Catalogue of Chamber Music for Oboe to 1800
Author | : Bruce Haynes |
Publisher | : |
Total Pages | : 162 |
Release | : 1982 |
Genre | : Chamber music |
ISBN | : |
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Author | : Bruce Haynes |
Publisher | : |
Total Pages | : 162 |
Release | : 1982 |
Genre | : Chamber music |
ISBN | : |
Author | : Bruce Haynes |
Publisher | : Hague, Holland : B. Haynes |
Total Pages | : 92 |
Release | : 1980 |
Genre | : Chamber music |
ISBN | : |
Author | : Robert Bloom |
Publisher | : |
Total Pages | : |
Release | : 1998 |
Genre | : Oboe and continuo music |
ISBN | : |
Author | : Arthur Bliss |
Publisher | : |
Total Pages | : 46 |
Release | : 1928 |
Genre | : Quintets (Oboe, violins (2), viola, cello) |
ISBN | : |
Author | : John H Baron |
Publisher | : Routledge |
Total Pages | : 797 |
Release | : 2010-06-10 |
Genre | : Art |
ISBN | : 1135848289 |
Chamber Music: A Research and Information Guide is a reference tool for anyone interested in chamber music. It is not a history or an encyclopedia but a guide to where to find answers to questions about chamber music. The third edition adds nearly 600 new entries to cover new research since publication of the previous edition in 2002. Most of the literature is books, articles in journals and magazines, dissertations and theses, and essays or chapters in Festschriften, treatises, and biographies. In addition to the core literature obscure citations are also included when they are the only studies in a particular field. In addition to being printed, this volume is also for the first time available online. The online environment allows for information to be updated as new research is introduced. This database of information is a "live" resource, fully searchable, and with active links. Users will have unlimited access, annual revisions will be made and a limited number of pages can be downloaded for printing.
Author | : Bruce Haynes |
Publisher | : Berkeley, Calif. : Fallen Leaf Press |
Total Pages | : 454 |
Release | : 1985 |
Genre | : Music |
ISBN | : |
This revised edition lists over 10,000 works for the oboe, English horn, oboe da caccia, and all of their variants for the period up to ca. 1800. Each entry includes the title, opus or register number, date, exact instrumentation, location of the original work, existing modern editions(s), and historical notes of interest.
Author | : Anthony J. Costa |
Publisher | : |
Total Pages | : |
Release | : 2005 |
Genre | : Chamber music |
ISBN | : |
Abstract: Research on heterogeneous wind duo groupings is rare, even though a representative collection of repertoire exists for several pairing combinations in both chamber music and double concerti. In the case of woodwind chamber music, composers first began writing for Harmonie wind ensembles comprised of two oboes, two clarinets, two bassoons and two French horns in the late 1700's. Composers, however, have largely ignored a repertoire featuring the two highest voices of this genre (oboe and the clarinet) as a duo or wind combination paired with strings and/or piano until the late nineteenth and early twentieth centuries. Surprisingly, the instruments were used in conjunction much earlier in the eighteenth century in sinfonia concertantes, double concerti and other orchestral literature. This document will deal with often-neglected chamber works that utilize oboe and clarinet as the sole wind instruments. This repertoire includes works for: 1) oboe and clarinet, 2) oboe and clarinet with piano (including orchestral reductions as noted), 3) oboe and clarinet with one or more string instruments with and without piano, percussion, and voice, and 4) oboe and clarinet as double soloists with orchestra or wind ensemble. This last grouping, while not chamber works, will be addressed as they are closely related to the chamber music repertoire and are sometimes played as such. Compositions utilizing bass clarinet, English horn and other related family members in the aforementioned combinations will also be included. Woodwind trios, quartets, quintets, etc. will not be addressed, as the focus of this paper will be on compositions that use oboe and clarinet (and family members) as their dominant woodwind voices. In addition to listing available repertoire, the following topics will be addressed: 1) the relationship of the oboe and clarinet in the orchestral setting, 2) the growth of the repertoire for this duo combination and the musicians involved and 3) resources for researching obscure chamber music.
Author | : New York Public Library. Reference Department |
Publisher | : |
Total Pages | : 768 |
Release | : 1964 |
Genre | : Music |
ISBN | : |
Author | : Robert Schumann |
Publisher | : |
Total Pages | : 24 |
Release | : 1898 |
Genre | : Chamber music |
ISBN | : |
Author | : James R. Briscoe |
Publisher | : A-R Editions, Inc. |
Total Pages | : 109 |
Release | : 2015-03-20 |
Genre | : Music |
ISBN | : 0895798085 |
The Paris Conservatoires rigorous curriculum for training both singers and instrumentalists led to a wealth of musical treasures in the form of pieces composed specifically for the end-of-year examinations, which culminated in a public prize competition, the Concours du Conservatoire. The solos composed for these examinations, both the sight-reading works and the longer contest pieces (morceaux de concours), constitute the first extended series of compositions for woodwinds, brass, and harp in music history, being composed nearly annually for each instrument beginning in the 1830s. The wealth of musical treasures resulting from this systematic accumulation of works represents the historical core of these instrumental repertories today. The present volume contains a selection ofmorceaux de concours and other pieces written in a similar style, representing some of the most influential flutists and composers associated with the Conservatoire.