Canzon 5
Author | : Claudio Merulo |
Publisher | : |
Total Pages | : 16 |
Release | : 1969 |
Genre | : Brass quartets (Horn, trombone, trumpets (2)) |
ISBN | : |
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Author | : Claudio Merulo |
Publisher | : |
Total Pages | : 16 |
Release | : 1969 |
Genre | : Brass quartets (Horn, trombone, trumpets (2)) |
ISBN | : |
Author | : Giovanni Gabrieli |
Publisher | : |
Total Pages | : 32 |
Release | : 1972 |
Genre | : Brass septets (Horn, trombones (2), trumpets (4)) |
ISBN | : |
Author | : John H. Baron |
Publisher | : Pendragon Press |
Total Pages | : 506 |
Release | : 1998 |
Genre | : Juvenile Nonfiction |
ISBN | : 9781576471005 |
This is the first comprehensive overview of instrumental chamber music from the 16th century to the present. There are comparisons of different genres, composers, and periods. Situations for chamber music at different moments in history are brought into a continuum, and all aspects of chamber music are placed into perspective. A History of the Idea of Chamber Music is chronologically organized at the most general level. Beyond that, national schools figure prominently, as well as genres and personalities. Throughout this book the composition of chamber music, the performance of chamber music, and the social, economic, political, and aesthetic conditions for chamber music have been considered per se and as they interact. (From the Introduction)
Author | : Johann Melchior Molter |
Publisher | : |
Total Pages | : 64 |
Release | : 1977 |
Genre | : Concertos (Trumpets (2) with string orchestra) |
ISBN | : |
Author | : Giorgio A. Pinton |
Publisher | : Rodopi |
Total Pages | : 345 |
Release | : 2013 |
Genre | : |
ISBN | : 940120912X |
In September of 1701, events transpired in Naples that, through frequent retellings, became popularly known as “the conspiracy of the Prince of Macchia.” Rapidly gaining fame, this apparently anonymous narrative was soon incorporated by different historians in their history of the transition years between the seventeenth and eighteenth centuries. But who was the initial bard or narrator, the town clerk or citizen who first gave testimony of this event by creating a Latin text of the story of the Prince of Macchia? Giambattista Vico was not among the claimants to the authorship of the fabulous story that changed the future of the Kingdom of Naples. Nevertheless, four scholars across the nineteenth and twentieth centuries were themselves convinced, and managed to convince the intellectual world as well, that Vico, then a young teacher of rhetoric at the University of Naples, was indeed the source of this original Latin narration of this oft retold Neapolitan history. This book provides the original Latin text with a parallel translation, as well as historical context and analysis of both the text’s authorship history and the account itself.
Author | : Claudio Merulo |
Publisher | : A-R Editions, Inc. |
Total Pages | : 208 |
Release | : 1992-01-01 |
Genre | : Music |
ISBN | : 0895792729 |
"Described by Galilei as "sonatore de tasti, e contrapuntista rarissimo," Claudio Merulo left twenty-four canzoni d'intavolatura, presented here in a complete edition for the first time. When compared with their models, also included in this edition, Merulo's Canzoni constitute an invaluable guide to keyboard ornamentation of the late-sixteenth century." --
Author | : Michael Collver |
Publisher | : Indiana University Press |
Total Pages | : 228 |
Release | : 1996-08-22 |
Genre | : Music |
ISBN | : 9780253209740 |
". . . a major contribution to cornett research and belongs in the library of every cornettist." —Historic Brass Society ". . . scrupulously detailed. . . The first successful attempt to provide a comprehensive reference book on the cornett and its music. Recommended for both upper-division undergraduate libraries and collections serving music scholars and performers." —Choice " . . . it will likely stand as the definitive bibliography of cornett music for many years." —Notes ". . . this is a groundbreaking study of the subject . . . likely to remain the only major study of the instrument and the music composed for it." —American Reference Books Annual ". . . every cornett player owes an immense debt of gratitude to [the authors and their assistants] for revealing such a wealth of performing opportunities . . ." —European Journal of Early Music The cornett is made of wood but has a brass cup mouthpiece and uses woodwind finger technique. Here the authors have compiled a bibliography of all extant sources of instrumental and vocal music which specify the cornett.
Author | : Mary Lewis |
Publisher | : Routledge |
Total Pages | : 614 |
Release | : 2013-10-18 |
Genre | : Music |
ISBN | : 1135575002 |
Antonio Gardano's publications are among the most important sources of sixteenth-century music. This final volume in Mary Lewis's three volume set completes the catalogue of Antonio Gardano's publications, covering the years 1560-1569.
Author | : Jane A. Bernstein |
Publisher | : Oxford University Press |
Total Pages | : 1196 |
Release | : 1998-10-29 |
Genre | : Music |
ISBN | : 019977160X |
Venetian music print culture of the mid-sixteenth century is presented here through a study of the Scotto press, one of the foremost dynastic music publishers of the Renaissance. For over a century, the house of Scotto played a pivotal role in the international book trade, publishing in a variety of fields including philosophy, medicine, religion, and music. This book examines the mercantile activities of the firm through both a historical study, which illuminates the wide world of the Venetian music printing industry, and a catalog, which details the music editions brought out by the firm during its most productive period. A valuable reference work, this book not only enhances our understanding of the socioeconomic and cultural history of Renaissance Venice, it also helps to preserve our knowledge of a vast musical repertory.
Author | : Willi Apel |
Publisher | : Indiana University Press |
Total Pages | : 332 |
Release | : 1990 |
Genre | : Music |
ISBN | : 9780253306838 |
"The emergence of pieces designated for specific instruments marked a significant change in musical practice. The celebrated musicologist Willi Apel discusses virtually all the surviving printed works from the seventeenth century that are intended for the violin. He describes the music of some sixty Italian composers of this period, detailing the individual innovative aspects of the pieces, their form, and issues of performance practice." --