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Canadian Inuit Literature

Canadian Inuit Literature
Author: Robin McGrath
Publisher: National Museum of Man, National Museums of Canada
Total Pages: 246
Release: 1984
Genre: Canadian literature
ISBN:

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Documents and briefly examines how Canada's Inuit moved from an oral tradition of literature in Inuktitut to a written tradition in their second language, English.


Canadian Inuit literature

Canadian Inuit literature
Author: Robin McGrath
Publisher: University of Ottawa Press
Total Pages: 242
Release: 1984-01-01
Genre: Social Science
ISBN: 1772822574

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A study of the development of contemporary Inuit literature, in both Inuktitut and English, including a discussion of its themes, structures and roots in oral tradition. The author concludes that a strong continuity persists between the two narrative forms despite apparent differences in subject matter and language.


Stories in a New Skin

Stories in a New Skin
Author: Keavy Martin
Publisher: Univ. of Manitoba Press
Total Pages: 200
Release: 2012-12-15
Genre: Literary Criticism
ISBN: 0887554288

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In an age where southern power-holders look north and see only vacant polar landscapes, isolated communities, and exploitable resources, it is important to note that the Inuit homeland encompasses extensive philosophical, political, and literary traditions. Stories in a New Skin is a seminal text that explores these Arctic literary traditions and, in the process, reveals a pathway into Inuit literary criticism. Author Keavy Martin considers writing, storytelling, and performance from a range of genres and historical periods – the classic stories and songs of Inuit oral traditions, life writing, oral histories, and contemporary fiction, poetry and film – and discusses the ways in which these texts constitute an autonomous literary tradition. She draws attention to the interconnection between language, form and context and illustrates the capacity of Inuit writers, singers and storytellers to instruct diverse audiences in the appreciation of Inuit texts. Although Eurowestern academic contexts and literary terminology are a relatively foreign presence in Inuit territory, Martin builds on the inherent adaptability and resilience of Inuit genres in order to foster greater southern awareness of a tradition whose audience has remained primarily northern.


Canadian Inuit Literature

Canadian Inuit Literature
Author: Robin McGrath
Publisher:
Total Pages: 230
Release: 1984
Genre:
ISBN:

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Sanaaq

Sanaaq
Author: Mitiarjuk Nappaaluk
Publisher: Univ. of Manitoba Press
Total Pages: 239
Release: 2014-01-01
Genre: Fiction
ISBN: 0887554474

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Sanaaq is an intimate story of an Inuit family negotiating the changes brought into their community by the coming of the qallunaat, the white people, in the mid-nineteenth century. Composed in 48 episodes, it recounts the daily life of Sanaaq, a strong and outspoken young widow, her daughter Qumaq, and their small semi-nomadic community in northern Quebec. Here they live their lives hunting seal, repairing their kayak, and gathering mussels under blue sea ice before the tide comes in. These are ordinary extraordinary lives: marriages are made and unmade, children are born and named, violence appears in the form of a fearful husband or a hungry polar bear. Here the spirit world is alive and relations with non-humans are never taken lightly. And under it all, the growing intrusion of the qallunaat and the battle for souls between the Catholic and Anglican missionaries threatens to forever change the way of life of Sanaaq and her young family.


Northern Experience and the Myths of Canadian Culture

Northern Experience and the Myths of Canadian Culture
Author: Renée Hulan
Publisher: McGill-Queen's Press - MQUP
Total Pages: 232
Release: 2002-03-26
Genre: Literary Criticism
ISBN: 0773569448

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By investigating mutually dependent categories of identity in literature that depicts northern peoples and places, Hulan provides a descriptive account of representative genres in which the north figures as a central theme - including autobiography, adventure narrative, ethnography, fiction, poetry, and travel writing. She considers each of these diverse genres in terms of the way it explains the cultural identity of a nation formed from the settlement of immigrant peoples on the lands of dispossessed, indigenous peoples. Reading against the background of contemporary ethnographic, literary, and cultural theory, Hulan maintains that the collective Canadian identity idealized in many works representing the north does not occur naturally but is artificially constructed in terms of characteristics inflected by historically contingent ideas of gender and race, such as self-sufficiency, independence, and endurance, and that these characteristics are evoked to justify the nationhood of the Canadian state.