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Broken Time, Fragmented Space

Broken Time, Fragmented Space
Author: Anna Maria Torriglia
Publisher: University of Toronto Press
Total Pages: 272
Release: 2002-12-15
Genre: Literary Criticism
ISBN: 148758668X

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Broken Time, Fragmented Space: A Cultural Map for Post-war Italy examines how the artists and intellectuals of post-war Italy dealt with the 'shameful' heritage of their fascist upbringing and education by trying to craft a new cultural identity for themselves and the country. The continuities between the culture of the fascist and post-fascist periods were, however, far greater than what intellectuals were ready to admit, creating an uncomfortable, sometimes schizophrenic relation to time, as a painful urge to erase the past. Drawing on a variety of critical approaches, Torriglia investigates the efforts to reconstruct a personal as well as a collective self by analyzing both canonical and lesser-known cinematic and literary texts. Organized around four main themes - the use of language, the interaction between personal and public spheres, the perceptual categories of history and memory, and the reconstruction of the female identity - the study also includes historical introductions and sociological commentary that provides an extensive and captivating picture of the cultural production in 1950s Italy, a period that has not yet been extensively studied.


Radical Frontiers in the Spaghetti Western

Radical Frontiers in the Spaghetti Western
Author: Austin Fisher
Publisher: Bloomsbury Publishing
Total Pages: 293
Release: 2014-02-06
Genre: Performing Arts
ISBN: 0857737708

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Ever more popular in the age of DVDs, eBay and online fandom, the Spaghetti Westerns of the 1960s have undergone a mainstream renaissance which has nevertheless left their intimate relationship to the troubled politics of 1960s Italy unexamined. Radical Frontiers reappraises the genre in relation to the revolutionary New Left and the events of 1968 to uncover the complexities of a cinematic milieu too often dismissed as formulaic and homogeneous. Establishing the backdrop of post-war Italy in which the Roman studio system actively blended Italian and American culture, Austin Fisher looks in detail at the works of Damiano Damiani, Sergio Sollima, Sergio Corbucci, Giulio Questi and Giulio Petroni and how these directors reformatted the Hollywood Western to yield new resonance for militant constituencies and radical groups. Radical Frontiers identifies the main variants of these militant Westerns, which brazenly endorsed violent peasant insurrection in the 'Mexico' of the popular imagination, turning the camera on the hitherto heroic colonialists of the West and exposing the brutal mechanisms of a society infested with latent fascism. The ways in which the films' artistic failures reflect the ideological confusions of the radical groups is examined and the genre's legacy is reappraised, as the revolutionary energy of Italy's New Left becomes subsumed amidst the conflicting agendas of New Hollywood, blaxploitation and the 'grindhouse' revival of Tarantino, Rodriguez and Raimi. Reclaiming the Spaghetti Western from the domain of the merely cool and repositioning it within the spectrum of late-1960s radical cinema, Radical Frontiers analyses the genre's narrative and cinematographic inscriptions in their political context to uncover Far Left doctrines in these tales of outlaws and sheriffs, banditry and redemptive violence.


Béla Bartók in Italy

Béla Bartók in Italy
Author: Nicolò Palazzetti
Publisher: Boydell & Brewer
Total Pages: 320
Release: 2021
Genre: History
ISBN: 1783276207

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Examines the reputation of the Hungarian musician Béla Bartók (1881-1945) as an antifascist hero. This book examines the reputation of the Hungarian composer Béla Bartók (1881-1945) as an antifascist hero and beacon of freedom. Following Bartok's reception in Italy from the early twentieth century, through Mussolini's fascist regime, and into the early Cold War, Palazzetti explores the connexions between music, politics and diplomacy. The wider context of this study also offers glimpses into broader themes such as fascist cultural policies, cultural resistance, and the ambivalent political usage of modernist music. The book argues that the 'Bartókian Wave' occurring in Italy after the Second World War was the result of the fusion of the Bartók myth as the 'musician of freedom' and the Cold War narrative of an Italian national regeneration. Italian-Hungarian diplomatic cooperation during the interwar period had supported Bartok's success in Italy. But, in spite of their political alliance, the cultural policies by Europe's leading fascist regimes started to diverge over the years: many composers proscribed in Nazi Germany were increasingly performed in fascist Italy. In the early 1940s, the now exiled composer came to represent one of the symbols of the anti-Nazi cultural resistance in Italy and was canonised as 'the musician of freedom'. Exile and death had transformed Bartók into a martyr, just as the Resistenza and the catastrophe of war had redeemed post-war Italy.


Women in Italy, 1945–1960: An Interdisciplinary Study

Women in Italy, 1945–1960: An Interdisciplinary Study
Author: P. Morris
Publisher: Springer
Total Pages: 248
Release: 2006-10-30
Genre: Psychology
ISBN: 023060143X

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This volume brings together specialists from a variety of disciplines to develop a deeper understanding of the social, political, and cultural history of women in Italy in the years 1946-1960. Despite being a time when women and the family were at the center of national debates, and when society changed considerably, the fifteen years following the Second World War have tended to be overlooked or subsumed into discussions of other periods. By focusing on the experience of women and by broadening the frame of reference to include subjects and sources often ignored, or only alluded to, by traditional analyses, the essays in this volume break new ground and provide a corrective to previous interpretive models.


Shirley Hazzard: New Critical Essays

Shirley Hazzard: New Critical Essays
Author: Brigitta Olubas
Publisher: Sydney University Press
Total Pages: 167
Release: 2014-10-08
Genre:
ISBN: 1743324103

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Shirley Hazzard: New Critical Essays is the first collection of scholarly essays on the work of the acclaimed Australian-born, New York-based author. In the course of the last half century, Hazzard's writing has crossed and re-crossed the terrain of love, war, beauty, politics and ethics. Hazzard's oeuvre effortlessly reflects and represents the author's life and times, encapsulating the prominent feelings, anxieties and questions of the second half of the 20th century. It is these qualities, along with Hazzard's lyrical style that place her among the most noteworthy Australian writers of the 20th century. Hazzard's work has been duly praised and admired by many including the critic Bryan Appleyard who describes her as 'the greatest living writer on goodness and love'. In 2011, novelist Richard Ford observed: 'If there has to be one best writer working in English today it's Shirley Hazzard.'


Narratives of Forced Mobility and Displacement in Contemporary Literature and Culture

Narratives of Forced Mobility and Displacement in Contemporary Literature and Culture
Author: Roger Bromley
Publisher: Springer Nature
Total Pages: 258
Release: 2021-06-19
Genre: Literary Criticism
ISBN: 3030735966

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Narratives of Forced Mobility and Displacement in Contemporary Literature and Culture: Border Violence focuses on the evidence of the effects of displacement as seen in narratives—cinematic, photographic, and literary—produced by, with, or about refugees and migrants. The book explores refugee journeys, asylum-seeking, trafficking, and deportation as well as territorial displacement, the architecture of occupation and settlement, and border separation and violence. The large-scale movement of people from the global South to the global North is explored through the perspectives of the new mobilities paradigm, including the fact that, for many of the displaced, waiting and immobility is a common part of their experience. Through critical analysis drawing on cultural studies and literary studies, Roger Bromley generates an alternative “map” of texts for understanding displacement in terms of affect, subjectivity, and dehumanization with the overall aim of opening up new dialogues in the face of the current stream of anti-refugee rhetoric.


Histories of the Aftermath

Histories of the Aftermath
Author: Frank Biess
Publisher: Berghahn Books
Total Pages: 330
Release: 2010-07-01
Genre: History
ISBN: 1845459989

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In 1945, Europeans confronted a legacy of mass destruction and death: millions of families had lost their homes and livelihoods; millions of men in uniform had lost their lives; and millions more had been displaced by the war’s destruction, and the genocidal policies of the Nazi regime. From a range of methodological historical perspectives—military, cultural, and social, to film and gender and sexuality studies—this volume explores how Europeans came to terms with these multiple pasts. With a focus on distinctive national experiences in both Eastern and Western Europe, it illuminates how postwar stabilization coexisted with persistent insecurities, injuries, and trauma.


Landscape and Memory in Post-Fascist Italian Film

Landscape and Memory in Post-Fascist Italian Film
Author: Giuliana Minghelli
Publisher: Routledge
Total Pages: 264
Release: 2014-06-11
Genre: Performing Arts
ISBN: 1135104816

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This study argues that neorealism’s visual genius is inseparable from its almost invisible relation to the Fascist past: a connection inscribed in cinematic landscapes. While largely a silent narrative, neorealism’s complex visual processing of two decades of Fascism remains the greatest cultural production in the service of memorialization and comprehension for a nation that had neither a Nuremberg nor a formal process of reconciliation. Through her readings of canonical neorealist films, Minghelli unearths the memorial strata of the neorealist image and investigates the complex historical charge that invests this cinema. This book is both a formal analysis of the new conception of the cinematic image born from a crisis of memory, and a reflection on the relation between cinema and memory. Films discussed include Ossessione (1943) Paisà (1946), Ladri di biciclette (1948), and Cronaca di un amore (1950).


Cinematic Rome

Cinematic Rome
Author: Richard Wrigley
Publisher: Troubador Publishing Ltd
Total Pages: 229
Release: 2008
Genre: Photography
ISBN: 1906510288

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This collection is based on the papers given at a conference at the University of Nottingham in September 2005. The conference was intended to explore Rome as a site for the making of films, and also its changing role as a setting for cinematic narrative. The resulting collection of essays will contribute to the burgeoning genre of studies on cinema and the city, by focusing on one particularly rich case study both for the nature of the films discussed, and the complexities of the city and its representation. The volume will also reach beyond film studies in so far as the subject draws on and informs other approaches to Rome's cultural history (geography, art history, urban history, classics).The essays address topics ranging from the interwar period to the present. A diverse set of cinematic interactions and interventions are placed within the context of the evolving architectural, social and political fabric of Rome in a period of rapid and often traumatic historical change. Implicit in the conception of the conference was the idea that cinematic representations of the city inherit and rework established habits of visualisation used to produce images of the Eternal city. Three other tropes which constitute key elements in Rome's international reputation can be seen as being embedded in cinematic narratives. Firstly, the trope of transformation - artisic, narratives.Firstly, the trope of transformation -artisic, psychological, spiritual; secondly, the city's reputation as a cosmopolitan crossroad. Thirdly, Rome's status as a locus classicus for the juxtaposition of the ancient and the modern, which was given a new relevance and complexity in films which sought to focus on aspects of contemporary life, be it in the Fascist era, or the extreme contrasts of poverty and international bohemianism of the postwar era.


Supreme warrior

Supreme warrior
Author: Li Donghao
Publisher: Sellene Chardou
Total Pages: 3070
Release:
Genre: Art
ISBN: 1304424316

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The old Taoist priest, who was exposed by people and was struck by lightning, smiled wryly, and his wrinkled old face showed a trace of sincerity: "Anan, I am doing this for your own good. Recently, I see that your face is a bit wrong, with a black cage and an ominous eyebrow. My mysterious people pay attention to getting lucky and avoiding evil. Even if I am a liar, I have never thought of cheating you. For the sake of a colleague, I am kind ... Speaking of faces, the old man nagged endlessly