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| Author | : T. J. King |
| Publisher | : Cambridge University Press |
| Total Pages | : 0 |
| Release | : 1992-02-13 |
| Genre | : Drama |
| ISBN | : 0521327857 |
In careful analysis, T. J. King reveals how the size and composition of the casts of characters for Shakespeare's plays were determined by common theatrical practices at London playhouses between 1590 and 1642.
| Author | : T. J. King |
| Publisher | : Cambridge University Press |
| Total Pages | : 0 |
| Release | : 2009-04-02 |
| Genre | : Drama |
| ISBN | : 9780521107211 |
Invaluable source material for professional theatre directors and for students of English dramatic literature is provided by this detailed examination of playhouse procedures for Shakespeare's own acting company. In careful analysis, T. J. King reveals how the size and composition of the casts of characters for Shakespeare's plays were determined by common theatrical practices at London playhouses between 1590 and 1642. King closely examines manuscripts, contemporary play-books and authoritative texts of Shakespeare to determine the numbers of actors required and the procedures for actors doubling roles. The volume contains numerous illustrations of playhouse documents as well as tables and lists of actors, plays and roles.
| Author | : James C. Bulman |
| Publisher | : Associated University Presse |
| Total Pages | : 260 |
| Release | : 2008 |
| Genre | : Literary Collections |
| ISBN | : 9780838641149 |
"This collection covers a wide range of Shakespeare productions, from Granville Barker and Poel's experiments with cross-gender casting to recent performances by Cheek by Jowl, the National Theatre, and the new Globe; from early twentieth-century performances by women's companies in England and Japan to contemporary stagings by the Los Angeles Women's Shakespeare Company; from Mabou Mines' controversial Lear in New York to a more subtly transgressive Tempest by the Georgia Shakespeare Festival." "These essays are comprehensive in their consideration of cross-gender-cast Shakespeare as it evolved over the past century. Theoretically informed yet grounded in the particularity of individual performances, they forge new connections between performance studies and gender theory and broach issues vital to anyone interested in Shakespeare."--BOOK JACKET.
| Author | : Christina Gutierrez-Dennehy |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 245 |
| Release | : 2020-11-18 |
| Genre | : Literary Criticism |
| ISBN | : 1683932552 |
Like a King: Casting Shakespeare’s Histories for Citizens and Subjects is a dual examination of Shakespeare’s history plays in their early modern production contexts and of the ways the histories can speak directly to twenty-first-century American political and social concerns. Author and production director Christina Gutierrez-Dennehy examines how strategic doubled and re-gendered casting can animate the underlying questions of Richard II, Henry V, and King John in vital and immediate ways for American audiences. Examining evidence from both the archive and the rehearsal room, Gutierrez-Dennehy explores the texts as repositories for dialogues about power, gender, identity, nationhood, and leadership. With the American political system as its backdrop, Like a King argues that productions of Shakespeare’s histories can interrogate and explore the relationships between citizens, subjects, and their leaders.
| Author | : Lauren Gunderson |
| Publisher | : Dramatists Play Service, Inc. |
| Total Pages | : 95 |
| Release | : 2018-06-18 |
| Genre | : Drama |
| ISBN | : 0822237725 |
Without William Shakespeare, we wouldn’t have literary masterpieces like Romeo and Juliet. But without Henry Condell and John Heminges, we would have lost half of Shakespeare’s plays forever! After the death of their friend and mentor, the two actors are determined to compile the First Folio and preserve the words that shaped their lives. They’ll just have to borrow, beg, and band together to get it done. Amidst the noise and color of Elizabethan London, THE BOOK OF WILL finds an unforgettable true story of love, loss, and laughter, and sheds new light on a man you may think you know.
| Author | : Brett Gamboa |
| Publisher | : Cambridge University Press |
| Total Pages | : 303 |
| Release | : 2018-05-03 |
| Genre | : Drama |
| ISBN | : 1108417434 |
Machine generated contents note: Introduction; 1. 'Improbable fictions: Shakespeare's plays without the plays; 2. Versatility and verisimilitude on sixteenth-century stages; 3. Doubling in The Winter's Tale; 4. Dramaturgical directives and Shakespeare's cast size; 5. Doubling in A Midsummer Night's Dream and Romeo and Juliet; 6. Where the boys aren't; 7. Doubling in Twelfth Night and Othello; Epilogue: Ragozine and Shakespearean substitution; Appendix; Bibliography; Index.
| Author | : Don Zolidis |
| Publisher | : Stage Partners |
| Total Pages | : 46 |
| Release | : 2020-01-01 |
| Genre | : Drama |
| ISBN | : |
Some day it’s going to happen: You’re going to find yourself on stage, wearing tights, and saying things in iambic pentameter. Face it, you’re in a Shakespeare play, and that means it’s a pretty good bet you’re going to DIE. The Bard is out for blood, but this play is here to stop him! How could Romeo and Juliet survive? Julius Caesar? A nameless soldier in Henry the Fifth? What if King Lear had an emotional support llama and didn’t need to make terrible mistakes? Join us in discovering how a dozen of Shakespeare’s plays could’ve turned out differently! If only they listened… (If you loved 10 Ways to Survive the Zombie Apocalypse, read this guide immediately.) New VIRTUAL VERSION of the play now available. Comedy One-act. 30-60 minutes (Length of the play: This show is approximately one hour long. To cut it into a shorter one-act, simply remove one or more of the sections.) 10-50+ actors, gender flexible
| Author | : David Grote |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 315 |
| Release | : 2002-07-30 |
| Genre | : Literary Criticism |
| ISBN | : 0313012741 |
Shakespeare knew actors because he was one. The first book-length study of its kind, this volume investigates Shakespeare as a member of his acting company, dating and casting all the plays they presented from 1594 to 1614, and exploring the effects of actors on his writing. Much has been written about Shakespeare and a great deal is known about the Elizabethan theater. Yet little has been done to examine Shakespeare in relation to his acting company. This book casts light on Shakespeare's life in drama and the creation and staging of his plays. More precisely than any other work, it establishes the dates for his company's productions, exploring the varied and profound influences actors had on the works of Renaissance dramatists, and giving us a unique look at the man who knew his actors best of all. As a member of the newly organized Chamberlain's Men, a company that rose to fame in the London theater, Shakespeare experienced the numerous crises, both personal and political, that nearly destroyed the company at the construction of the Globe. Grote describes the company's reorganization as the King's Men, which led to the writing of Shakespeare's great tragedies, as well as the trials of the plague years, Shakespeare's retirement from the stage, the development of writers to replace him, and the burning of the Globe.
| Author | : Eugene Giddens |
| Publisher | : Cambridge University Press |
| Total Pages | : 199 |
| Release | : 2011-02-10 |
| Genre | : Drama |
| ISBN | : 0521886406 |
An invaluable introductory guide for students on how to engage with the original printed texts of Shakespeare and his contemporaries.
| Author | : Cary M. Mazer |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 215 |
| Release | : 2015-09-10 |
| Genre | : Literary Criticism |
| ISBN | : 1611478448 |
Double Shakespeares examines contemporary performances of Shakespeare plays that employ the “emotional realist” traditions of acting that were codified by Stanislavski over a century ago. These performances recognize the inescapable doubleness of realism: that the actor may aspire to be the character but can never fully do so. This doubleness troubled the late-nineteenth-century actors and theorists who first formulated realist modes of acting; and it equally troubles theorists and theatre practitioners today. The book first looks at contemporary performances that foreground the doubleness of the actor’s body, particularly through cross-dressing. It then examines narratives of Shakespearean rehearsal—both fictional representations of rehearsal in film and video, and eye-witness narratives of actual rehearsals—and how they show us the process by which the actor does or does not “become” the character. And, finally, it looks at modern performances that “frame” Shakespeare’s play as a play-within-a-play, showing the audience both the character in the Shakespeare play-within and the actor in the frame-play acting that character.
