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Cartographic Fictions

Cartographic Fictions
Author: Karen Lynnea Piper
Publisher: Rutgers University Press
Total Pages: 244
Release: 2002
Genre: Literary Criticism
ISBN: 9780813530734

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Maps are stories as much about us as about the landscape. They reveal changing perceptions of the natural world, as well as conflicts over the acquisition of territories. Cartographic Fictions looks at maps in relation to journals, correspondence, advertisements, and novels by authors such as Joseph Conrad and Michael Ondaatje. In her innovative study, Karen Piper follows the history of cartography through three stages: the establishment of the prime meridian, the development of aerial photography, and the emergence of satellite and computer mapping. Piper follows the cartographer's impulse to "leave the ground" as the desire to escape the racialized or gendered subject. With the distance that the aerial view provided, maps could then be produced "objectively," that is, devoid of "problematic" native interference. Piper attempts to bring back the dialogue of the "native informant," demonstrating how maps have historically constructed or betrayed anxieties about race. The book also attempts to bring back key areas of contact to the map between explorer/native and masculine/feminine definitions of space.


Curious Visions of Modernity

Curious Visions of Modernity
Author: David L. Martin
Publisher: MIT Press
Total Pages: 275
Release: 2011-11-15
Genre: Art
ISBN: 0262298104

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Haunted by a secret knowledge and a repressed enchantment, Western rationality is not what it seems. Rembrandt's famous painting of an anatomy lesson, the shrunken head of an Australian indigenous leader, an aerial view of Paris from a balloon: all are windows to enchantment, curiosities that illuminate something shadowy and forgotten lurking behind the neat facade of a rational world. In Curious Visions of Modernity, David Martin unpacks a collection of artifacts from the visual and historical archives of modernity, finding in each a slippage of scientific rationality—a repressed heterogeneity within the homogenized structures of post-Enlightenment knowledge. In doing so, he exposes modernity and its visual culture as haunted by precisely those things that rationality sought to expunge from the “enlightened” world: enchantment, magic, and wonderment. Martin traces the genealogies of what he considers three of the most distinct and historically immediate fields of modern visual culture: the collection, the body, and the mapping of spaces. In a narrative resembling the many-drawered curiosity cabinets of the Renaissance rather than the locked glass cases of the modern museum, he shows us a world renewed through the act of collecting the wondrous and aberrant objects of Creation; tortured and broken flesh rising from the dissecting tables of anatomy theaters to stalk the discourses of medical knowledge; and the spilling forth of a pictorializing geometry from the gilt frames of Renaissance panel paintings to venerate a panoptic god. Accounting for the visual disenchantment of modernity, Martin offers a curious vision of its reenchantment.


Travel and Drama in Early Modern England

Travel and Drama in Early Modern England
Author: Claire Jowitt
Publisher: Cambridge University Press
Total Pages: 289
Release: 2018-10-11
Genre: Drama
ISBN: 1108471188

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Offers new ways to conceptualize the relationship between early modern travel and drama, and re-assesses how travel drama is defined.


Shakespeare and the Geography of Difference

Shakespeare and the Geography of Difference
Author: John Gillies
Publisher: Cambridge University Press
Total Pages: 312
Release: 1994-05-12
Genre: Literary Criticism
ISBN: 9780521458535

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In this engaging book, John Gillies explores Shakespeare's geographic imagination, and discovers an intimate relationship between Renaissance geography and theatre, arising from their shared dependence on the opposing impulses of taboo-laden closure and hubristic expansiveness. Dr Gillies shows that Shakespeare's images of the exotic, the 'barbarous, outlandish or strange', are grounded in concrete historical fact: to be marginalised was not just a matter of social status, but of belonging, quite literally, to the margins of contemporary maps. Through an examination of the icons and emblems of contemporary cartography, Dr Gillies challenges the map-makers' overt intentions, and the attitudes and assumptions that remained below the level of consciousness. His study of map and metaphor raises profound questions about the nature of a map, and of the connections between the semiology of a map and that of the theatre.


Geospatial Visualisation

Geospatial Visualisation
Author: Antoni Moore
Publisher: Springer Science & Business Media
Total Pages: 276
Release: 2012-10-02
Genre: Science
ISBN: 3642122884

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This book is a selection of chapters evolved from papers on completed research submitted to GeoCart’2010 / the 1st ICA Regional Symposium on Cartography for Australasia and Oceania, held in Auckland, New Zealand, 1st -3rd September 2010. All of the chapters have been updated and revised thoroughly. They have been blind peer reviewed by two referees of international research standing in geospatial science, mostly in the subdisciplines of cartography and geovisualisation. The book features cutting edge topics such geovisual analytics, mobile / Web 2.0 mapping, spatiotemporal representation, cognitive cartography, historical mapping and 3D technology.


Changing Life

Changing Life
Author: Peter J. Taylor
Publisher: U of Minnesota Press
Total Pages: 544
Release: 1997
Genre: Science
ISBN: 9780816630127

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In laboratories all over the world, life -- even the idea of life -- is changing. And with these changes, whether they result in square tomatoes or cyborgs, come transformations in our social order -- sometimes welcome, sometimes troubling. Changing Life offers a close look at how the mutable forms and concepts of life link the processes of science to those of information, finance, and commodities. These essays -- about planetary management and genome sequencing, ecologies and cyborgs -- address actual and imagined transformations at the center and at the margins of transnational relations, during the post-Cold War era and in times to come.


Cartography

Cartography
Author: Matthew H. Edney
Publisher: University of Chicago Press
Total Pages: 324
Release: 2019-04-12
Genre: Technology & Engineering
ISBN: 022660571X

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“In his most ambitious work to date, [Edney] questions the very concept of ‘cartography’ to argue that this flawed ideal has hobbled the study of maps.” —Susan Schulten, author of A History of America in 100 Maps Over the past four decades, the volumes published in the landmark History of Cartography series have both chronicled and encouraged scholarship about maps and mapping practices across time and space. As the current director of the project that has produced these volumes, Matthew H. Edney has a unique vantage point for understanding what “cartography” has come to mean and include. In this book Edney disavows the term cartography, rejecting the notion that maps represent an undifferentiated category of objects for study. Rather than treating maps as a single, unified group, he argues, scholars need to take a processual approach that examines specific types of maps—sea charts versus thematic maps, for example—in the context of the unique circumstances of their production, circulation, and consumption. To illuminate this bold argument, Edney chronicles precisely how the ideal of cartography that has developed in the West since 1800 has gone astray. By exposing the flaws in this ideal, his book challenges everyone who studies maps and mapping practices to reexamine their approach to the topic. The study of cartography will never be the same. “[An] intellectually bracing and marvellously provocative account of how the mythical ideal of cartography developed over time and, in the process, distorted our understanding of maps.” —Times Higher Education “Cartography: The Ideal and Its History offers both a sharp critique of current practice and a call to reorient the field of map studies. A landmark contribution.” —Kären Wigen, coeditor of Time in Maps


Mapping Across Academia

Mapping Across Academia
Author: Stanley D. Brunn
Publisher: Springer
Total Pages: 394
Release: 2017-02-10
Genre: Science
ISBN: 9402410112

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This book addresses the role and importance of space in the respective fields of the social sciences and the humanities. It discusses how map representations and mapping processes can inform ongoing intellectual debates or open new avenues for scholarly inquiry within and across disciplines, including a wide array of significant developments in spatial processes, including the Internet, global positioning system (GPS), affordable digital photography and mobile technologies. Last but not least it reviews and assesses recent research challenges across disciplines that enhance our understanding of spatial processes and mapping at scales ranging from the molecular to the galactic.


On and Off the Page

On and Off the Page
Author: Ari J. Adipurwawidjana
Publisher: Cambridge Scholars Publishing
Total Pages: 340
Release: 2009-03-26
Genre: Literary Criticism
ISBN: 1443809381

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This collection of essays, comprised of research first presented at the seventh annual Louisiana Conference on Literature, Language, and Culture, explores one of the most pervasive, vexing, and alluring concepts in the Humanities, that of place. Including essays which encompass a broad range of research fields and methodologies, from Geography to Cybernetics, it presents a cross-section of approaches aimed revealing the complex cultural machinations behind what once may have seemed a static, one-dimensional topic. Investigations into the function of place as a force in contemporary culture inevitably reveal a long history of the interplay between place and cultural product, between 'context' and 'text'. Just as traditional cultures mythologize sacred spaces, so too has Western culture sanctified its own places through its literature. Imagined places such as Faulker’s Yoknapatawpha or Joyce’s Dublin become the focus of conferences and festivals; authors’ homes, birthplaces, and gravesites are transformed into sites of pilgrimage; locales created for television shows and movies become actual businesses catering to a public for whom the line between fantasy and reality is increasingly blurred; and persisting through the great cultural shifts of the past two hundred years is the popular and romantic notion that words, performances, narratives, and even national identities are always in some way an expression of the places in which they are created and set. With the idea of place foregrounded in so much contemporary discourse, this collection promises to enter into an already lively debate and one which, due to its relevance to where we live and how we make sense of our own “places” within them, does not show any signs of flagging.


How the West Was Drawn

How the West Was Drawn
Author: David Bernstein
Publisher: U of Nebraska Press
Total Pages: 402
Release: 2018-08-01
Genre: Social Science
ISBN: 1496208013

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How the West Was Drawn explores the geographic and historical experiences of the Pawnees, the Iowas, and the Lakotas during the European and American contest for imperial control of the Great Plains during the eighteenth and nineteenth centuries. David Bernstein argues that the American West was a collaborative construction between Native peoples and Euro-American empires that developed cartographic processes and culturally specific maps, which in turn reflected encounter and conflict between settler states and indigenous peoples. Bernstein explores the cartographic creation of the Trans-Mississippi West through an interdisciplinary methodology in geography and history. He shows how the Pawnees and the Iowas—wedged between powerful Osages, Sioux, the horse- and captive-rich Comanche Empire, French fur traders, Spanish merchants, and American Indian agents and explorers—devised strategies of survivance and diplomacy to retain autonomy during this era. The Pawnees and the Iowas developed a strategy of cartographic resistance to predations by both Euro-American imperial powers and strong indigenous empires, navigating the volatile and rapidly changing world of the Great Plains by brokering their spatial and territorial knowledge either to stronger indigenous nations or to much weaker and conquerable American and European powers. How the West Was Drawn is a revisionist and interdisciplinary understanding of the global imperial contest for North America’s Great Plains that illuminates in fine detail the strategies of survival of the Pawnees, the Iowas, and the Lakotas amid accommodation to predatory Euro-American and Native empires.