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| Author | : Bernard G. Beatty |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 308 |
| Release | : 1988 |
| Genre | : Literary Criticism |
| ISBN | : 9780389207993 |
All of Byron's major poems, together with his forays into prose fiction, are considered in this volume.
| Author | : Alan Rawes |
| Publisher | : Routledge |
| Total Pages | : 158 |
| Release | : 2017-03-02 |
| Genre | : Literary Criticism |
| ISBN | : 1351953893 |
In this study, the author examines the evolution of Byron's poetry from Childe Harold I and II through to the composition of Beppo. Beginning with a close reading of the sustained poetic experimentation that constitutes Childe Harold I and II, he charts the progress of that experimentation in the Tales where Byron's poetry gets entrenched in a tragic idiom. The author then describes Byron's prolonged struggle to break clear of the imaginative limitations imposed by that tragic idiom and to break into a sustainable comic mode: a struggle that drives Childe Harold III, The Prisoner of Chillon, and The Dream only to culminate in success in Childe Harold IV. It is here, as Rawes demonstrates, that the path forward into the comic mode of Beppo and Don Juan is discovered. Byron's Poetic Experimentation also offers a substantial reconsideration of Byron's shifting attitude towards Wordsworthian idealism and a detailed analysis of the structured eclecticism of Manfred.
| Author | : Jerome McGann |
| Publisher | : Cambridge University Press |
| Total Pages | : 227 |
| Release | : 2022-12-15 |
| Genre | : Literary Criticism |
| ISBN | : 1009232975 |
A long line of traditional, often conservative, criticism and cultural commentary deplored Byron as a slipshod poet. This pithy yet aptly poetic book, written by one of the world's foremost Romantic scholars, argues that assessment is badly mistaken. Byron's great subject is what he called 'Cant': the habit of abusing the world through misusing language. Setting up his poetry as a laboratory to investigate failures of writing, reading, and thinking, Byron delivered sharp critical judgment on the costs exacted by a careless approach to his Mother Tongue. Perspicuous readings of Byron alongside some of his Romantic contemporaries – Burns, Blake, Wordsworth, Coleridge, Shelley – reveal Byron's startling reconfiguration of poetry as a 'broken mirror' and shattered lamp. The paradoxical result was to argue that his age's contradictions, and his own, offered both ethical opportunities and a promise of poetic – broadly cultural – emancipation. This book represents a major contribution to ideas about Romanticism.
| Author | : Drummond Bone |
| Publisher | : Cambridge University Press |
| Total Pages | : 359 |
| Release | : 2023-10-31 |
| Genre | : Literary Criticism |
| ISBN | : 110884488X |
Expanded and diversified, this companion makes vivid Byron's ongoing relevance to myriad issues of politics, literature and life today.
| Author | : Bernard Beatty |
| Publisher | : Liverpool University Press |
| Total Pages | : 288 |
| Release | : 2022-11-17 |
| Genre | : Literary Criticism |
| ISBN | : 180085529X |
Perhaps no great poet, in any language, has suffered more than Byron from being merely read about rather than actually read. As Bernard Beatty remarks in his introduction to this important collection of essays, the popular conception of ‘Byron’ still often approximates to ‘Rupert Everett with a limp’. Reading Byron is the product and summation of nearly sixty years devoted to studying and teaching his poetry. It argues that, far from being ‘mad, bad and dangerous to know’, Byron is serious, ethically orientated and rewarding to read. The book is in three parts: Poems – Life – Politics. Five new essays have been written especially for the first and largest section, which provides fresh perspectives on Byron’s major works. The volume continues with three of Beatty's lively lectures on unappreciated aspects of Byron the man, and three pithy essays on Byron as a complex, if not systematic, political thinker. While Beatty does not question the pre-eminent status of the ‘bright’ Don Juan, devoting a chapter to an unconventional reading of its final cantos, he argues powerfully that nineteenth-century readers, who responded on an unprecedented scale to the forceful poetic structures of the ‘dark’ Byron in Childe Harold's Pilgrimage, The Tales, Manfred, and Cain, were right to do so. Introduced by Jerome McGann (editor of the great Clarendon edition of the poet's works) and concluded in dialogue with Gavin Hopps (co-editor of the forthcoming Longman edition), Reading Byron is itself essential reading for any student or lover of Romantic poetry.
| Author | : T. Mole |
| Publisher | : Springer |
| Total Pages | : 241 |
| Release | : 2007-07-31 |
| Genre | : Literary Criticism |
| ISBN | : 0230288383 |
This book offers a new history and theory of modern celebrity. It argues that celebrity is a cultural apparatus that emerged in response to the Romantic industrialization of print and culture. It investigates the often strained interactions of artistic endeavour and commercial enterprise, and the place of celebrity culture in history of the self.
| Author | : Peter Cochran |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 280 |
| Release | : 2012-04-25 |
| Genre | : Literary Criticism |
| ISBN | : 144383937X |
Byron’s dubious status as a sex object, and his even more dubious status as a political icon, serves to disguise the fact that he is one of the greatest of all English poets, with a European reputation second only to Shakespeare. The fact that writers such as Goethe and Pushkin held him in the highest regard ensures that the English continue to despise him, and ignore his verse as much as possible. This book ignores his sexuality, his politics, and his iconography, and concentrates on his poems. Written by leading authorities such as Bernard Beatty, Germaine Greer and Michael O’Neill, it contains essays on his verse-forms and his comic rhymes, as well as thematic analyses on such recurrent Byronic themes as the Sea, Will-o’-the-Wisps, and Love versus Knowledge. In the face of many modern books which translate his verse into prose and try without success to analyse the result, Byron’s Poetry puts his real achievement – as a creative writer – back into the focus of discussion.
| Author | : Gavin Hopps |
| Publisher | : Liverpool University Press |
| Total Pages | : 257 |
| Release | : 2013-10-11 |
| Genre | : Literary Criticism |
| ISBN | : 1781385564 |
Byron is rarely thought of as a spiritual writer. However, as this bold new collection shows, this is the result of an impoverished notion of the ‘spiritual’ and a reflection of biased priorities in Romantic studies. Reflecting on the poet’s claim that ‘immaterialism’s a serious matter’, this interdisciplinary collection of essays, from British and American scholars, calls into question the prevailing ‘materialist’ consensus, and offers a fresh and theoretically inflected reading of Byron’s poetry. Byron’s Ghosts is the first book-length examination of spectrality in Byron’s work. It is on the one hand concerned with what Mary Shelley in her essay ‘On Ghosts’ refers to as ‘the true old-fashioned, foretelling, flitting, gliding ghost’, though it is also a postmodern response to the ‘spectral turn’ in critical theory, which brings into view a range of phantom effects and ‘non-Gothic’ spectres. Focusing attention on these diverse modalities of the ghostly, the specially assembled essays complicate the popular image of Byron as a sceptical or ‘anti-Romantic’ poet and reveal a great deal about his work that could not be uncovered in any other way.
| Author | : Wolf Z. Hirst |
| Publisher | : University of Delaware Press |
| Total Pages | : 218 |
| Release | : 1991 |
| Genre | : Literary Criticism |
| ISBN | : 9780874134018 |
This work consists of eight essays selected from papers given at the Twelfth International Byron Symposium. Much of Byron's poetry is examined, but the focus is on the Mysteries and Don Juan. The subjects include the Cain figure, Byron's skepticism, his attitude toward Christianity and religion in general, and his literary use of the Bible.
| Author | : Jane Stabler |
| Publisher | : Routledge |
| Total Pages | : 248 |
| Release | : 2014-06-11 |
| Genre | : Literary Criticism |
| ISBN | : 1317884515 |
Often seen as the exception to generalisations about Romanticism, Byron's poetry - and its intricate relationship with a brilliant, scandalous life - has remained a source of controversy throughout the twentieth century. This book brings together recent work on Byron by leading British and American scholars and critics, guiding undergraduate students and sixth-form pupils through the different ways in which new literary theory has enriched readings of Byron's work, and showing how his poetry offers a rewarding focus for questions about the relationship between historical contexts and literary form in the Romantic period. Diverse and fresh perspectives on canonical texts such as Don Juan, Childe Harold's Pilgrimage and Manfred are included together with stimulating analyses of less well-known narrative poems, lyrics and dramas. A clearly structured introduction traces key developments in Byron criticism and locates the essays within wider debates in Romantic studies. Detailed headnotes to each essay and a guide to further reading help to orientate the reader and offer pointers for further discussion. The collection will enable students of English literature, Romantic studies and nineteenth-century cultural studies to assess the contribution that different critical methodologies have made to our understanding of individual poems by Byron, as well as concepts like the Byronic hero and evolving definitions of Romanticism.
