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CA-Visual Objects

CA-Visual Objects
Author: Carl Ganz
Publisher: Prentice Hall
Total Pages: 844
Release: 1995-01-01
Genre: Computers
ISBN: 9780672305665

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This text, using a solutions-oriented approach, introduces readers to visual programming and explains how it is used in developing various parts of an application. The book teaches development methodology while presenting the Windows database development tool, CA-Visual Objects.


CA-visual Objects

CA-visual Objects
Author: Ivo Wessel
Publisher: Hanser Gardner Publications
Total Pages: 826
Release: 2003
Genre: Computers
ISBN: 9781569903513

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Wessel, a computing trainer and author, and Bless, an advisor and coach for object technology, describe how to develop CA-Visual Object 2.6 programs which can stand up in a world of modern Office applications and which use the options of e-mail and the Internet. Emphasis is on the use of efficient API interfaces for Windows, COM, and XML. All examp


Rick Spence's Guide to CA-Visual Objects

Rick Spence's Guide to CA-Visual Objects
Author: Rick Spence
Publisher: Sybex Incorporated
Total Pages: 703
Release: 1995
Genre: Computers
ISBN: 9780782116687

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This outstanding and extensive tutorial explaining and illustrating all details of programming in Visual Objects provides complete orientation to the VO Interactive Development Environment, highlights object-oriented programming and event-driven programming, shows how to develop complete Windows Multiple Document Interface applications from scratch, and more.


CA-Visual Objects Pre-release

CA-Visual Objects Pre-release
Author: Computer Associates International
Publisher:
Total Pages:
Release: 1994
Genre: CA-Visual objects
ISBN:

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Looking at Ca-Visual Objects

Looking at Ca-Visual Objects
Author: C. W. Kreimer
Publisher:
Total Pages: 713
Release: 1994-09-01
Genre: CA-Visual objects
ISBN: 9780964169548

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In-depth discussions of how to program for Windows, OOP concepts, VO's IDE, VO's editors and browsers, converting your clipper apps, and creating help files; gives tips on how to use VO to its full potential; and includes over 110 pages of hands-on exercises to get you up-to-speed.


The CA-Visual Objects Interface Handbook

The CA-Visual Objects Interface Handbook
Author: John Mueller
Publisher: Computing McGraw-Hill
Total Pages: 552
Release: 1996-01-01
Genre: Computers
ISBN: 9780079120892

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Comprehensive in scope, this book provides complete coverage of using Visual Objects for Clipper within the Windows environment. It also features an object-oriented programming tutorial, which includes ODBC, SQL, DDE and OLE programming techniques.


The Visual Object of Desire in Late Medieval England

The Visual Object of Desire in Late Medieval England
Author: Sarah Stanbury
Publisher: University of Pennsylvania Press
Total Pages: 300
Release: 2015-07-10
Genre: Literary Criticism
ISBN: 1512808296

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Little remains of the rich visual culture of late medieval English piety. The century and a half leading up to the Reformation had seen an unparalleled growth of devotional arts, as chapels, parish churches, and cathedrals came to be filled with images in stone, wood, alabaster, glass, embroidery, and paint of newly personalized saints, angels, and the Holy Family. But much of this fell victim to the Royal Injunctions of September 1538, when parish officials were ordered to remove images from their churches. In this highly insightful book Sarah Stanbury explores the lost traffic in images in late medieval England and its impact on contemporary authors and artists. For Chaucer, Nicholas Love, and Margery Kempe, the image debate provides an urgent language for exploring the demands of a material devotional culture—though these writers by no means agree on the ethics of those demands. The chronicler Henry Knighton invoked a statue of St. Katherine to illustrate a lurid story about image-breaking Lollards. Later John Capgrave wrote a long Katherine legend that comments, through the drama of a saint in action, on the powers and uses of religious images. As Stanbury contends, England in the late Middle Ages was keenly attuned to and troubled by its "culture of the spectacle," whether this spectacle took the form of a newly made queen in Chaucer's Clerk's Tale or of the animate Christ in Norwich Cathedral's Despenser Retable. In picturing images and icons, these texts were responding to reformist controversies as well as to the social and economic demands of things themselves, the provocative objects that made up the fabric of ritual life.


Invariant Recognition of Visual Objects

Invariant Recognition of Visual Objects
Author: Evgeniy Bart
Publisher: Frontiers E-books
Total Pages: 195
Release:
Genre:
ISBN: 2889190765

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This Research Topic will focus on how the visual system recognizes objects regardless of variations in the viewpoint, illumination, retinal size, background, etc. Contributors are encouraged to submit articles describing novel results, models, viewpoints, perspectives and/or methodological innovations relevant to this topic. The issues we wish to cover include, but are not limited to, perceptual invariance under one or more of the following types of image variation: • Object shape • Task • Viewpoint (from the translation and rotation of the object relative to the viewer) • Illumination, shading, and shadows • Degree of occlusion • Retinal size • Color • Surface texture • Visual context, including background clutter and crowding • Object motion (including biological motion). Examples of questions that are particularly interesting in this context include, but are not limited to: • Empirical characterizations of properties of invariance: does invariance always exist? How wide is its range and how strong is the tolerance to viewing conditions within this range? • Invariance in naïve vs. experienced subjects: Is invariance built-in or learned? How can it be learned, under which conditions and how effectively? Is it learned incidentally, or are specific task and reward structures necessary for learning? How is generalizability and transfer of learning related to the generalizability/invariance of perception? • Invariance during inference: Are there conditions (e.g. fast presentation time or otherwise resource-constrained recognition) when invariance breaks? • What are some plausible computational or neural mechanisms by which invariance could be achieved?