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Buddy Esquire. King of the hip hop flyer.

Buddy Esquire. King of the hip hop flyer.
Author: Johan Kugelberg
Publisher:
Total Pages: 0
Release: 2018-05-22
Genre:
ISBN: 9781938265068

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Known as the "King of the Flyer," Buddy Esquire was the premier show flyer artist in the Bronx during the earliest days of hip hop. Combining influences ranging from Bronx Art Deco architecture to superhero comics and Japanese anime, and teaching himself the fundamentals of lettering and graphic design, Esquire created a new artistic style, which has been often borrowed but rarely credited today. "I would take the letters and I would cut them out", he told an interviewer, "and I would take a ruler and measure them and I would then glue them on the piece of paper where I would want them. Once everything was glued down on the paper I would then draw the background around the letters." Esquire's flyers advertised the earliest performances of legends like Grandmaster Flash, Afrika Bambaataa, Kurtis Blow, the Cold Crush Brothers, Spoonie Gee and the Treacherous Three. Edited by Johan Kugelberg, Buddy Esquire: King of the Hip Hop Flyer reveals one of the key sources for hip hop's visual language, presenting a catalogue raisonné of Esquire's flyers, visual art and hand-painted clothing. Also featured are never-before-seen photographs of Esquire, his crew and the street art and hip hop culture of the late 1970s and early 80s.


The Cambridge Companion to Hip-Hop

The Cambridge Companion to Hip-Hop
Author: Justin A. Williams
Publisher: Cambridge University Press
Total Pages: 370
Release: 2015-02-12
Genre: Music
ISBN: 1107037468

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This Companion covers the hip-hop elements, methods of studying hip-hop, and case studies from Nerdcore to Turkish-German and Japanese hip-hop.


Elvis in Vegas

Elvis in Vegas
Author: Richard Zoglin
Publisher: Simon & Schuster
Total Pages: 304
Release: 2020-11-10
Genre: Biography & Autobiography
ISBN: 1501151207

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“Outstanding pop-culture history.” —Newsday The “smart and zippy account” (The Wall Street Journal) of how Las Vegas saved Elvis and Elvis saved Las Vegas in the greatest musical comeback of all time. Elvis’s 1969 opening night in Vegas was his first time back on a live stage in more than eight years. His career had gone sour—bad movies, mediocre pop songs that no longer made the charts—and he’d been dismissed by most critics as over-the-hill. But in Vegas he played the biggest showroom in the biggest hotel in the city, drawing more people for his four-week engagement than any other show in Vegas history. His performance got rave reviews; “Suspicious Minds,” the song he introduced there, gave him his first number-one hit in seven years; and Elvis became Vegas’s biggest star. Over the next seven years, he performed more than 600 shows there, and sold out every one. Las Vegas was changed, too. By the end of the ‘60s, Vegas’ golden age—when the Rat Pack led a glittering array of stars who made it the nation’s premier live-entertainment center—was losing its luster. Elvis created a new kind of Vegas show: an over-the-top, rock-concert extravaganza. He set a new bar for Vegas performers, with the biggest salary, the biggest musical production, and the biggest promotion campaign the city had ever seen. He opened the door to a new generation of pop/rock artists and brought a new audience to Vegas—not the traditional well-heeled older gamblers, but a mass audience from Middle America that Vegas depends on for its success to this day. At once “a fascinating history of Vegas as gambling capital, celebrity playground, mob hangout, [and] entertainment Valhalla” (Rolling Stone) and the incredible “tale of how the King got his groove back” (Associated Press), Elvis in Vegas is a classic feel-good story for the ages.


Luminary Icon

Luminary Icon
Author: Sharon Jackson
Publisher:
Total Pages: 0
Release: 2010
Genre: Women rap musicians
ISBN: 9780977825844

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Everybody Loves Our Town

Everybody Loves Our Town
Author: Mark Yarm
Publisher: Crown Archetype
Total Pages: 610
Release: 2011-09-06
Genre: Music
ISBN: 0307464458

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Twenty years after the release of Nirvana’s landmark album Nevermind comes Everybody Loves Our Town: An Oral History of Grunge, the definitive word on the grunge era, straight from the mouths of those at the center of it all. In 1986, fledgling Seattle label C/Z Records released Deep Six, a compilation featuring a half-dozen local bands: Soundgarden, Green River, Melvins, Malfunkshun, the U-Men and Skin Yard. Though it sold miserably, the record made music history by documenting a burgeoning regional sound, the raw fusion of heavy metal and punk rock that we now know as grunge. But it wasn’t until five years later, with the seemingly overnight success of Nirvana’s “Smells Like Teen Spirit,” that grunge became a household word and Seattle ground zero for the nineties alternative-rock explosion. Everybody Loves Our Town captures the grunge era in the words of the musicians, producers, managers, record executives, video directors, photographers, journalists, publicists, club owners, roadies, scenesters and hangers-on who lived through it. The book tells the whole story: from the founding of the Deep Six bands to the worldwide success of grunge’s big four (Nirvana, Pearl Jam, Soundgarden and Alice in Chains); from the rise of Seattle’s cash-poor, hype-rich indie label Sub Pop to the major-label feeding frenzy that overtook the Pacific Northwest; from the simple joys of making noise at basement parties and tiny rock clubs to the tragic, lonely deaths of superstars Kurt Cobain and Layne Staley. Drawn from more than 250 new interviews—with members of Nirvana, Pearl Jam, Soundgarden, Alice in Chains, Screaming Trees, Hole, Melvins, Mudhoney, Green River, Mother Love Bone, Temple of the Dog, Mad Season, L7, Babes in Toyland, 7 Year Bitch, TAD, the U-Men, Candlebox and many more—and featuring previously untold stories and never-before-published photographs, Everybody Loves Our Town is at once a moving, funny, lurid, and hugely insightful portrait of an extraordinary musical era.


African American Music

African American Music
Author: Mellonee V. Burnim
Publisher: Routledge
Total Pages: 544
Release: 2014-11-13
Genre: Music
ISBN: 1317934423

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American Music: An Introduction, Second Edition is a collection of seventeen essays surveying major African American musical genres, both sacred and secular, from slavery to the present. With contributions by leading scholars in the field, the work brings together analyses of African American music based on ethnographic fieldwork, which privileges the voices of the music-makers themselves, woven into a richly textured mosaic of history and culture. At the same time, it incorporates musical treatments that bring clarity to the structural, melodic, and rhythmic characteristics that both distinguish and unify African American music. The second edition has been substantially revised and updated, and includes new essays on African and African American musical continuities, African-derived instrument construction and performance practice, techno, and quartet traditions. Musical transcriptions, photographs, illustrations, and a new audio CD bring the music to life.


Black Tooth Grin

Black Tooth Grin
Author: Zac Crain
Publisher: Da Capo Press
Total Pages: 338
Release: 2009-06-02
Genre: Biography & Autobiography
ISBN: 0306815249

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Biography of "Dimebag" Darrell Abbott, the revered guitarist for Pantera, who was murdered on stage by a deranged fan in 2004.


Understanding Popular Music Culture

Understanding Popular Music Culture
Author: Roy Shuker
Publisher: Routledge
Total Pages: 330
Release: 2012-11-12
Genre: Music
ISBN: 1136744738

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Written specifically for students, this introductory textbook explores the history and meaning of rock and popular music. Roy Shuker's study provides an accessible and comprehensive introduction to the production, distribution, consumption and meaning of popular music and examines the difficulties and debates which surround the analysis of popular culture and popular music. This heavily revised and updated third edition includes: new case studies on the iPod, downloading, and copyright the impact of technologies, including on-line delivery and the debates over MP3 and Napster new chapters on music genres, cover songs and the album canon as well as music retail, radio and the charts case studies and lyrics of artists such as Robert Johnson, The Who, Fat Boy Slim and The Spice Girls a comprehensive discography, suggestions for further reading, listening and viewing and a directory of useful websites. With chapter related guides to further reading, listening and viewing, a glossary, and a timeline, this textbook is the ideal introduction for students.


Space Is the Place

Space Is the Place
Author: John Szwed
Publisher: Duke University Press
Total Pages: 315
Release: 2020-04-30
Genre: Music
ISBN: 1478012056

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Considered by many to be a founder of Afrofuturism, Sun Ra—aka Herman Blount—was a composer, keyboardist, bandleader, philosopher, entrepreneur, poet, and self-proclaimed extraterrestrial from Saturn. He recorded over 200 albums with his Arkestra, which, dressed in Egypto-space costumes, played everything from boogie-woogie and swing to fusion and free jazz. John Szwed's Space is the Place is the definitive biography of this musical polymath, who was one of the twentieth century's greatest avant-garde artists and intellectuals. Charting the whole of Sun Ra's life and career, Szwed outlines how after years in Chicago as a blues and swing band pianist, Sun Ra set out in the 1950s to impart his views about the galaxy, black people, and spiritual matters by performing music with the Arkestra that was as vital and innovative as it was mercurial and confounding. Szwed's readers—whether they are just discovering Sun Ra or are among the legion of poets, artists, intellectuals, and musicians who consider him a spiritual godfather—will find that, indeed, space is the place.


Who Shot Ya?

Who Shot Ya?
Author: Ernie Paniccioli
Publisher: Harper Collins
Total Pages: 275
Release: 2013-06-25
Genre: Music
ISBN: 006230691X

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Nearly thirty years ago, Ernie Paniccioli, considered by many to be the James Van Der Zee of the hiphop generation, began photographing graffiti art throughout New York City as well as the young people creating it. Armed with a 35-millimeter camera, Paniccioli literally recorded the beginning salvos of hiphop, today the most dominant youth culture on the planet. Be it Grandmaster Flash at the Roxy, a summer block party in the Bronx, the fresh faces of Jay-Z and Will Smith, the cocksure personas of Tupac Shakur, The Notorious B.I.G., and Eminem, or the regal grace of Lauryn Hill, Ernie Paniccioli has been there to showcase hiphop’s emerging talent. With more than 200 photographs that have been culled from a vast archive, Who Shot Ya? is the first major pictorial history of hiphop culture.