Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Cash Box Pop Singles Charts 1950 1993 PDF full book. Access full book title Cash Box Pop Singles Charts 1950 1993.
| Author | : Pat Downey |
| Publisher | : |
| Total Pages | : 552 |
| Release | : 1994 |
| Genre | : Music |
| ISBN | : |
This work documents 44 years of American chart history. It provides the following information for each song: its entry date into the Cash Box pop chart, its highest position, the number of weeks it remained in the chart, the original record label and the catalogue number.
| Author | : Frank W. Hoffmann |
| Publisher | : Metuchen, N.J. : Scarecrow Press |
| Total Pages | : 888 |
| Release | : 1983 |
| Genre | : Music |
| ISBN | : |
Similar in format to the authors' Cash Box Singles Charts, this authorized compilation makes available the data contained in Cash Box's country music singles (78 rpm and 45 rpm) charts over a 24-year period.
| Author | : Steve Sullivan |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 830 |
| Release | : 2017-05-17 |
| Genre | : Music |
| ISBN | : 1442254491 |
Volumes 3 and 4 of the The Encyclopedia of More Great Popular Song Recordings provides the stories behind approximately 1,700 more of the greatest song recordings in the history of the music industry, from 1890 to today. In this masterful survey, all genres of popular music are covered, from pop, rock, soul, and country to jazz, blues, classic vocals, hip-hop, folk, gospel, and ethnic/world music. Collectors will find detailed discographical data—recording dates, record numbers, Billboard chart data, and personnel—while music lovers will appreciate the detailed commentaries and deep research on the songs, their recording, and the artists. Readers who revel in pop cultural history will savor each chapter as it plunges deeply into key events—in music, society, and the world—from each era of the past 125 years. Following in the wake of the first two volumes of his original Encyclopedia of Great Popular Song Recordings, this follow-up work covers not only more beloved classic performances in pop music history, but many lesser -known but exceptional recordings that—in the modern digital world of “long tail” listening, re-mastered recordings, and “lost but found” possibilities—Sullivan mines from modern recording history. The Encyclopedia of Great Popular Song Recordings, Volumes 3 and 4 lets the readers discover, and, through their playlist services, from such as iTunes toand Spotify, build a truly deepcomprehensive catalog of classic performances that deserve to be a part of every passionate music lover’s life. Sullivan organizes songs in chronological order, starting in 1890 and continuing all the way throughto the present to include modern gems from June 2016. In each chapter, Sullivanhe immerses readers, era by era, in the popular music recordings of the time, noting key events that occurred at the time to painting a comprehensive picture in music history of each periodfor each song. Moreover, Sullivan includes for context bulleted lists noting key events that occurred during the song’s recording
| Author | : Frank Hoffmann |
| Publisher | : Routledge |
| Total Pages | : 352 |
| Release | : 2014-02-04 |
| Genre | : Music |
| ISBN | : 1317957601 |
Rock Music in American Popular Culture III: More Rock ’n’Roll Resources explores the fascinating world of rock music and examines how this medium functions as an expression of cultural and social identity. This nostalgic guide explores the meanings and messages behind some of the most popular rock ’n’roll songs that captured the American spirit, mirrored society, and reflected events in our history. Arranged by themes, Rock Music in American Popular Culture III examines a variety of social and cultural topics with related songs, such as: sex and censorship--“Only the Good Die Young” by Billy Joel and “Night Moves” by Bob Seger and The Silver Bullet Band holiday songs--“Rockin’Around the Christmas Tree” by Brenda Lee and “The Christmas Song” by Nat King Cole death--“Leader of the Pack” by The Shangri-Las and “The Unknown Soldier” by The Doors foolish behavior--“When a Man Loves a Woman” by Percy Sledge and “What Kind of Fool” by Barbra Streisand and Barry Gibb jobs and the workplace--“Don’t Stand So Close to Me” by The Police and “Dirty Laundry” by Don Henley military involvements--“Boogie Woogie Bugle Boy” by the Andrews Sisters and “War” by Edwin Starr novelty recordings--“The Purple People Eater” by Sheb Wooley and “Eat It” by Weird Al Yankovic letters and postal images--“P. S. I Love You” by The Beatles and “Return to Sender” by Elvis Presely In addition, a discography and a bibliography after each section give further examples of the themes and resources being discussed, as do extensive lists of print references at the end of the text.
| Author | : B. Lee Cooper |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 386 |
| Release | : 2004-04-30 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0313072728 |
The function of print resources as instructional guides and descriptors of popular music pedagogy are addressed in this concise volume. Increasingly, public school teachers and college-level faculty members are introducing and utilizing music-related educational approaches in their classrooms. This book lists reports dealing with popular music resources as classroom teaching materials, and will stimulate further thought among students and teachers. It focuses on the growing spectrum of published scholarship available to instructors in specific teaching fields (art, geography, social studies, urban studies, and so on) as well as on the multitude of general resources (including biographical directories and encyclopedias of artist profiles). Building on two recent publications: Teaching with Popular Music Resources: A Bibliography of Interdisciplinary Instructional Approaches, Popular Music and Society, XXII, no. 2 (Summer 1998), and American Culture Interpreted through Popular Music: Interdisciplinary Teaching Approaches (Bowling Green State University Popular Press, 2000), this volume focuses on the growing spectrum of published scholarship that is available to instructors in specific teaching fields (art, geography, social studies, urban studies, and so on) as well as on the multitude of general resources (including biographical directories and encyclopedias of artist profiles).
| Author | : Wesley Hyatt |
| Publisher | : McFarland |
| Total Pages | : 485 |
| Release | : 2015-09-11 |
| Genre | : Performing Arts |
| ISBN | : 1476608741 |
Since the early days of television, well before most households had a set, the Academy of Television Arts and Sciences has been handing out honors for the industry's best efforts. Now fans can read about their favorites--and perhaps rediscover some forgotten pleasures--in this reference to prime time and nighttime Emmy winners. Beginning with the heated charade contest known as Pantomime Quiz, which won Most Popular Program of 1948 in the first Emmy Awards ceremony (held in 1949), each of more than 100 winning shows gets star treatment with an entry that includes the year of award or awards, air times, hosts, guests, casts and a full discussion of the show's history and run. Many of the entries include original interviews with cast or crew members. With such rich information, each show's entry constitutes a chapter in the history of television through the story of the show and the people who made it happen. The best of variety, drama, game shows, comedies, adventures and many more categories are featured. An appendix offers interesting facts and figures and ranks shows according to such statistics as longest run, longest delay from debut to win, and most Emmys won.
| Author | : Nadine Cohodas |
| Publisher | : Pantheon |
| Total Pages | : 593 |
| Release | : 2007-12-18 |
| Genre | : Biography & Autobiography |
| ISBN | : 0307427382 |
Queen is the landmark biography of the brief, intensely lived life and soulful music of the great Dinah Washington. A gospel star at fifteen, she was discovered by jazz great Lionel Hampton at eighteen, and for the rest of her life was on the road, playing clubs, or singing in the studio--making music one way or another. Dinah's tart and heartfelt voice quickly became her trademark; she was a distinctive stylist, crossing over from the "race" music category to the pop and jazz charts. Known in her day as Queen of the Blues and Queen of the Juke Boxes, Dinah was regarded as that rare "first take" artist, her studio recordings reflecting the same passionate energy she brought to the stage. As Nadine Cohodas shows us, Dinah suffered her share of heartbreak in her personal life, but she thrived on the growing audience response that greeted her signature tunes: "What a Diff'rence a Day Makes," "Evil Gal Blues," and "Baby (You've Got What It Takes)," with Brook Benton. She made every song she sang her own. Dinah lives large in these pages, with her seven marriages; her penchant for clothes, cars, furs, and diets; and her famously feisty personality--testy one moment and generous the next. This biography, meticulously researched and gracefully written, is the first to draw on extensive interviews with family members and newly discovered documents. It is a revelation of Dinah's work and her life. Cohodas captures the Queen in all her contradictions, and we hear in this book the voice of a natural star, born to entertain and to be loved.
| Author | : Hank Reineke |
| Publisher | : Scarecrow Press |
| Total Pages | : 349 |
| Release | : 2012-06-01 |
| Genre | : Music |
| ISBN | : 0810883325 |
Arlo Guthrie, the son of America’s legendary dust bowl troubadour Woody Guthrie and Martha Graham dancer Marjorie Mazia Guthrie, was reared in the rarefied atmosphere of New York City’s remnant Old Left culture, a period that brought together art, political action, and folk music. Music was part of Guthrie’s life from the very beginning and his self-confessed earliest childhood memory was standing knee-high next to Lead Belly, the blues legend and “King of the twelve-string Guitar.” Arlo's earliest mentors were his father’s friends, and the youngster would learn his craft from the giants of American folk music: Pete Seeger, the Weavers, Cisco Houston, Josh White, Oscar Brand, Ramblin’ Jack Elliott, Brownie McGhee, and Sonny Terry. Arlo Guthrie: The Warner/Reprise Years revisits Guthrie’s fifteen-year ride as a recording artist for the prestigious record label. Hank Reineke guides readers through the colorful history of Guthrie’s most creative period, when the droll, shaggy-haired troubadour promised in song that a “new world" was surely coming. In his thoughtful consideration of Guthrie's career as a popular, if idiosyncratic, recording artist for the Reprise/Warner Bros. label, Reineke regales readers with stories behind the remarkable success of Guthrie’s talking blues-turned-movie Alice’s Restaurant and his celebrated appearance at the 1969 Woodstock festival. Guthrie’s time at Reprise/Warner Bros. from 1967 to 1982 saw twelve critically acclaimed solo albums, two staple singles of FM radio (“Coming Into Los Angeles” and “City of New Orleans”), and a pair of treasured folk-music recording collaborations with Pete Seeger. With a look at Guthrie’s life and times before and after this prolific period of his career, Arlo Guthrie: The Warner/Reprise Years is the first biography dedicated solely to this gifted artist. A goldmine of information on the Guthrie family's legacy to American music, the counterculture of the 1960s, and the record industry of the 1970s, this work also features a detailed bibliography as well as the first comprehensive discography of Guthrie’s recordings through the present day. Arlo Guthrie: The Warner/Reprise Years will appeal to popular music historians, folk-rock fans, and readers interested in the American counterculture of the 1960s and 1970s.
| Author | : Frank Hoffmann |
| Publisher | : Routledge |
| Total Pages | : 421 |
| Release | : 2015-12-22 |
| Genre | : Music |
| ISBN | : 1317940415 |
From “Who Put the Bomp (in the Bomp, Bomp, Bomp)?” to a list of all song titles containing the word “werewolf,” Rock Music in American Popular Culture II: More Rock ’n’Roll Resources continues where 1995’s Volume I left off. Using references and illustrations drawn from contemporary lyrics and supported by historical and sociological research on popular cultural subjects, this collection of insightful essays and reviews assesses the involvement of musical imagery in personal issues, in social and political matters, and in key socialization activities. From marriage and sex to public schools and youth culture, readers discover how popular culture can be used to explore American values. As Authors B. Lee Cooper and Wayne S. Haney prove that integrated popular culture is the product of commercial interaction with public interest and values rather than a random phenomena, they entertainingly and knowledgeably cover such topics as: answer songs--interchanges involving social events and lyrical commentaries as explored in response recordings horror films--translations and transformations of literary images and motion picture figures into popular song characters and tales public schools--images of formal educational practices and informal learning processes in popular song lyrics sex--suggestive tales and censorship challenges within the popular music realm war--examinations of persistent military and home front themes featured in wartime recordings Rock Music in American Popular Culture II: More Rock ‘n’Roll Resources is nontechnical, written in a clear and concise fashion, and explores each topic thoroughly, with ample discographic and bibliographic resources provided for additional research. Arranged alphabetically for quick and easy reference to specific topics, the book is equally enjoyable to read straight through. Rock music fans, teachers, popular culture professors, music instructors, public librarians, sound recording archivists, sociologists, social critics, and journalists can all learn something, as the book shows them the cross-pollination of music and social life in the United States.
| Author | : |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 284 |
| Release | : 2010 |
| Genre | : Music |
| ISBN | : 9780754668091 |
The cover phenomenon in popular culture may be viewed as a postmodern manifestation in music as artists revisit, reinterpret and re-examine a significant cross section of musical styles, periods, genres, individual records, and other artists and their catalogues of works. The cover complex, with its multiple variations, issues, contexts, and re-contextualizations comprises an important and rich popular culture text. These re-recordings represent artifacts which embody artistic, social, cultural, historical, commercial, biographical, and novel meanings. Through homage, allusion, apprenticeship, and parody, among other modes, these diverse musical quotations express, preserve, and distribute popular culture, popular music and their intersecting historical narratives. Play it Again represents the first collection of critical perspectives on the many facets of cover songs in popular music.
