepts for the post-tonal music of the twentieth century. Emphasizing hands-on contact with the music--through playing, singing, listening, and analyzing--it provides six chapters on theory, each illustrated with musical examples and fully worked-out analyses, all drawn largely from the "classical" pre-war repertoire by Schoenberg, Stravinsky, Bartok, Berg, and Webern. Considers three principal kinds of post-tonal music--free atonal music, twelve-tone music, and centric music. Makes extensive use of transformational graphs and networks to present analytical information; and includes a variety of exercises in theory, analysis, musicianship and ear-training, and composition. For anyone interested in Twentieth-Century Music Techniques and Post-Tonal Theory and Analysis.

Tonal and Rhythm Patterns

Tonal and Rhythm Patterns
Author: Edwin Gordon
Publisher: SUNY Press
Total Pages: 222
Release: 1976-01-01
Genre: Music
ISBN: 9780873953542
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Music instruction can now be adapted more effectively to students' individual differences and curriculums can be developed to meet particular class needs, as a result of the original research by Professor Gordon which concentrates on the basic areas of tonal and rhythm concepts. More than 10,000 grade-school students across the United States participated in three years of testing which produced the data interpreted in this new book. Presented in terms of current learning theories applied to music, an attempt is made to provide for musical instruction grounded on research.

Understanding Post-Tonal Music

Understanding Post-Tonal Music
Author: Miguel A. Roig-Francolí
Publisher: Routledge
Total Pages: 432
Release: 2021-02-25
Genre: Music
ISBN: 1000332632
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Understanding Post-Tonal Music is a student-centered textbook that explores the compositional and musical processes of twentieth-century post-tonal music. Intended for undergraduate or general graduate courses on the theory and analysis of twentieth-century music, this book will increase the accessibility of post-tonal music by providing students with tools for understanding pitch organization, rhythm and meter, form, texture, and aesthetics. By presenting the music first and then deriving the theory, Understanding Post-Tonal Music leads students to greater understanding and appreciation of this challenging and important repertoire. The updated second edition includes new "Explorations" features that guide students to engage with pieces through listening and a process of exploration, discovery, and discussion; a new chapter covering electronic, computer, and spectral musics; and additional coverage of music from the twenty-first century and recent trends. The text has been revised throughout to enhance clarity, both by streamlining the prose and by providing a visual format more accessible to the student.

The Languages of Western Tonality

The Languages of Western Tonality
Author: Eytan Agmon
Publisher: Springer Science & Business Media
Total Pages: 295
Release: 2013-11-29
Genre: Computers
ISBN: 3642395872
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Tonal music, from a historical perspective, is far from homogenous; yet an enduring feature is a background "diatonic" system of exactly seven notes orderable cyclically by fifth. What is the source of the durability of the diatonic system, the octave of which is representable in terms of two particular integers, namely 12 and 7? And how is this durability consistent with the equally remarkable variety of musical styles — or languages — that the history of Western tonal music has taught us exist? This book is an attempt to answer these questions. Using mathematical tools to describe and explain the Western musical system as a highly sophisticated communication system, this theoretical, historical, and cognitive study is unprecedented in scope and depth. The author engages in intense dialogue with 1000 years of music-theoretical thinking, offering answers to some of the most enduring questions concerning Western tonality. The book is divided into two main parts, both governed by the communicative premise. Part I studies proto-tonality, the background system of notes prior to the selection of a privileged note known as "final." After some preliminaries that concern consonance and chromaticism, Part II begins with the notion "mode." A mode is "dyadic" or "triadic," depending on its "nucleus." Further, a "key" is a special type of "semi-key" which is a special type of mode. Different combinations of these categories account for tonal variety. Ninth-century music, for example, is a tonal language of dyadic modes, while seventeenth-century music is a language of triadic semi-keys. While portions of the book are characterized by abstraction and formal rigor, more suitable for expert readers, it will also be of value to anyone intrigued by the tonal phenomenon at large, including music theorists, musicologists, and music-cognition researchers. The content is supported by a general index, a list of definitions, a list of notation used, and two appendices providing the basic mathematical background.