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| Author | : Miguel Algarin |
| Publisher | : Macmillan |
| Total Pages | : 540 |
| Release | : 1994-08-15 |
| Genre | : Music |
| ISBN | : 0805032576 |
A multicultural selection of contemporary poems by Puerto Rican and other poets who meet at the Nuyorican Poets Cafe in New York City.
| Author | : Ray R. Tyndale |
| Publisher | : Wakefield Press |
| Total Pages | : 98 |
| Release | : 2013 |
| Genre | : Poetry |
| ISBN | : 1743052057 |
For six months in early 2012, Ray Tyndale worked as a cafe poet at a cafe in the mainstreet of beach side Semaphore in Adelaide. Here is the result: anecdotes and stories, both happy and sad but displaying the core of community in poems that are accessible, sometimes funny, sometimes black but always distilling the essence of life in Semaphore.
| Author | : Karen Jaime |
| Publisher | : NYU Press |
| Total Pages | : 139 |
| Release | : 2021-06-29 |
| Genre | : Performing Arts |
| ISBN | : 147980827X |
Finalist for The Barnard Hewitt Award for Outstanding Research in Theatre History, given by the American Society for Theatre Research. Silver Medal Winner of The Victor Villaseñor Best Latino Focused Non-Fiction Book Award, given by the International Latino Book Awards. Honorable Mention for the Best LGBTQ+ Themed Book, given by the International Latino Book Awards. A queer genealogy of the famous performance space and the nuyorican aesthetic One could easily overlook the Nuyorican Poets Cafe, a small, unassuming performance venue on New York City’s Lower East Side. Yet the space once hosted the likes of Victor Hernández Cruz, Allen Ginsberg, and Amiri Baraka and is widely credited as the homespace for the emergent nuyorican literary and aesthetic movement of the 1990s. Founded by a group of counterculturalist Puerto Rican immigrants and artists in the 1970s, the space slowly transformed the Puerto Rican ethnic and cultural associations of the epithet “Nuyorican,” as the Cafe developed into a central hub for an artistic movement encompassing queer, trans, and diasporic performance. The Queer Nuyorican is the first queer genealogy and critical study of the historical, political, and cultural conditions under which the term “Nuyorican” shifted from a raced/ethnic identity marker to “nuyorican,” an aesthetic practice. The nuyorican aesthetic recognizes and includes queer poets and performers of color whose writing and performance build upon the politics inherent in the Cafe’s founding. Initially situated within the Cafe’s physical space and countercultural discursive history, the nuyorican aesthetic extends beyond these gendered and ethnic boundaries, broadening the ethnic marker Nuyorican to include queer, trans, and diasporic performance modalities. Hip-hop studies, alongside critical race, queer, literary, and performance theories, are used to document the interventions made by queer and trans artists of color—Miguel Piñero, Regie Cabico, Glam Slam participants, and Ellison Glenn/Black Cracker—whose works demonstrate how the Nuyorican Poets Cafe has operated as a queer space since its founding. In focusing on artists who began their careers as spoken word artists and slam poets at the Cafe, The Queer Nuyorican examines queer modes of circulation that are tethered to the increasing visibility, commodification, and normalization of spoken word, slam poetry, and hip-hop theater in the United States and abroad.
| Author | : John Newlin |
| Publisher | : |
| Total Pages | : 278 |
| Release | : 2009-06 |
| Genre | : Poetry |
| ISBN | : 9780984053018 |
A collection of fine poetry by California poet John Newlin.
| Author | : David Biespiel |
| Publisher | : University of Washington Press |
| Total Pages | : 98 |
| Release | : 2019-02-01 |
| Genre | : Poetry |
| ISBN | : 0295744545 |
Inspired by Alain Resnais’s Hiroshima mon amour, and sharing the spirit of Tomas Transtromer’s Baltics and Yehuda Amichai’s Time, Republic Café is a meditation on love during a time of violence, and a tally of what appears and disappears in every moment. Mindful of epigenetic experience as our bodies become living vessels for history’s tragedies, David Biespiel praises not only the essentialness of our human memory, but also the sanctity of our flawed, human forgetting. A single sequence, arranged in fifty-four numbered sections, Republic Café details the experience of lovers in Portland, Oregon, on the eve and days following September 11, 2001. To touch a loved one’s bare skin, even in the midst of great tragedy, is simultaneously an act of remembering and forgetting. This is a tale of love and darkness, a magical portrait of the writer as a moral and imaginative participant in the political life of his nation.
| Author | : Roger Bonair-Agard |
| Publisher | : |
| Total Pages | : 208 |
| Release | : 2000 |
| Genre | : Literary Criticism |
| ISBN | : |
In the summer of 1998, Roger Bonair-Agard, Stephen Colman, Guy LeCharles Gonzalez, Alix Olson and Lynne Procope took the championship belt at the National Poetry Slam, the first team from the world-famous Nuyorica Poets Cafe. These five poets stand at the vanguard of the slam movement, with verse that is passionate, tight, political and lucid.
| Author | : Xiao Yan |
| Publisher | : Simon and Schuster |
| Total Pages | : 82 |
| Release | : 2020-05-05 |
| Genre | : Poetry |
| ISBN | : 1951627067 |
For Readers of Rupi Kaur and Courtney Peppernell, a Poetic Diary that Confronts and Meditates on Love, Hope, and Despair "There were two entrances to the café, but I always opted for the narrower one hidden in the shadows. I always chose the same table at the back of the little room to write my poems to you, day by day. Let the world around you fade, and close the door. Get rid of your rolling cigarettes. Yes, I’m writing this for you. Some beautiful things: warm nights after the rain, old books, tea in the afternoon, fresh laundry, and blurry moon. This might justify your life." Written in the vein of today's young confessional poets, Café after Dawn isa diary written in the form of poetry. Penned during the four years that Xiao Yan spent with her mother who was undergoing cancer treatment in New York, each poem is a reflection of her thoughts on existential crisis, universal truth, traumatized youth, death, romance, and the struggles between hope and despair in our modern society. Using the power of poetry and innovative visual design, as well as experiments on the connection between Eastern and Western culture, Café after Dawn unleashes a healing power that will set readers free from judgment, self-doubt, and anxiety.
| Author | : David Lee |
| Publisher | : Copper Canyon Press |
| Total Pages | : 162 |
| Release | : 1999 |
| Genre | : Poetry |
| ISBN | : 1556591322 |
Irresistably accessible "Pig Poet" - and subject of PBS documentary - is half preacher, half farmer, half genius.
| Author | : Bruce Allen Dick |
| Publisher | : University of Arizona Press |
| Total Pages | : 244 |
| Release | : 2022-02-22 |
| Genre | : Literary Criticism |
| ISBN | : 0816548218 |
Among students and aficionados of contemporary literature, the work of Latina and Latino poets holds a particular fascination. Through works imbued with fire and passion, these writers have kindled new enthusiasm in their compatriots and admiration in non-Latino readers. This book brings together recent interviews with fifteen Latino/a poets, a cross-section of Chicano, Puerto Rican, and Cuban voices who discuss not only their work but also related issues that help define their place in American literature. Each talks at length about the craft of his or her poetry—both the influences and the process behind it—and takes a stand on social and political issues affecting Latinos across the United States. The interviews feature both established writers published as early as the 1960s and emerging artists, each of whom has enjoyed success in other literary forms also. As Bruce Dick's insightful questions reveal, the key threads linking these writers are their connections to their families and communities and their concern for civil rights—believing like Chicana writer Pat Mora that "the work of the poet is for the people." The interviews also reveal diversity among and within the three communities, from Victor Hernández Cruz, who traces Latino collective identity to Africa and claims that all Latinos are "swimming in olive oil," to Cuban writer Gustavo Perez Firmat, who considers nationality more important than ethnicity and says that "the term Latino erases [his] nationality." The dialogues also offer new insights on the place of Chicano/a writings in the U.S.-Mexico borderlands, on the Puerto Rican/Nuyorican establishment, and on the anti-Castro stand of Cuban-born poets. As these writers answer questions about their work, background, ethnic identity, and political ideology, they provide a wealth of biographical, intellectual, and literary material collected here for the first time. A Poet's Truth is a provocative and revealing book that not only conveys the fire of these writers' passions but also sheds important light on a whole literary movement. Interviews with: Miguel Algarín Martín Espada Sandra María Esteves Victor Hernández Cruz Carolina Hospital and Carlos Medina Demetria Martínez Pat Mora Judith Ortiz Cofer Ricardo Pau-Llosa Gustavo Pérez Firmat Leroy Quintana Aleida Rodríguez Luis Rodríguez Benjamin Alire Sáenz Virgil Suárez
| Author | : Michael Kleber-Diggs |
| Publisher | : Milkweed Editions |
| Total Pages | : 76 |
| Release | : 2021-06-08 |
| Genre | : Poetry |
| ISBN | : 1571317635 |
Finalist for the 2022 Minnesota Book Award in Poetry “Sometimes,” Michael Kleber-Diggs writes in this winner of the Max Ritvo Poetry Prize, “everything reduces to circles and lines.” In these poems, Kleber-Diggs names delight in the same breath as loss. Moments suffused with love—teaching his daughter how to drive; watching his grandmother bake a cake; waking beside his beloved to ponder trumpet mechanics—couple with moments of wrenching grief—a father’s life ended by a gun; mourning children draped around their mother’s waist; Freddie Gray’s death in police custody. Even in the refuge-space of dreams, a man calls the police on his Black neighbor. But Worldly Things refuses to “offer allegiance” to this centuries-old status quo. With uncompromising candor, Kleber-Diggs documents the many ways America systemically fails those who call it home while also calling upon our collective potential for something better. “Let’s create folklore side-by-side,” he urges, asking us to aspire to a form of nurturing defined by tenderness, to a kind of community devoted to mutual prosperity. “All of us want,” after all, “our share of light, and just enough rainfall.” Sonorous and measured, the poems of Worldly Things offer needed guidance on ways forward—toward radical kindness and a socially responsible poetics. Additional Recognition: A New York Times Book Review "New & Noteworthy Poetry" Selection A Library Journal "Poetry Title to Watch 2021" A Chicago Review of Books "Poetry Collection to Read in 2021" A Reader's Digest "14 Amazing Black Poets to Know About Now" Selection A Books Are Magic "Recommended Reading" Selection An Indie Gift Guide 2021 Indie Next Selection
