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| Author | : Michael Talbot-Smith |
| Publisher | : Taylor & Francis |
| Total Pages | : 228 |
| Release | : 2023-12-22 |
| Genre | : Performing Arts |
| ISBN | : 100382000X |
Broadcast Sound Technology (1995) covers the basic principles of all the main aspects of the broadcast chain, including microphones and loudspeakers technology, mixing consoles, recording and replay (analogue and digital) and the principles of stereo.
| Author | : Michael Talbot-Smith |
| Publisher | : Butterworth-Heinemann |
| Total Pages | : 225 |
| Release | : 2013-10-22 |
| Genre | : Technology & Engineering |
| ISBN | : 148316151X |
Broadcast Sound Technology provides an explanation of the underlying principles of modern audio technology. Organized into 21 chapters, the book first describes the basic sound; behavior of sound waves; aspects of hearing, harming, and charming the ear; room acoustics; reverberation; microphones; phantom power; loudspeakers; basic stereo; and monitoring of audio signal. Subsequent chapters explore the processing of audio signal, sockets, sound desks, and digital audio. Analogue and digital tape recording and reproduction, as well as noise reduction, are also explained.
| Author | : Walter Fischer |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 588 |
| Release | : 2008-01-09 |
| Genre | : Technology & Engineering |
| ISBN | : 3540763589 |
This essential text for any technician in broadcasting deals with all the most important digital television, sound radio and multimedia standards. The book provides an in-depth look at these subjects in terms of practical experience. In addition it contains chapters on the basics of technologies such as analog television, digital modulation, COFDM or mathematical transformations between time and frequency domains. The attention in each respective field under discussion is focused on aspects of measuring techniques and of measuring practice, in each case consolidating the knowledge imparted with numerous practical examples. Since the entire field of electrical communications technology is traversed in a wide arc, those who are students in this field are not excluded either.
| Author | : Andrew J Bottomley |
| Publisher | : University of Michigan Press |
| Total Pages | : 339 |
| Release | : 2020-06-01 |
| Genre | : Music |
| ISBN | : 0472126776 |
In talking about contemporary media, we often use a language of newness, applying words like “revolution” and “disruption.” Yet, the emergence of new sound media technologies and content—from the earliest internet radio broadcasts to the development of algorithmic music services and the origins of podcasting—are not a disruption, but a continuation of the century-long history of radio. Today’s most innovative media makers are reintroducing forms of audio storytelling from radio’s past. Sound Streams is the first book to historicize radio-internet convergence from the early ’90s through the present, demonstrating how so-called new media represent an evolutionary shift that is nevertheless historically consistent with earlier modes of broadcasting. Various iterations of internet radio, from streaming audio to podcasting, are all new radio practices rather than each being a separate new medium: radio is any sound media that is purposefully crafted to be heard by an audience. Rather than a particular set of technologies or textual conventions, web-based broadcasting combines unique practices and features and ideas from radio history. In addition, there exists a distinctive conversationality and reflexivity to radio talk, including a propensity for personal stories and emotional disclosure, that suits networked digital media culture. What media convergence has done is extend and intensify radio’s logics of connectivity and sharing; sonically mediated personal expression intended for public consideration abounds in online media networks. Sound Streams marks a significant contribution to digital media and internet studies. Its mix of cultural history, industry research, and genre and formal analysis, especially of contemporary audio storytelling, will appeal to media scholars, radio and podcast practitioners, audio journalism students, and dedicated podcast fans.
| Author | : Timothy D. Taylor |
| Publisher | : Duke University Press |
| Total Pages | : 428 |
| Release | : 2012-06-19 |
| Genre | : Business & Economics |
| ISBN | : 0822349469 |
This reader collects primary documents on the phonograph, cinema, and radio before WWII to show how Americans slowly came to grips with the idea of recorded and mediated sound. Through readings from advertisements, newspaper and magazine articles, popular fiction, correspondence, and sheet music, one gains an understanding of how early-20th-century Americans changed from music makers into consumers.
| Author | : Michael Talbot-Smith |
| Publisher | : Taylor & Francis |
| Total Pages | : 185 |
| Release | : 2013-07-18 |
| Genre | : Technology & Engineering |
| ISBN | : 1136119817 |
A handy source of essential data that every sound technician needs. Whether you are a professional sound engineer, responsible for broadcast or studio recording, or a student on a music technology or sound recording course, you will find this book authoritative and easily accessible. Adapted from the comprehensive volume, the Audio Engineer's Reference Book (now in its second edition), this pocket-sized reference has been fully revised to cover the very latest technology connected with sound: Noise measurement Acoustics Microphones Loudspeakers Mixing equipment CDs, DAT, MIDI, MiniDisc Telephony ISDN Digital interfacing Ultrasonics This second edition also features: Substantial revisions of chapters on radio microphone frequencies, digital audio tape, and audio measurements. An extended list of further reading.
| Author | : David Austerberry |
| Publisher | : Taylor & Francis |
| Total Pages | : 357 |
| Release | : 2013-07-24 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1136028730 |
* Learn the end-to-end process, starting with capture from a video or audio source through to the consumer's media player * A quick-start quide to streaming media technologies * How to monetize content and protect revenue with digital rights management For broadcasters, web developers, project managers implementing streaming media systems, David Austerberry shows how to deploy the technology on your site, from video and audio capture through to the consumer's media player. The book first deals with Internet basics and gives a thorough coverage of telecommunications networks and the last mile to the home. Video and audio formats are covered, as well as compression standards including Windows Media and MPEG-4. The book then guides you through the streaming process, showing in-depth how to encode audio and video. The deployment of media servers, live webcasting and how the stream is displayed by the consumer's media player are also covered. A final section on associated technologies illustrates how you can protect your revenue sources with digital rights management, looks at content delivery networks and provides examples of successful streaming applications. The supporting website, www.davidausterberry.com/streaming.html, offers updated links to sources of information, manufacturers and suppliers. David Austerberry is co-owner of the new media communications consultancy, Informed Sauce. He has worked with streaming media since the late nineties. Before that, he has been product manager for a number of broadcast equipment manufacturers, and formerly had many years with a leading broadcaster.
| Author | : John Watkinson |
| Publisher | : Taylor & Francis |
| Total Pages | : 311 |
| Release | : 1997-04-17 |
| Genre | : Technology & Engineering |
| ISBN | : 1136116532 |
Audio for Television outlinines all the relevant principles and practices. Newcomers to the field will find it an invaluable, up to date resource and experienced sound people will gain from the explanations of new technology. The rate of change in the technology of television sound has recently accelerated to such a degree that it is now a sufficiently expansive subject to warrant a book of its own. These rapid changes, from the introduction first of stereo, then multi-channel or surround sound, have made it difficult for those working in this field to keep up with the technology and even harder for those just setting out on a career in television sound. The book considers analog and digital audio as alternatives and stresses the advantages of both. Microphone and loudspeaker technology is also discussed in some detail and audio recording and routing and transmission are also covered.
| Author | : |
| Publisher | : |
| Total Pages | : |
| Release | : 2001 |
| Genre | : |
| ISBN | : |
"Convergence in Broadcast and Communications Media" offers concise and accurate information for engineers and technicians tackling products and systems combining audio, video, data processing and communications. Without adequate fundamental knowledge of the core technologies, products could be flawed or even fail. John Watkinson has provided a definitive professional guide, designed as a standard point of reference for engineers, whether you are from an audio, video, computer or communications background. Without assuming any background and starting from first principles, the four core technologies of image reproduction, sound reproduction, data processing and communications are described. Covering everything from digital fundamentals to conversion methods, sound and image technologies, compression techniques, digital coding principles, storage devices and the latest communications systems, this book shows how these technologies operate together and the necessary conversions that take place between them. Acronyms and buzzwords are introduced only after their purpose has been described in plain English - as the book serves to give a reliable grasp of the fundamentals.; The criteria involved in determining image and sound quality are based on a thorough treatment of the human senses, a unique description of how motion portrayal works in managing systems. John Watkinson is an international consultant in audio video and data recording. He is a Fellow of the AES, a member of the British Computer Society and a chartered information systems practitioner. He presents lectures, seminars, conference papers and training courses worldwide and writes for many industry magazines. His other books for Focal Press are widely acknowledged as standard reference works and industry 'bibles'. John is author of "MPEG2", "The Art of Digital Video and the Art of Digital Audio", "An Introduction to Digital Video", "An Introduction to Digital Audio", "The Art of Sound Reproduction", and "Television Fundamentals". He is also the co-author of "The Digital Interface Handbook" and Contributor to "The Loudspeaker and Headphone Handbook". It is written for engineers of any discipline (audio, video, computers, communications).; It demonstrates audio and video principles alongside the essential communications technologies: MPEG transport streams, DVB, Networks, Telephony, ADSL, Firewire, and ATM.
| Author | : Thomas Patteson |
| Publisher | : Univ of California Press |
| Total Pages | : 251 |
| Release | : 2016 |
| Genre | : Music |
| ISBN | : 0520288025 |
Listening to instruments -- "The joy of precision" : mechanical instruments and the aesthetics of automation -- "The alchemy of tone" : Jörg Mager and electric music -- "Sonic handwriting" : media instruments and musical inscription -- "A new, perfect musical instrument" : the trautonium and electric music in the 1930s -- The expanding instrumentarium
