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Byron's European Impact

Byron's European Impact
Author: Peter Cochran
Publisher: Cambridge Scholars Publishing
Total Pages: 550
Release: 2015-05-13
Genre: Poetry
ISBN: 1443877735

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The works of Lord Byron and his friend Sir Walter Scott had an influence on European literature which was immediate and profound. Peter Cochran’s book charts that influence on France, Germany, Italy, Spain, Poland and Russia, with individual chapters on Goethe, Pushkin, and Baudelaire – and one special chapter on Ibsen, who called Peer Gynt his Manfred. Cochran shows that, although Byron’s best work is his satirical writing, which is aimed in part at his earlier “romantic” material and its readership, his self-correction was not taken on board by many European writers (Pushkin being the exception), and it was the gloomy Byronic Heroes who held sway. These were often read as revolutionaries, but were in fact dead-end. It was a mythical, not a literary Byron whom people thought they had read. The book ends with chapters on three British writers who seem at last to have read Byron, in their different ways, accurately – Eliot, Joyce, and Yeats.


Lord Byron the European

Lord Byron the European
Author: International Byron Society
Publisher: Edwin Mellen Press
Total Pages: 252
Release: 1997
Genre: History
ISBN:

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Essays in this volume concentrate on the creative works of Lord Byron and two areas of concern in Byron studies: Byron's reception and enduring impact in Europe, and Byron within the context of new forms of reading literature in the post-structuralist era and his anticipation of those forms.


The Reception of Byron in Europe

The Reception of Byron in Europe
Author: Richard A. Cardwell
Publisher: A&C Black
Total Pages: 565
Release: 2004
Genre: Literary Criticism
ISBN: 0826468446

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Richard Cardwell was given the Elma Dangerfield Award of the International Byron Society for the best book on Byron in 2005-06 Byron, arguably, was and remains the most famous and infamous English poet in the modern period in Continental Europe. From Portugal in the West to Russia in the East, from Scandinavia in the North to Spain in the South he inspired and provoked, was adored and reviled, inspired notions of freedom in subject lands and, with it, the growth of national idealisms which, soon, would re-draw the map of Europe. At the same time the Byronic persona, incarnate in "Childe Harold", "Manfred", "Lara" and others, was received with enthusiasm and fear as experience demonstrated that Byron's Romantic outlook was two-edged, thrilling and appalling in the same moment. All the great writers-Goethe, Mickiewicz, Lermontov, Almeida Garret, Espronceda, Lamartine, among many others-strove to outdo, imitate, revise, and integrate the sublime Lord into their own cultures, to create new national voices, and to dissent from the old order. The volume explores Byron's European reception in its many guises, bringing new evidence, challenging old assumptions, and offering fresh perspectives on the protean impact of Lord Byron on the Continent. This book consistes of two volumes. Series Editor: Dr Elinor Shaffer FBA, Institute of Germanic & Romance Studies, School of Advanced Study, University of London Contributors Richard A. Cardwell, University of Nottingham, UK Joanne Wilkes, University of Auckland, NZ Peter Cochran, Cambridge, UK Ernest Giddey, University of Lausanne, Switzerland Edoardo Zuccato, IULM University, Milan Giovanni Iamartino, University of Milan, Italy Derek Flitter, University of Birmingham, UK Maria Leonor Machado de Sousa, University of Lisbon, Portugal Mihaela Anghelescu Irimia, University of Bucharest, Romania Frank Erik Pointner, University of Duisburg-Essen, Germany Achim Geisenhanslüke, University of Duisburg-Essen, Germany Theo D'haen, Leiden University, The Netherlands Martin Procházka, Charles University, Prague, Czech Republic Miroslawa Modrzewska, University of Gdansk, Poland Orsolya Rakai, Budapest, Hungary Nina Diakonova, St. Petersburg, Russia Vitana Kostadinova, Plovdiv University, Bulgaria Jørgen E. Nielsen, Copenhagen, Denmark Bjorn Tysdahl, University of Oslo, Norway Ingrid Elam, Sweden Anahit Bekaryan, Institute of Fine Arts of the National Academy of Sciences of the Republic of Armenia Innes Merabishvili, State University of Tbilisi, Georgia Litsa Trayiannoudi, Aristotle University of Thessaloniki, Greece Massimiliano Demata, Mansfield College, Oxford, UK


Byron

Byron
Author: Fiona MacCarthy
Publisher: John Murray
Total Pages: 864
Release: 2014-10-23
Genre: Biography & Autobiography
ISBN: 1444799878

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Fiona MacCarthy makes a breakthrough in interpreting Byron's life and poetry drawing on John Murray's world-famous archive. She brings a fresh eye to his early years: his childhood in Scotland, embattled relations with his mother, the effect of his deformed foot on his development. She traces his early travels in the Mediterranean and the East, throwing light on his relationships with adolescent boys - a hidden subject in earlier biographies. While paying due attention to the compelling tragicomedy of Byron's marriage, his incestuous love for his half-sister Augusta and the clamorous attention of his female fans, she gives a new importance to his close male friendships, in particular that with his publisher John Murray. She tells the full story of their famous disagreement, ending as a rift between them as Byron's poetry became more recklessly controversial. Byron was a celebrity in his own lifetime, becoming a 'superstar' in 1812, after the publication of Childe Harold. The Byron legend grew to unprecedented proportions after his death in the Greek War of Independence at the age of thirty-six. The problem for a biographer is sifting the truth from the sentimental, the self-serving and the spurious. Fiona MacCarthy has overcome this to produce an immaculately researched biography, which is also her refreshing personal view.


The Reception of Byron in Europe

The Reception of Byron in Europe
Author: Richard Cardwell
Publisher: Continuum
Total Pages: 296
Release: 2004
Genre: Literary Criticism
ISBN:

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Richard Cardwell was given the Elma Dangerfield Award of the International Byron Society for the best book on Byron in 2005-06 Byron, arguably, was and remains the most famous and infamous English poet in the modern period in Continental Europe. From Portugal in the West to Russia in the East, from Scandinavia in the North to Spain in the South he inspired and provoked, was adored and reviled, inspired notions of freedom in subject lands and, with it, the growth of national idealisms which, soon, would re-draw the map of Europe. At the same time the Byronic persona, incarnate in "Childe Harold", "Manfred", "Lara" and others, was received with enthusiasm and fear as experience demonstrated that Byron's Romantic outlook was two-edged, thrilling and appalling in the same moment. All the great writers-Goethe, Mickiewicz, Lermontov, Almeida Garret, Espronceda, Lamartine, among many others-strove to outdo, imitate, revise, and integrate the sublime Lord into their own cultures, to create new national voices, and to dissent from the old order. The volume explores Byron's European reception in its many guises, bringing new evidence, challenging old assumptions, and offering fresh perspectives on the protean impact of Lord Byron on the Continent. This book consistes of two volumes. Series Editor: Dr Elinor Shaffer FBA, Institute of Germanic & Romance Studies, School of Advanced Study, University of London Contributors Richard A. Cardwell, University of Nottingham, UK Joanne Wilkes, University of Auckland, NZ Peter Cochran, Cambridge, UK Ernest Giddey, University of Lausanne, Switzerland Edoardo Zuccato, IULM University, Milan Giovanni Iamartino, University of Milan, Italy Derek Flitter, University of Birmingham, UK Maria Leonor Machado de Sousa, University of Lisbon, Portugal Mihaela Anghelescu Irimia, University of Bucharest, Romania Frank Erik Pointner, University of Duisburg-Essen, Germany Achim Geisenhanslüke, University of Duisburg-Essen, Germany Theo D'haen, Leiden University, The Netherlands Martin Procházka, Charles University, Prague, Czech Republic Miroslawa Modrzewska, University of Gdansk, Poland Orsolya Rakai, Budapest, Hungary Nina Diakonova, St. Petersburg, Russia Vitana Kostadinova, Plovdiv University, Bulgaria Jørgen E. Nielsen, Copenhagen, Denmark Bjorn Tysdahl, University of Oslo, Norway Ingrid Elam, Sweden Anahit Bekaryan, Institute of Fine Arts of the National Academy of Sciences of the Republic of Armenia Innes Merabishvili, State University of Tbilisi, Georgia Litsa Trayiannoudi, Aristotle University of Thessaloniki, Greece Massimiliano Demata, Mansfield College, Oxford, UK


The Shelley-Byron Circle and the Idea of Europe

The Shelley-Byron Circle and the Idea of Europe
Author: P. Stock
Publisher: Springer
Total Pages: 264
Release: 2010-04-12
Genre: History
ISBN: 0230106307

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This book investigates how Lord Byron, Percy Shelley, and their circle understood the idea of Europe. What geographical, cultural, and ideological concepts did they associate with the term? What does this tell us about politics and identity in early nineteenth-century Britain? In addressing these questions, Paul Stock challenges prevailing nationalist interpretations of Romanticism, but without falling prey to imprecise alternative notions of cosmopolitanism or "world citizenship." Instead, his book accounts for both the transnational and the local in Romantic writing, reassessing the period in terms of more complex, multi-layered identity politics.


Essays on Byron in Honour of Dr Peter Cochran

Essays on Byron in Honour of Dr Peter Cochran
Author: Peter Graham
Publisher: Cambridge Scholars Publishing
Total Pages: 253
Release: 2019-01-08
Genre:
ISBN: 1527524590

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Byron wrote that he was “born for opposition”. This collection of essays takes Byron at his word and explores ways in which he challenged received opinion in his lifetime. The essays also challenge commonplace attitudes in criticism of Byron today. In this, the volume honours the remarkable range of work of the late Dr Peter Cochran. The matters covered here are Byron’s poetics, his ideology, and the principles and practice of editing his texts. Jerome J. McGann opens the poetics section by examining lyric writing in a Byronic perspective. In the lead essay on ideology, Bernard Beatty asks whether we should rethink Byron as a whole. A substantial addition to Byron’s correspondence is made by Andrew Stauffer beginning the editing section. In all, this book gathers original contributions from sixteen international scholars and friends of Peter Cochran. The accessible, engaging style makes their work suitable for all readers of Byron, as well as undergraduates and professional academics.


The Cambridge Introduction to Byron

The Cambridge Introduction to Byron
Author: Richard Lansdown
Publisher: Cambridge University Press
Total Pages: 193
Release: 2012-03-29
Genre: Literary Criticism
ISBN: 1107375363

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Author of the most influential long poem of its era (Childe Harold's Pilgrimage) and the funniest long poem in European literature (Don Juan), Lord Byron was also the literary superstar of Romanticism, whose effect on nineteenth-century writers, artists, musicians and politicians - but also everyday readers - was second to none. His poems seduced and scandalized readers, and his life and legend were correspondingly magnetic, given added force by his early death in the Greek War of Independence. This introduction compresses his extraordinary life to manageable proportions and gives readers a firm set of contexts in the politics, warfare, and Romantic ideology of Byron's era. It offers a guide to the main themes in his wide-ranging oeuvre, from the early poems that made him famous (and infamous) overnight, to his narrative tales, dramas and the comic epic left incomplete at his death.


The Cambridge History of European Romantic Literature

The Cambridge History of European Romantic Literature
Author: Patrick Vincent
Publisher:
Total Pages: 687
Release: 2023-11-09
Genre: Literary Criticism
ISBN: 1108497063

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Examining Romanticism's pan-European circulation of people, ideas, and texts, this history re-analyses the period and Britain's place in it.