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Carousel

Carousel
Author:
Publisher:
Total Pages:
Release: 1961
Genre:
ISBN:

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Carter Barron Amphitheatre, The Feld Brothers, in association with Lester Shurr and Howard Hoyt, present John Raitt and Jan Clayton in the musical play "Carousel," music by Richard Rogers, book and lyrics by Oscar Hammerstein 2nd, based on Ferenc Molnar's "Liliom," as adapted by Benjamin F. Glazer, with Edmund Baylies, Don Becker, Lois Grandi, Lu Leonard, Linda King, Joseph Shaeffer, Felice Orlandi, Kevin Carlisle, John Fearnley, Penny Fuller, Ina Kurland, entire production staged by John Fearnley, musical direction Irving Actman.


The Haunted Carousel

The Haunted Carousel
Author: Ruth A. Purkey
Publisher: I. E. Clark Publications
Total Pages: 28
Release: 1982-07
Genre: Drama
ISBN: 9780886800802

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Carousel

Carousel
Author: Richard Rodgers
Publisher:
Total Pages: 0
Release: 1946
Genre:
ISBN:

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Twinkle, Twinkle, Little Star

Twinkle, Twinkle, Little Star
Author:
Publisher: B.E.S. Publishing
Total Pages: 10
Release: 2016
Genre: Juvenile Fiction
ISBN: 9780764168604

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An interactive book that's fun to open, fun to stand up, and fun to read!


Rodgers and Hammerstein's Carousel

Rodgers and Hammerstein's Carousel
Author: Tim Carter
Publisher: Oxford University Press
Total Pages: 169
Release: 2017
Genre: Music
ISBN: 0190693444

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"Following the success of their first collaboration, Oklahoma! (1943), composer Richard Rodgers and librettist Oscar Hammerstein II worked again with producers Theresa Helburn and Lawrence Langner, director Rouben Mamoulian, and choreographer Agnes de Mille to put on a very different kind of show. Based on the play Liliom (1909) by Hungarian playwright Ferenc Molnaaar, Carousel (1945) took Broadway musical theater in a far darker direction than it had gone before with its gritty plot, anti-hero protagonist, and extensive music that critics claimed came close to opera. Carousel transplants the themes of Molnaaa's play into a new setting on the New England coast, telling the story of two social misfits struggling to survive harsh economic times: Julie Jordan defies the conventions of small-town America in her choice of a husband, and Billy Bigelow--unemployed and prone to domestic violence--dies in the course of committing a robbery. Author Tim Carter examines how this troubling subject matter fits into the context of a country moving through the end of World War II to an uncertain future, and how Carousel transformed the American musical on stage and screen."--Back cover.


The Sound of Broadway Music

The Sound of Broadway Music
Author: Steven Suskin
Publisher: Oxford University Press
Total Pages: 672
Release: 2009-04-08
Genre: Music
ISBN: 9780199718825

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Broadway's top orchestrators - Robert Russell Bennett, Don Walker, Philip J. Lang, Jonathan Tunick - are names well known to musical theatre fans, but few people understand precisely what the orchestrator does. The Sound of Broadway Music is the first book ever written about these unsung stars of the Broadway musical whose work is so vital to each show's success. The book examines the careers of Broadway's major orchestrators and follows the song as it travels from the composer's piano to the orchestra pit. Steven Suskin has meticulously tracked down thousands of original orchestral scores, piecing together enigmatic notes and notations with long-forgotten documents and current interviews with dozens of composers, producers, conductors and arrangers. The information is separated into three main parts: a biographical section which gives a sense of the life and world of twelve major theatre orchestrators, as well as incorporating briefer sections on another thirty arrangers and conductors; a lively discussion of the art of orchestration, written for musical theatre enthusiasts (including those who do not read music); a biographical section which gives a sense of the life and world of twelve major theatre orchestrators, as well as incorporating briefer sections on another thirty arrangers and conductors; and an impressive show-by-show listing of more than seven hundred musicals, in many cases including a song-by-song listing of precisely who orchestrated what along with relevant comments from people involved with the productions. Stocked with intriguing facts and juicy anecdotes, many of which have never before appeared in print, The Sound of Broadway Music brings fascinating and often surprising new insight into the world of musical theatre.


The Oxford Companion to the American Musical

The Oxford Companion to the American Musical
Author: Thomas S. Hischak
Publisher:
Total Pages: 958
Release: 2008
Genre: Musicals
ISBN: 0195335333

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An authoritative reference for this highly popular genre, this book covers Broadway, Hollywood and television in one volume. With more than two thousand entries, this book offers a wealth of information on musicals, performers, composers, lyricists, producers, choreographers, and much more.


Something Wonderful

Something Wonderful
Author: Todd S. Purdum
Publisher: Henry Holt
Total Pages: 400
Release: 2018-04-03
Genre: Biography & Autobiography
ISBN: 162779834X

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"Even before they joined forces, Richard Rodgers and Oscar Hammerstein II had written dozens of Broadway shows, but together they pioneered a new art form: the serious musical play. Their songs and dance numbers served to advance the drama and reveal character, a sharp break from the past and the template on which all future musicals would be built. [This is a portrait of that creative partnership]"--Amazon.com


Carousel

Carousel
Author: Richard Rodgers
Publisher:
Total Pages: 216
Release: 1946
Genre: Musicals
ISBN:

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After the Silents

After the Silents
Author: Michael Slowik
Publisher: Columbia University Press
Total Pages: 403
Release: 2014-10-21
Genre: Performing Arts
ISBN: 0231535503

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Many believe Max Steiner's score for King Kong (1933) was the first important attempt at integrating background music into sound film, but a closer look at the industry's early sound era (1926–1934) reveals a more extended and fascinating story. Viewing more than two hundred films from the period, Michael Slowik launches the first comprehensive study of a long-neglected phase in Hollywood's initial development, recasting the history of film sound and its relationship to the "Golden Age" of film music (1935–1950). Slowik follows filmmakers' shifting combinations of sound and image, recapturing the volatility of this era and the variety of film music strategies that were tested, abandoned, and kept. He explores early film music experiments and accompaniment practices in opera, melodrama, musicals, radio, and silent films and discusses the impact of the advent of synchronized dialogue. He concludes with a reassessment of King Kong and its groundbreaking approach to film music, challenging the film's place and importance in the timeline of sound achievement.