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| Author | : William Roscoe |
| Publisher | : |
| Total Pages | : 222 |
| Release | : 1816 |
| Genre | : Incunabula |
| ISBN | : |
| Author | : Winstanley & Taylor |
| Publisher | : |
| Total Pages | : 210 |
| Release | : 1816 |
| Genre | : |
| ISBN | : |
| Author | : Ana Debenedetti |
| Publisher | : UCL Press |
| Total Pages | : 332 |
| Release | : 2019-01-08 |
| Genre | : Art |
| ISBN | : 1787354598 |
The recent exhibitions dedicated to Botticelli around the world show, more than ever, the significant and continued debate about the artist. Botticelli Past and Present engages with this debate. The book comprises four thematic parts, spanning four centuries of Botticelli’s artistic fame and reception from the fifteenth century. Each part comprises a number of essays and includes a short introduction which positions them within the wider scholarly literature on Botticelli. The parts are organised chronologically beginning with discussion of the artist and his working practice in his own time, moving onto the progressive rediscovery of his work from the late eighteenth to the turn of the twentieth century, through to his enduring impact on contemporary art and design. Expertly written by researchers and eminent art historians and richly illustrated throughout, the broad range of essays in this book make a valuable contribution to Botticelli studies.
| Author | : CathleenA. Fleck |
| Publisher | : Routledge |
| Total Pages | : 375 |
| Release | : 2017-07-05 |
| Genre | : Art |
| ISBN | : 1351545531 |
As a 'biography' of the fourteenth-century illustrated Bible of Clement VII, an opposition pope in Avignon from 1378-94, this social history traces the Bible's production in Naples (c. 1330) through its changing ownership and meaning in Avignon (c. 1340-1405) to its presentation as a gift to Alfonso, King of Aragon (c. 1424). The author's novel approach, based on solid art historical and anthropological methodologies, allows her to assess the object's evolving significance and the use of such a Bible to enhance the power and prestige of its princely and papal owners. Through archival sources, the author pinpoints the physical location and privileged treatment of the Clement Bible over a century. The author considers how the Bible's contexts in the collection of a bishop, several popes, and a king demonstrate the value of the Bible as an exchange commodity. The Bible was undoubtedly valued for the aesthetic quality of its 200+ luxurious images. Additionally, the author argues that its iconography, especially Jerusalem and visionary scenes, augments its worth as a reflection of contemporary political and religious issues. Its images offered biblical precedents, its style represented associations with certain artists and regions in Italy, and its past provided links to important collections. Fleck's examination of the art production around the Bible in Naples and Avignon further illuminates the manuscript's role as a reflection of the court cultures in those cities. Adding to recent art historical scholarship focusing on the taste and signature styles in late medieval and Renaissance courts, this study provides new information about workshop practices and techniques. In these two court cities, the author analyzes styles associated with different artists, different patrons, and even with different rooms of the rulers' palaces, offering new findings relevant to current scholarship, not only in art history but also in court and collection studies.
| Author | : William Clarke |
| Publisher | : |
| Total Pages | : 770 |
| Release | : 1819 |
| Genre | : Antiques & Collectibles |
| ISBN | : |
| Author | : William Roscoe |
| Publisher | : Palala Press |
| Total Pages | : 218 |
| Release | : 2016-05-20 |
| Genre | : |
| ISBN | : 9781357938451 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
| Author | : William Roscoe |
| Publisher | : |
| Total Pages | : 398 |
| Release | : 1816 |
| Genre | : Art |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 208 |
| Release | : 1816 |
| Genre | : Art |
| ISBN | : |
| Author | : Francis Haskell |
| Publisher | : Yale University Press |
| Total Pages | : 574 |
| Release | : 1993-01-01 |
| Genre | : Art |
| ISBN | : 9780300059496 |
Over the last four centuries, historians have turned to images in their attempts to understand and visualize the past. In this book, an art historian surveys the various ways that they have adopted for making use of this material and examines the objects that became available to them.
| Author | : Stella Fletcher |
| Publisher | : Routledge |
| Total Pages | : 286 |
| Release | : 2016-04-08 |
| Genre | : History |
| ISBN | : 1317061209 |
Anglo-Italian cultural connections in the eighteenth and nineteenth centuries have been the subject of numerous studies in recent decades. Within that wider body of literature, there has been a growing emphasis on appreciation of the history and culture of Renaissance Italy, especially in nineteenth-century Britain. In 1954 J.R. Hale's England and the Italian Renaissance was a pioneering account of the subject, followed in 1992 by Hilary Fraser's monograph The Victorians and Renaissance Italy and in 2005 by Victorian and Edwardian Responses to the Italian Renaissance, edited by John E. Law and Lene Østermark-Johansen. There is, however, an obvious gap in the literature concerning the pivotal figure of William Roscoe (1753-1831), the first English-language biographer of Lorenzo de' Medici and of Pope Leo X. The Life of Lorenzo de' Medici called the Magnificent proved to be so popular as to prompt the claim that Roscoe effectively invented the Italian Renaissance as it has become understood by subsequent generations of readers in the English-speaking world. This collection of ten essays redresses the balance by examining Roscoe as biographer, as a connoisseur of Italian literature and as a collector of Italian works of art.
