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Carnival and Literature in Early Modern England

Carnival and Literature in Early Modern England
Author: Jennifer C. Vaught
Publisher: Routledge
Total Pages: 337
Release: 2016-04-08
Genre: Literary Criticism
ISBN: 1317169654

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Carnival and Literature in Early Modern England explores the elite and popular festive materials appropriated by authors during the English Renaissance in a wide range of dramatic and non-dramatic texts. Although historical records of rural, urban, and courtly seasonal customs in early modern England exist only in fragmentary form, Jennifer Vaught traces the sustained impact of festivals and rituals on the plays and poetry of sixteenth- and seventeenth-century English writers. She focuses on the diverse ways in which Shakespeare, Spenser, Marlowe, Dekker, Jonson, Milton and Herrick incorporated the carnivalesque in their works. Further, she demonstrates how these early modern texts were used-and misused-by later writers, performers, and inventors of spectacles, notably Mardi Gras krewes organizing parades in the American Deep South. The works featured here often highlight violent conflicts between individuals of different ranks, ethnicities, and religions, which the author argues reflect the social realities of the time. These Renaissance writers responded to republican, egalitarian notions of liberty for the populace with radical support, ambivalence, or conservative opposition. Ultimately, the vital, folkloric dimension of these plays and poems challenges the notion that canonical works by Shakespeare and his contemporaries belong only to 'high' and not to 'low' culture.


Carnival and Literature in Early Modern England

Carnival and Literature in Early Modern England
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Total Pages: 208
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Download Carnival and Literature in Early Modern England Book in PDF, ePub and Kindle

Carnival and Literature in Early Modern England explores the elite and popular festive materials appropriated by authors during the English Renaissance in a wide range of dramatic and non-dramatic texts. Although historical records of rural, urban, and courtly seasonal customs in early modern England exist only in fragmentary form, Jennifer Vaught traces the sustained impact of festivals and rituals on the plays and poetry of sixteenth- and seventeenth-century English writers. She focuses on the diverse ways in which Shakespeare, Spenser, Marlowe, Dekker, Jonson, Milton and Herrick incorporated the carnivalesque in their works. Further, she demonstrates how these early modern texts were used-and misused-by later writers, performers, and inventors of spectacles, notably Mardi Gras krewes organizing parades in the American Deep South. The works featured here often highlight violent conflicts between individuals of different ranks, ethnicities, and religions, which the author argues reflect the social realities of the time. These Renaissance writers responded to republican, egalitarian notions of liberty for the populace with radical support, ambivalence, or conservative opposition. Ultimately, the vital, folkloric dimension of these plays and poems challenges the notion that canonical works by Shakespeare and his contemporaries belong only to 'high' and not to 'low' culture.


Carnival and Theater (Routledge Revivals)

Carnival and Theater (Routledge Revivals)
Author: Michael D. Bristol
Publisher: Routledge
Total Pages: 218
Release: 2014-03-18
Genre: History
ISBN: 1317748301

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In this title, first published in 1985, Michael Bristol draws on several theoretical and critical traditions to study the nature and purpose of theatre as a social institution: on Marxism, and its revisions in the work of Mikhail Bakhtin; on the theories of Emile Durkheim and their adaptations in the work of Victor Turner; and on the history of social life and material culture as practiced by the Annales school. This valuable work is an important contribution to literary criticism, theatre studies and social history and has particular importance for scholars interested in the dramatic literature of Elizabethan England.


Performing Disability in Early Modern English Drama

Performing Disability in Early Modern English Drama
Author: Leslie C. Dunn
Publisher: Springer Nature
Total Pages: 333
Release: 2021-01-04
Genre: Literary Criticism
ISBN: 3030572080

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Performing Disability in Early Modern English Drama investigates the cultural work done by early modern theatrical performances of disability. Proffering an expansive view of early modern disability in performance, the contributors suggest methodologies for finding and interpreting it in unexpected contexts. The volume also includes essays on disabled actors whose performances are changing the meanings of disability in Shakespeare for present-day audiences. By combining these two areas of scholarship, this text makes a unique intervention in early modern studies and disability studies alike. Ultimately, the volume generates a conversation that locates and theorizes the staging of particular disabilities within their historical and literary contexts while considering continuity and change in the performance of disability between the early modern period and our own.


Bodies, Speech, and Reproductive Knowledge in Early Modern England

Bodies, Speech, and Reproductive Knowledge in Early Modern England
Author: Sara D. Luttfring
Publisher: Routledge
Total Pages: 246
Release: 2015-07-16
Genre: Literary Criticism
ISBN: 1317534468

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This volume examines early modern representations of women’s reproductive knowledge through new readings of plays, monstrous birth pamphlets, medical treatises, court records, histories, and more, which are often interpreted as depicting female reproductive bodies as passive, silenced objects of male control and critique. Luttfring argues instead that these texts represent women exercising epistemological control over reproduction through the stories they tell about their bodies and the ways they act these stories out, combining speech and physical performance into what Luttfring calls 'bodily narratives.' The power of these bodily narratives extends beyond knowledge of individual bodies to include the ways that women’s stories about reproduction shape the patriarchal identities of fathers, husbands, and kings. In the popular print and theater of early modern England, women’s bodies, women’s speech, and in particular women’s speech about their bodies perform socially constitutive work: constructing legible narratives of lineage and inheritance; making and unmaking political alliances; shaping local economies; and defining/delimiting male socio-political authority in medical, royal, familial, judicial, and economic contexts. This book joins growing critical discussion of how female reproductive bodies were used to represent socio-political concerns and will be of interest to students and scholars working in early modern literature and culture, women’s history, and the history of medicine.


Radical Comedy in Early Modern England

Radical Comedy in Early Modern England
Author: Rick Bowers
Publisher: Routledge
Total Pages: 150
Release: 2016-04-08
Genre: Literary Criticism
ISBN: 1317071972

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Drawing on the generic and mythic strength of comedy and the theories of Bakhtin, Bergson, and Hobbes, this book identifies the radical nature of early modern English comedy. The satirical comedic actions that shape the "Shepherds' Play," Thomas Dekker's pamphlets, and the comic dramas of Marston, Middleton, and Jonson are all driven, Bowers points out, by an ability to criticize authority, assert plebeian culture, and insist on the complexity and innovation of human discourse. The texts examined (including The Jew of Malta, Metamorphosis of Ajax, Antonio and Mellida, Bartholomew Fair, The Alchemist, and A Chaste Maid in Cheapside) simultaneously create and employ standard comedic elements. Farce, absurdity, excess, over-the-top characters, unremitting irony, black humor, toilet humor, and tricksters of all types - such features and more combine to satirize medical, religious, and political authority and to implement necessary social change. Written with a narrative ease, Radical Comedy in Early Modern England shows how comic interventions both describe and reconfigure prevalent authority in its own time while arguing that, through early modern comedy, one can observe the changes in social behavior and understandings characteristic of the Renaissance.


Rhetorics of Bodily Disease and Health in Medieval and Early Modern England

Rhetorics of Bodily Disease and Health in Medieval and Early Modern England
Author: Jennifer C. Vaught
Publisher: Routledge
Total Pages: 292
Release: 2016-04-08
Genre: Literary Criticism
ISBN: 131706321X

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Susan Sontag in Illness as Metaphor and AIDS and Its Metaphors points to the vital connection between metaphors and bodily illnesses, though her analyses deal mainly with modern literary works. This collection of essays examines the vast extent to which rhetorical figures related to sickness and health-metaphor, simile, pun, analogy, symbol, personification, allegory, oxymoron, and metonymy-inform medieval and early modern literature, religion, science, and medicine in England and its surrounding European context. In keeping with the critical trend over the past decade to foreground the matter of the body and the emotions, these essays track the development of sustained, nuanced rhetorics of bodily disease and health ” physical, emotional, and spiritual. The contributors to this collection approach their intriguing subjects from a wide range of timely, theoretical, and interdisciplinary perspectives, including the philosophy of language, semiotics, and linguistics; ecology; women's and gender studies; religion; and the history of medicine. The essays focus on works by Dante, Chaucer, Spenser, Shakespeare, Donne, and Milton among others; the genres of epic, lyric, satire, drama, and the sermon; and cultural history artifacts such as medieval anatomies, the arithmetic of plague bills of mortality, meteorology, and medical guides for healthy regimens.


Masquerade and Civilization

Masquerade and Civilization
Author: Terry Castle
Publisher: Stanford University Press
Total Pages: 420
Release: 1986
Genre: Literary Criticism
ISBN: 9780804714686

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Public masquerades were a popular and controversial form of urban entertainment in England for most of the eighteenth century. They were held regularly in London and attended by hundreds, sometimes thousands, of people from all ranks of society who delighted in disguising themselves in fanciful costumes and masks and moving through crowds of strangers. The authors shows how the masquerade played a subversive role in the eighteenth-century imagination, and that it was persistently associated with the crossing of class and sexual boundaries, sexual freedom, the overthrow of decorum, and urban corruption. Authorities clearly saw it as a profound challenge to social order and persistently sought to suppress it. The book is in two parts. In the first, the author recreates the historical phenomenon of the English masquerade: the makeup of the crowds, the symbolic language of costume, and the various codes of verbal exchange, gesture, and sexual behavior. The second part analyzes contemporary literary representations of the masquerade, using novels by Richardson, Fielding, Burney, and Inchbald to show how the masquerade in fiction reflected the disruptive power it had in contemporary life. It also served as an indispensable plot-catalyst, generating the complications out of which the essential drama of the fiction emerged. An epilogue discusses the use of the masquerade as a literary device after the eighteenth century. The book contains some 40 illustrations.


The Popular Culture of Shakespeare, Spenser and Jonson

The Popular Culture of Shakespeare, Spenser and Jonson
Author: Mary Ellen Lamb
Publisher: Routledge
Total Pages: 276
Release: 2006-09-27
Genre: Business & Economics
ISBN: 1134441118

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By analyzing appropriations of fairies, old wives, and mummers, this project explores the conflicted entanglements of early moderns leaving, or attempting to leave, a once-shared common culture behind.


Literature and Popular Culture in Early Modern England

Literature and Popular Culture in Early Modern England
Author: Andrew Hadfield
Publisher: Routledge
Total Pages: 233
Release: 2016-12-05
Genre: History
ISBN: 1351922009

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1978 witnessed the publication of Peter Burke's groundbreaking study Popular Culture in Early Modern Europe. Now in its third edition this remarkable book has for thirty years set the benchmark for cultural historians with its wide ranging and imaginative exploration of early modern European popular culture. In order to celebrate this achievement, and to explore the ways in which perceptions of popular culture have changed in the intervening years a group of leading scholars are brought together in this new volume to examine Burke's thesis in relation to England. Adopting an appropriately interdisciplinary approach, the collection offers an unprecedented survey of the field of popular culture in early modern England as it currently stands, bringing together scholars at the forefront of developments in an expanding area. Taking as its starting point Burke's argument that popular culture was everyone's culture, distinguishing it from high culture, which only a restricted social group could access, it explores an intriguing variety of sources to discover whether this was in fact the case in early modern England. It further explores the meaning and significance of the term 'popular culture' when applied to the early modern period: how did people distinguish between high and low culture - could they in fact do so? Concluded by an Afterword by Peter Burke, the volume provides a vivid sense of the range and significance of early modern popular culture and the difficulties involved in defining and studying it.