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Buddhism and Iconoclasm in East Asia

Buddhism and Iconoclasm in East Asia
Author: Fabio Rambelli
Publisher: A&C Black
Total Pages: 273
Release: 2012-09-06
Genre: Religion
ISBN: 1441199020

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This is a cross-cultural study of the multifaceted relations between Buddhism, its materiality, and instances of religious violence and destruction in East Asia, which remains a vast and still largely unexplored field of inquiry. Material objects are extremely important not just for Buddhist practice, but also for the conceptualization of Buddhist doctrines; yet, Buddhism developed ambivalent attitudes towards such need for objects, and an awareness that even the most sacred objects could be destroyed. After outlining Buddhist attitudes towards materiality and its vulnerability, the authors propose a different and more inclusive definition of iconoclasm-a notion that is normally not employed in discussions of East Asian religions. Case studies of religious destruction in East Asia are presented, together with a new theoretical framework drawn from semiotics and cultural studies, to address more general issues related to cultural value, sacredness, and destruction, in an attempt to understand instances in which the status and the meaning of the sacred in any given culture is questioned, contested, and ultimately denied, and how religious institutions react to those challenges.


Buddhism and Iconoclasm in East Asia

Buddhism and Iconoclasm in East Asia
Author: Fabio Rambelli
Publisher:
Total Pages:
Release: 2012
Genre: Buddhism and culture
ISBN: 9781472541574

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Buddhism and Iconoclasm in East Asia

Buddhism and Iconoclasm in East Asia
Author: Fabio Rambelli
Publisher: A&C Black
Total Pages: 273
Release: 2012-11-08
Genre: Religion
ISBN: 1441145095

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A study of Buddhism and iconoclasm in East Asia as part of a general theory of religious destruction.


Buddhism in East Asia

Buddhism in East Asia
Author: Sukumar Dutt
Publisher:
Total Pages: 270
Release: 1966
Genre: Buddha (The concept)
ISBN:

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Icons and Iconoclasm in Japanese Buddhism

Icons and Iconoclasm in Japanese Buddhism
Author: Pamela D. Winfield
Publisher: Oxford University Press
Total Pages:
Release: 2013-02-20
Genre: Religion
ISBN: 019933370X

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Winner of the Association of Asian Studies's Southeast Conference Book Prize (2014) Does imagery help or hinder the enlightenment experience? Does awakening involve the imagination or not? Can art ever fully represent the realization of buddahood? In this study, Pamela D. Winfield offers a fascinating comparison of two pre-modern Japanese Buddhist masters and their views on the role of imagery in the enlightenment experience. Kukai (774-835) believed that real and imagined forms were indispensable to his new esoteric Mikky? method for "becoming a Buddha in this very body" (sokushin jobutsu), yet he also deconstructed the significance of such imagery in his poetic and doctrinal works. Conversely, Dogen (1200-1253) believed that "just sitting" in Zen meditation without any visual props or mental elaborations could lead one to realize that ''this very mind is Buddha'' (sokushin zebutsu), but he also privileged select Zen icons as worthy of veneration. In considering the nuanced views of both Kukai and Dogen anew, Winfield updates previous comparisons of their oeuvres and engages their texts and images together for the first time. In so doing, she liberates them from past sectarian scholarship that has pigeon-holed them into iconographic/ritual vs. philological/philosophical categories. She also restores the historical symbiosis between religious thought and artistic expression that was lost in the nineteenth-century disciplinary distinction between religious studies and art history. Finally, Winfield breaks new methodological ground by proposing space and time as organizing principles for analyzing both meditative experience and visual/material culture. As a result, this study presents a wider and deeper vision of how Japanese Buddhists themselves understood the role of imagery before, during, and after awakening.


Buddhist and Christian Responses to the Kowtow Problem in China

Buddhist and Christian Responses to the Kowtow Problem in China
Author: Eric Reinders
Publisher: Bloomsbury Publishing
Total Pages: 201
Release: 2015-03-12
Genre: History
ISBN: 1474227309

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The most common Buddhist practice in Asia is bowing, yet Buddhist and Christian Responses to the Kowtow Problem is the first study of Buddhist obeisance in China. In Confucian ritual, everyone is supposed to kowtow, or bow, to the Chinese emperor. But Buddhists claimed exemption from bowing to any layperson, even to their own parents or the emperor. This tension erupted in an imperial debate in 662. This study first asks how and why Buddhists should bow (to the Buddha, and to monks), and then explores the arguments over their refusing to bow to the emperor. These arguments take us into the core ideas of Buddhism and imperial power: How can one achieve nirvana by bowing? What is a Buddha image? Who is it that bows? Is there any ritual that can exempt a subject of the emperor? What are the limits of the state's power over human bodies? Centuries later, Christians had a new set of problems with bowing in China, to the emperor and to “idols.” Buddhist and Christian Responses to the Kowtow problem compares these cases of refusing to bow, discusses modern theories of obeisance, and finally moves to examine some contemporary analogies such as refusing to salute the American flag. Contributing greatly to the study of the body and power, ritual, religion and material culture, this volume is of interest to scholars and students of religious studies, Buddhism, Chinese history and material culture.


Icons and Iconoclasm in Japanese Buddhism

Icons and Iconoclasm in Japanese Buddhism
Author: Pamela Winfield
Publisher: Oxford University Press
Total Pages: 230
Release: 2013-02-20
Genre: Art
ISBN: 019975358X

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Pamela D. Winfield offers a fascinating juxtaposition and comparison of the thoughts of two pre-modern Japanese Buddhist masters, Kukai (774-835) and Dogen (1200-1253) on the role of imagery in the enlightenment experience.


Buddhist Art of East Asia

Buddhist Art of East Asia
Author: Dietrich Seckel
Publisher:
Total Pages: 432
Release: 1989
Genre: Art
ISBN:

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Buddhism Across Asia

Buddhism Across Asia
Author: Tansen Sen
Publisher: Institute of Southeast Asian Studies
Total Pages: 517
Release: 2014-04-02
Genre: Social Science
ISBN: 9814519324

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"Buddhism across Asia is a must-read for anyone interested in the history and spread of Buddhism in Asia. It comprises a rich collection of articles written by leading experts in their fields. Together, the contributions provide an in-depth analysis of Buddhist history and transmission in Asia over a period of more than 2000 years. Aspects examined include material culture, politics, economy, languages and texts, religious institutions, practices and rituals, conceptualisations, and philosophy, while the geographic scope of the studies extends from India to Southeast Asia and East Asia. Readers' knowledge of Buddhism is constantly challenged by the studies presented, incorporating new materials and interpretations. Rejecting the concept of a reified monolithic and timeless 'Buddhism', this publication reflects the entangled 'dynamic and multi-dimensional' history of Buddhism in Asia over extended periods of 'integration,' 'development of multiple centres,' and 'European expansion,' which shaped the religion's regional and trans-regional identities." -- Max Deeg, Cardiff University "Buddhism Across Asia presents new research on Buddhism in comprehensive spatial and temporal terms. From studies on transmission networks to exegesis on doctrinal matters, linguistics, rituals and practices, institutions, Buddhist libraries, and the religion's interactions with political and cultural spheres as well as the society at large, the volume presents an assemblage of essays of breathtaking breadth and depth. The goal is to demonstrate how the transmission of Buddhist ideas serves as a cultural force, a lynchpin that had connected the societies of Asia from past to present. The volume manifests the vitality and maturity of the field of Buddhist studies, and for that we thank the editor and the erudite authors. " -- Dorothy C. Wong, University of Virginia


Buddhist Pilgrim-Monks as Agents of Cultural and Artistic Transmission

Buddhist Pilgrim-Monks as Agents of Cultural and Artistic Transmission
Author: Dorothy C. Wong
Publisher: NUS Press
Total Pages: 377
Release: 2018-04-28
Genre: Religion
ISBN: 9814722596

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The period ca. 645-770 marked an extraordinary era in the development of East Asian Buddhism and Buddhist art. Increased contacts between China and regions to both its west and east facilitated exchanges and the circulation of ideas, practices and art forms, giving rise to a synthetic art style uniform in both iconography and formal characteristics. The formulation of this new Buddhist art style occurred in China in the latter part of the seventh century, and from there it became widely disseminated and copied throughout East Asia, and to some extent in Central Asia, in the eighth century. This book argues that notions of Buddhist kingship and theory of the Buddhist state formed the underpinnings of Buddhist states experimented in China and Japan from the late seventh to the mid-eighth century, providing the religio-political ideals that were given visual expression in this International Buddhist Art Style. The volume also argues that Buddhist pilgrim-monks were among the key agents in the transmission of these ideals, the visual language of state Buddhism was spread, circulated, adopted and transformed in faraway lands, it transcended cultural and geographical boundaries and became cosmopolitan.